Showing posts with label good girl art. Show all posts
Showing posts with label good girl art. Show all posts

Friday, February 21, 2025

Friday Fun / Baker Reading Room CANTEEN KATE vs The Comics Code Authority!

Besides Romance Comics and Scantily-Clad Heroines like Phantom Lady & Rulah... 

...pioneering Black comic book artist Matt Baker also did a military humor strip featuring (what else) a scantly-clad, beautiful WAC (Womens' Army Corps) officer assigned to run a canteen at a US military base not far from the front lines in Korea!
(She actually encountered North Koreans in a couple of tales)
The following, "Foxhole Floozie", appeared in St John's Fightin' Marines #7 (1952), where Kate's strip appeared in almost every issue from #2 to #12...while she also had her own comic book!
Straightforward, fun story with a little harmless cheesecake thrown in, illustrated by a master of the craft!
However...
When Charlton Comics bought out St John Publishing's inventory and began reprinting it, the brand-new Comics Code Authority literally got its' panties in a bunch, insisting on some ridiculous changes in the retelling of this tale in Charlton's Fightin' Marines #17 (1956)
Start with putting a bra/bathing suit top on Kate, and putting a boulder over her shapely legs in the opening panel and removing the story's title "Foxhole Floozie"!
Plus, throughout the tale, her tasteful shorts are replaced with mid-calf length Capri pants, and there's an olive-drab t-shirt under her uniform shirt, covering her cleavage!
One additional point...
Usually, when Charlton, Avon, and other publishers modified previously-published art to conform to the Comic Code's demands, they usually did it only to the black plate art, but, to save money, not to the existing cyan, magenta, and yellow plates!
Here, the reprint is totally-recolored!
Plus the retouching is so clean that it looks like the original artist, Matt Baker did it himself!
Did Charlton have the original art along with photostats and photo negatives, and asked Baker (who was doing freelance work for Charlton) do the reworking himself?
In truth, it's the sort of thing I'd expect editor Dick Giordano to do!
But, sadly, we'll never know the answer, since all involved parties are no longer on this mortal coil!
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Friday, August 11, 2023

Friday Fun DOLL MAN QUARTERLY "Torchy"

Here's the premiere tale of one of the best-known "good girl art" comic strips of the Golden Age...
...which according to the Grand Comics Database, has (surprisingly) never been reprinted!
From this debut in Quality's Doll Man Quarterly #8 (1946) onward, writer/artist Bill Ward's Torchy kept gaining fans with each appearance, continuing in Doll Man until the book's cancellation as of #47 in 1953 as well as simultaneously branching out into Modern Comics from #53 (1946) to #102 (1950) and a six-issue run of her own self-named comic in 1949-50!
The strip established Ward, who had been doing work in every genre, solidly as a "good girl" artist, which he utilized when the comics business collapsed in the mid-1950s to get assignments from men's magazines.
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(which, despite the misleading cover featuring a "modern" interpretaion of Torchy, features a strip by Bill Ward detailing how the Torchy series was created!)

Saturday, February 15, 2020

"Good Girl" Artist Bill Ward Goes Black!

Though known for his...stimulating...renditions of buxom (and usually blonde) women...

...Bill Ward was one of several well-known comic artists who provided Playboy-style cartoons featuring Black women (and men) to Duke, a 1950s magazine intended to attract the young, male, African-American audience that other male-oriented mags didn't (yet) cater to!
You'l note that while the men are clearly African-American, the women have more of a "look" like Dorothy Dandridge (here as seen in her only genre film, Tarzan's Peril).
Since some of the cartoons in the issue showed both men and women as Black...

...we're not sure if it was editorial choice or Ward's lack of ability to portray attractive Black women with more "ethnic" features...
I don't know if Ward contributed any illustrations for the remaining five issues of the mag's run.
If anybody can provide more info, please contact me!
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