Showing posts with label retro. Show all posts
Showing posts with label retro. Show all posts

Monday, July 13, 2026

Monday Mecha Madness WEIRD THRILLERS "Menace of R Day"

In the 1950s, it was believed that war could be ended by 1999...
...and that other menaces would threaten the Earth, instead!
This somewhat-hokey, but entertaining, sci-fi tale from Ziff-Davis' Weird Thrillers #1 (1951) was both penciled and inked by Ross Andru.
Andru would later partner with Mike Esposito with Ross as the penciler and Mike doing the inking.
Whether this was because Esposito was faster at inking than Ross, or Andru enjoyed doing only pencils is unknown.
Considering Andru seemed pretty damn good at inking, it's a pity he eventually gave it up.
BTW, the writer of this never-reprinted tale of mechanical mayhem is unknown.
Next Week: the Return of

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Thursday, July 9, 2026

Reading Room WORLD OF FANTASY "What Went Wrong?"

You think you've prepared for every contingency...but is that truly possible?
Can anyone always account for the "human" factor?
Illustrated by Bob Forgione, whose credits at Timely/Atlas included a number of sci-fi stories including an issue of Speed Carter: SpaceMan, this never-reprinted tale from Atlas' World of Fantasy #1 (1956) is one of those "average guy inadvertently saves the world" tales that writers (in this case, unidentified) love to tell.
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Wednesday, July 8, 2026

Wednesday Worlds of Wonder GRAPHIC SHOWCASE "Eyes of Mars" Part 1

 In the pre-Internet days...

...comic creator wanna-bes had to print samples of their work in "fanzines", then sell them at comic conventions and through mailing lists.
Here's the very first published efforts of a wanna-be who made good...
The Edgar Rice Burroughs-inspired creator of this story from CCCS's Graphic Showcase #1 (1967) is none other than Mike (The Shadow) Kaluta!
The strip was probably intended as weekly installments in a high-school/college paper, but was repurposed for use in the fanzine.
Graphic Showcase ran three issues, with "Eyes of Mars" appearing in all three.
You'll see them over the next two weeks...
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Volume 1
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Tuesday, July 7, 2026

Reading Room LOST WORLDS "City That Escaped From Tomorrow"

In the 1950s, the popularity of sci-fi in tv and in movies carried over to comics...
...with a plethora of sci-fi anthology titles from almost every publisher, most of which ran material equal to the bulk of pulp and paperback science fiction of the era.
This never-reprinted tale from Standard's Lost Worlds #5 (1952) was penciled by Ross Andru and inked by Mike Esposito and Jim Mooney.
The writer is unknown.
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Monday, July 6, 2026

Monday Mecha Madness UNUSUAL TALES "Where Does It Go?"

Have you ever seen a bus pass by that you're unfamilar with, and wonder...
..."Where Does It Go?"
This never-reprinted tale behind this never-reprinted Rocke Mastroserio cover offers one possibility!
While the concept is rather kool, I have to ask, why is the robot such an insulting s.o.b.?
Writer Joe Gill, penciler Bill Moino, and inker Vince Alascia probably could have provided the answer when they created this story for Charlton's Unusual Tales #29 (1961), none of them are around now to answer the question...
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Mysteries in Space

Friday, July 3, 2026

Friday Fun BIG APPLE COMIX "Token"

In the early 1970s, there were a lot of underground / alternative comics...
Art by Larry Hama, Paul Kirchner, Stu Schwartzberg, Wally Wood
...but this HTF 1975 one-shot was one of the koolest, if only for it's awesome lineup of big-name New York-based comics talent including:
Wally Wood (who did the amazing cover above as well as a NSFW spoof of his classic "My World" strip, plus he wrote a second strip and inked a third.)!
Al Williamson, who illustrated a NSFW strip written by Wood, starring a Roy Thomas-lookalike nerd thrust into a world of barbarians, nude princesses, and monsters, becoming a loincloth-wearing, sword-wielding hero!
Plus: Neal Adams, Larry Hama, Ralph Reese, Paul Kirshner, Archie Goodwin, Marie Severin, Mike Ploog, Alan Weiss, Stu Schwarzberg, and Linda Fite.
Edited and published by Flo Steinberg (known as "Fabulous Flo" when she was Stan Lee's Gal Friday during the Silver Age), the comic was sold primarily in "head shops" and sleazy bookstores since the Direct Market was in it's infancy and there were maybe two dozen comic book shops in the entire country!
The comic was a tribute to New York City, the city we love, the city we hate, the city we love to hate and hate to love!
(Yeah, I was born and raised in NYC...Brooklyn, to be exact!)
There's lots of venting of cynicism and irritation, like the cover above with commuters just standing there with a "What now!" attitude instead of fleeing in terror as most populaces do at the sight of giant monsters tearing up the skyline.
And then there's the gentle, poetic, side as shown by the highly-underrated Herb Trimpe's visual treat...
BTW, the object in question is a subway token.
Its' use was discontinued over two decades ago in favor of "smart cards", so there are probably readers of this blog who have never used, or even seen them.

Penciler/inker (and occasional writer) Herb Trimpe, who fell into disfavor with Marvel in the 1990s, despite trying to adapt by becoming a Rob Liefield clone, was as much a part of their Silver and Bronze Age success as the Buscema brothers, Don Heck, John Romita Sr, Dick Ayers, Gene Colan, Frank Giacoia, Joe Sinnott, or any of the other hardworking craftsmen of the era.

He passed away over a decade ago...another of the links to the Silver and Bronze Ages (and, according to all accounts, a heck of a nice guy) lost to eternity. 

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Thursday, June 25, 2026

Reading Room: WEIRD TALES OF THE FUTURE "Plaything"

Ever feel like you're totally-insignificant?
Well, there might be a very good reason, as shown in Key's Weird Tales of the Future #6 (1953)!
"As flies to wanton boys are we to th' gods. They kill us for their sport."
–Shakespeare "King Lear"

While the writer is unknown, the artist was Tony Mortellaro, who did hundreds of tales in various genres for Key and Atlas/Marvel, (where he became Associate Art Director under John Romita in the 1970s).

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