Reading Room / Tales Twice Told AMAZING ADULT FANTASY "Why Won't They Believe Me?"

Stan (the Man) Lee felt a good story...

...such as this one from Atlas' Amazing Adult Fantasy #7 (1961), was worth repeating...

Scripted by Lee and illustrated by his Spider-Man co-creator Steve Ditko, the tale was typical of the "gotcha" snap-ending stories made popular in mass culture by Rod Serling on The Twilight Zone, but done a decade earlier in comics by the EC Comics horror and sci-fi/fantasy books (though usually with more gore).

Lee re-used (and expanded) the plot almost a decade later when he re-did it with another Silver Age legend, as you'll see Thursday...

Reading Room / Tales Twice Told B"ACK MAGIC "Buried Alive!"

Tuesday, We Presented the Later Version of This Tale...

...now, we show you the earlier version created by one (possibly two) Silver Age comics legends!

Illustrated by Steve (Spider-Man/Doctor Strange) Ditko, the writer of this tale from Prize's Black Magic Comics V4N4 (1954) is unknown.

It could be either Jack (King) Kirby or Joe Simon, or both, since they were the editor/art director team of the Simon & Kirby Studios which packaged Black Magic and several other books for Prize Comics!
But we don't know for certain!
(And if I have to explain who Jack Kirby is, you're not a regular reader of this blog!)
One thing we are certain of...while both stories used the same script (with a couple of modified word balloons), Ditko's version runs six pages, while Munoz's remake is seven pages long!
Don't believe me?
Click HERE and compare!

Which one do you, dear reader, believe is an example of better storytelling?

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Steve Ditko Archives Vol 1

Strange Suspense

(Which reprints this story...but in black and white)

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Reading Room / Tales Twice Told WEIRD "The Dead Live"

 Usually, in "Tales Twice Told" we present the original story first...

...but this time, we're going with the later, reworked version from the same script first!

Illustrated (or is that re-illustrated by Cirilo Munoz, this tale from Eerie Publications' Weird V8N4 (1974) is a re-working of a story from 20 years earlier that, up until then, had not been reprinted...despite the fact it had been illustrated by a major Silver-Age artist!
Trivia: that original tale remained hidden under the cowbwebs of history until 2008.over a half century later, and only in black and white!
But you'll see that story from 1954, in brilliant color, right here on Thursday!

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The Worst of Eerie Publications

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Reading Room / Tales Twice Told SUSPENSE DETECTIVE "Short Step to Oblivion"

With the revelation that Fredric Wertham lied about comics' effects on kids...

...it seems appropriate to take a look at how his far-reaching deception altered pop culture as we know it!

BTW, most people (myself included) felt that Wertham exaggerated his claims, but altering/modifying evidence to validate his theories went over the line.

This pre-Comics Code tale appeared in Fawcett's Suspense Detective #1 (1952), illustrated by George Evans, but the writer is uncredited.

It seems to be a straightforward tale of mistaken identity and justice served with some violence mixed in, but nothing over-the-top, right?

Not according to the Comics Code Authority!

Be back Thursday to see how the Code altered this story, which they considered too violent!

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Ten-Cent Plague

The Great Comic Book Scare and How It Changed America

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Reading Room / Tales Twice Told VOODOO "Goodbye...World!"

Tuesday we presented an odder (than usual) Silver Age tale...

 ...with a cover that seemed as if was from another story entirely.

Well, it was...sort of.

The story in Ajax's Midnight #4 (1957) was a reprint of a tale from Ajax's Voodoo #7 (1953), which was published during the height of the horror comics boom!

And, let's just say that Ajax's editorial packager, the Iger Studio, was not noted for its' subtle (or even tasteful) stories.

The heavy hand of the Comics Code Authority forced quite a few changes from this wild original version, as you will see from the splash panel onward...

Beyond little things like making the duo who are sent into space to spawn the new human race a married couple instead of a pair of unmarried co-workers, the harpies were redrawn as insect-like humanoids (which made a certain amount of sense), and the ending was totally-redone as a happy ending with humanity surviving the alien onslaught!

Personally, I prefer the original!

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Four Color Fear

Forgotten Horror Comics of the 1950s

Reading Room / Tales Twice Told MIDNIGHT "Project Final X"

Will the world end in an ecological disaster...

...or will it be something much more sinister?

Now that you've read this story from Ajax's Midnight #4 (1957), you might be asking yourself if it seems like it was a tad...disjointed, and that it didn't make much sense at a couple of points.
There's actually a good reason for thinking that.
The clues are in the cover for that issue...

Look carefully at the differences between the alien you see on the cover and the ones in the story itself.

There is a reason behind it all!

Be here Thursday for the surprising, shocking explanation!

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Four Color Fear

Forgotten Horror Comics of the 1950s

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Reading Room / Tales Twice Told WEIRD TALES OF THE FUTURE "Desert Castle"

We Presented the Later Telling of This Tale HERE...

...now here's the earlier (and never-reprinted version) from Key Publishing's Weird Tales of the Future #3 (1952)!

Note that, unlike the 1970s telling which gave the year as 2995, this earlier, 1950s version, illustrated by journeyman Tony Mortellaro,  is set in 1995, which makes the setting, technology, and clothing much more acceptable!

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Science Fiction Comics

Taylor History of Comics

Vol 3

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