...and with that succinct synopsis, let the mayhem ensue!
Tomorrow:
The pseudo 3-D created by Craft-Tint tones used in the first issue was eliminated for #2 of ACG's Commander Battle and the Atomic Sub (1954), although it looks like the pages were initially-conceived to utilize the Craft-Tint effects to create depth.Script by Richard Hughes, the Stan Lee of ACG who wrote practically everything at the company during his tenure as editor/writer!
Pencils by Sheldon Moldoff, inks by Al Camy, Odgen Whitney and others.
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Thanx for posting!