Space Hero Saturdays SPACE MOUSE "Master Mind" & "Believe It or Not"

This short-lived, but entertaining, series was uneven...

...with some stories, like this one from the back cover of Avon's Space Mouse #1 (1953) featuring the heroic character as a thief, obviously adapted from a different strip...

...and this one, from the inside cover of Avon's Space Mouse #3 (1953) showing him both in "hero mode" and cleverly breaking the "fourth wall"!

Writer/artist Frank Carin was an experienced pro who started as an animator the Fleischer Brothers and TerryToons, then moved over to comics in the early, writing and/or illustrating several hundred stories and covers for everybody from Timely/Atlas to Magazine Enterprises, to Nation-Wide, to Harvey, to, of course, Avon, and finally, to Gold Key!

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Fleischer Story

A History of the Cartoon Studio in the Golden Age of Film Animation

(covering the studio where Frank Carin got his start)
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Friday Fun KOOKIE "Bongo & Bop 'Cats in the Attic' "

 Before Slackers!
Before Hipsters!
Even Before Hippies!
There were Beatniks!

Here's a tale about a pair of them that could easily be updated and re-told today!

This never-reprinted story from Dell's Kookie #2 (1962) by writer John Stanley and artist Bill Williams was part of an attempt to produce an on-going series featuring young adults in a (then) contemporary setting.

Bongo and Bop were the slackers of the ensemble, like Dobie Gillis' Maynard G Krebs amped up to 11!
Sadly the title only lasted two issues!

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Beatniks

Guide to an American Subculture
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Reading Room: UFO FLYING SAUCERS "Read the Real Story of the UFOs and Flying Saucers!"

As we mentioned in an earlier post, Dell and Gold Key published anthology comics about UFOs..

Here's the intro story from Gold Key's UFO Flying Saucers #1 (1968)

Written by long-time sci-fi/fantasy comics scripter Leo Dorfman and illustrated by Golden and Silver Age artist Joe Certa (best known as the co-creator of another alien series; J'onn J'onnz, Manhunter from Mars), the story set the rather straightforward tone for the book, which would run for 13 issues from 1968 to 1977 before changing its' title to UFO & Outer Space and continuing for another 12 issues combining reprints and new material until cancellation in 1980.

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Science Fiction Comics

Taylor History of Comics

Vol 3

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Reading Room VENUS COMICS "Strange Rocket!"

Here's a tale combining sci-fi with the "present day" West...

 ...from the back of Atlas' Venus Comics featuring the art of a future major Silver Age Marvel artist!

The parents weren't questioned as to where their son went after he failed to show up for school...ever again?

"Well, officer, Toby went into space with a bunch of extraterrestrials, but they promised they'd bring him back.

It's OK!
We gave him permission..."

The writer of this somewhat silly story from Atlas' Venus #12 (1951) is unknown, but the artist is Gene Colan, best known to Marvel fans as one of the definitive artists on Silver and Bronze Age titles like Daredevil, Iron Man, and Dracula!

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Secrets in the Shadows

Art & Life of Gene Colan
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Reading Room MONSTER OF FRANKENSTEIN COMICS "Doorway to the Future!"

Is this a "lost" Kirby Klassic from the 1950s?

Read this never-reprinted tale from Prize Comics' Monster of Frankenstein #33 (1954) and judge for yourself...

When Prize Comics' Monster of Frankenstein title was revived during the horror comic boom of the early 1950s, besides a wonderfully-gruesome version of Dick Briefer's Monster, it featured a number of two to four page "fillers".

Most of these tales appear to be, at the very least, laid-out by Jack Kirby.

This story is a prime example.

The figure poses, faces, machinery, even the futuristic buildings all but scream "KIRBY"!

The Grand Comics Database lists the story's artist as Marvin Stein with a "?", but considering the volume of work Simon & Kirby did for Prize before leaving to form their own company, Mainline, and the fact Stein worked primarily for their studio, it's not unlikely this was an "inventory" story meant for insertion wherever editorial material page count came up short.

Sadly, the writer of the story is, as in so many cases, unknown, but it might also be Kirby...

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Simon & Kirby Library
Science Fiction

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Wednesday Worlds of Wonder WORLDS UNKNOWN "Doorstep"

We've been showing aliens who dare to land on Earth "who's the boss" for centuries...

...but this is one time that may not have been the best approach!

Adapted from a short story by Keith Laumer, this tale from Marvel's Worlds Unknown #2 (1973) has a kool "Twilight Zone" twist ending, but couldn't have been adapted for the show due to the crudeness of tv special effects work at the time.

OTOH, writer Gerry Conway, penciler Gil Kane, and inker Tom Sutton had no such constraints, and they do EC Comics' writers and artists proud with a tale that would have fit right in with Weird Science, Weird Fantasy, or the merged Weird Science-Fantasy books!

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A Plague of Demons

and Other Stories

(featuring "Doorstep")
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Reading Room MONSTER OF FRANKENSTEIN COMICS "Into the 4th Dimension"

Is this a lost "Kirby Klassic" from the 1950s?

Read this never-reprinted tale from Prize's Monster of Frankenstein #31 (1954) and judge for yourself...

When Prize Comics' Monster of Frankenstein title was revived during the horror comic boom of the early 1950s, besides a wonderfully-gruesome version of Dick Briefer's Monster, it featured a number of two to four page "fillers".

Most of these tales appear to be, at the very least, laid-out by the legendary Jack (King) Kirby.

This story is a prime example.

The Grand Comics Database lists the story's illustrator as Marvin Stein, who worked primarily for the Simon & Kirby studio, so this most likely was an S&K "inventory" story laid-out by Kirby and meant for insertion wherever editorial page count came up short.

Sadly, the writer of the story is, as in so many cases, unknown...

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Science Fiction Comics
Taylor History of Comics
Vol 3
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Space Hero Saturdays PLANET COMICS "Fero: Interplanetary Detective and the Kidnapped Councilman's Daughter"

When we first met him, Fero battled scientific menaces on present-day (1940s) Earth.

As of his next appearance, without explanation, he's set in the far future!

This tale from Fiction House's Planet Comics #6 (1940) was written and illustrated by Al Bryant under the pen-name "Allison Brant".

The change in venue from present to future without any in-story explanation (not even a caption like "returing from the past to the 21st Century..." or some-such) seems odd considering the same writer/artist did this follow-up tale.

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Planet Comics

Volume 2

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Friday Fun JETTA OF THE 21st CENTURY "Atom and Evil"

Dan DeCarlo defined the look of teen humor comics for half a century...

...which is an appropriate point to make as we re-present a series from the 1950s that looks at teen life in the early 2000s!

Written and penciled by Dan DeCarlo and inked by Fred Eng, this story from Standard's Jetta of the 21st Century #7 (1953) has the "feel", both in writing and art, of an Archie tale!

At this point, Dan was freelancing, working for Standard, Atlas (later Marvel) and Archie!

Archie co-creator Bob Montana's version still set the visual standard for the company's flagship character, but DeCarlo was given leeway to adapt the characters to his art style, which would become the defining "look" for the entire line by the late 1950s, and remain so until the mid-1990s, when they stared to experiment with more realistic, and even anime-inspired art!

Ironically, Archie Comics published a series about Archie and his gang set in the far future...

...from 1989 to 1991, which combined then-current fashions with the same retro-tech look as Jetta!

Though based on DeCarlo's design concepts, Dan didn't do any covers or art for the 16-issue series!

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Dan DeCarlo's Jetta
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Reading Room MYSTICAL TALES "Lair of the Thunder Lizard!"

Bernie Krigstein was one of the most under-appreciated artists of the 1950s...

...and this kool tale he illustrated just begged to be unearthed for the first time in almost 70 years!

Scripted by Carl Wessler and rendered by Bernie Krigstein, this never-reprinted piece from Atlas' Mystical Tales #8 (1957) is a low-key character study enhanced by Krigstein's naturalistic art.

Bernie was already phasing out of comics and into mainstream commercial art (including book and magazine illustration).

This tale was one of his last stories before leaving the comics field altogether.

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Messages in a Bottle

Comic Book Stories by B Krigstein
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