Friday Fun / Baker Reading Room CANTEEN KATE vs The Comics Code Authority!

Besides Romance Comics and Scantily-Clad Heroines like Phantom Lady & Rulah... 

...pioneering Black comic book artist Matt Baker also did a military humor strip featuring (what else) a scantly-clad, beautiful WAC (Womens' Army Corps) officer assigned to run a canteen at a US military base not far from the front lines in Korea!

(She actually encountered North Koreans in a couple of tales)

The following, "Foxhole Floozie", appeared in St John's Fightin' Marines #7 (1952), where Kate's strip appeared in almost every issue from #2 to #12...while she also had her own comic book!

Straightforward, fun story with a little harmless cheesecake thrown in, illustrated by a master of the craft!

However...

When Charlton Comics bought out St John Publishing's inventory and began reprinting it, the brand-new Comics Code Authority literally got its' panties in a bunch, insisting on some ridiculous changes in the retelling of this tale in Charlton's Fightin' Marines #17 (1956)

Start with putting a bra/bathing suit top on Kate, and putting a boulder over her shapely legs in the opening panel and removing the story's title "Foxhole Floozie"!

Plus, throughout the tale, her tasteful shorts are replaced with mid-calf length Capri pants, and there's an olive-drab t-shirt under her uniform shirt, covering her cleavage!

One additional point...

Usually, when Charlton, Avon, and other publishers modified previously-published art to conform to the Comic Code's demands, they usually did it only to the black plate art, but, to save money, not to the existing cyan, magenta, and yellow plates!
Here, the reprint is totally-recolored!
Plus the retouching is so clean that it looks like the original artist, Matt Baker did it himself!
Did Charlton have the original art along with photostats and photo negatives, and asked Baker (who was doing freelance work for Charlton) do the reworking himself?
In truth, it's the sort of thing I'd expect editor Dick Giordano to do!

But, sadly, we'll never know the answer, since all involved parties are no longer on this mortal coil!

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Reading Room / Tales Twice Told THIS IS SUSPENSE "Short Step to Oblivion"

 We saw this tale of terror and justice uncut in Part 1...

Now let's see how it looked after the Comics Code Authority took their censoring scissors to the reprinted version...

The knife, seen in panels 5-7 on the original page, is now missing!

The knife in panels 3 and 5 is missing in the reprint page!

Despite being removed from the previous pages, the knife is shown to be the murder weapon!

But how did the knife get there if it was deleted from the earlier pages?

Ruth's word balloon in the last panel is rewritten to eliminate reference to the knife shown on the original page!

Why is Ruth screaming?

It's not like there's a dead body, like there was in the original page!

Why did the villain fall to his death?

Maybe it's the fact that Holiday shot him in the original version of the first panel!

This Comics Code Authority-eviscerated reprint appeared in Charlton's This is Suspense # 24 (1955).

The writer is unknown and the illustrator is George Evans.

A comic with no more violence or blood than a TV cop show of the period is gutted by the CCA to Protect the Morals of the Youth of America.

Take a good look at your parents.

Did it work?

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Reading Room / Tales Twice Told VOODOO "Goodbye...World!"

Tuesday we presented an odder (than usual) Silver Age tale...

 ...with a cover that seemed as if was from another story entirely.

Well, it was...sort of.

The story in Ajax's Midnight #4 (1957) was a reprint of a tale from Ajax's Voodoo #7 (1953), which was published during the height of the horror comics boom!

And, let's just say that Ajax's editorial packager, the Iger Studio, was not noted for its' subtle (or even tasteful) stories.

The heavy hand of the Comics Code Authority forced quite a few changes from this wild original version, as you will see from the splash panel onward...

Beyond little things like making the duo who are sent into space to spawn the new human race a married couple instead of a pair of unmarried co-workers, the harpies were redrawn as insect-like humanoids (which made a certain amount of sense), and the ending was totally-redone as a happy ending with humanity surviving the alien onslaught!

Personally, I prefer the original!

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Reading Room / Tales Twice Told MIDNIGHT "Project Final X"

Will the world end in an ecological disaster...

...or will it be something much more sinister?

Now that you've read this story from Ajax's Midnight #4 (1957), you might be asking yourself if it seems like it was a tad...disjointed, and that it didn't make much sense at a couple of points.
There's actually a good reason for thinking that.
The clues are in the cover for that issue...

Look carefully at the differences between the alien you see on the cover and the ones in the story itself.

There is a reason behind it all!

Be here Thursday for the surprising, shocking explanation!

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Forgotten Horror Comics of the 1950s

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Reading Room: THIS IS SUSPENSE "Choice!"

Occasionally you come across something that makes you scratch your head and go "wha?"...

This odd little piece by Dick Giordano was the opener for Charlton's This is Suspense #23 (1955)...which was actually the first issue using that name, as Charlton had bought the series (including unpublished material) from Fawcett under the name Strange Suspense Stories. after Fawcett cancelled their comics line!

(With the Comics Code about to take effect, Charlton apparently decided to make their carryover from the "bad old days" as inoffensive as possible by changing the title.)

BTW, to see how the Code mutilated a story in the very next issue of This is Suspense, check out the original Strange Suspense Stories version HERE and the revised This is Suspense version HERE!

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Monday Madness BLACK CAT MYSTERY "Colorama"...Before and After the Comics Code!

One of the most notorious stories in 1950s comics went thru some changes...

Art by Howard Nostrand

 ...when it was reprinted after the Comics Code Authority came into existence!

Actually, the theory that "Black" has all the colors together is true only in printing!

It's called "subtractive color", and when you combine all the inks in four-color printing (CYAN, MAGENTA, and YELLOW) as solid colors, they DO produce a BLACK effect on the printed page!

However, the effect that light produces when it's reflected from objects around you (or generated from a tv or computer screen) is called "additive color" and when all the colors are added together, they produce WHITE!
But, at the point where this story appeared in Black Cat Mystery #45 (1953), there were no computer screens and what little commercial tv existed was almost totally b/w!

When the story was reprinted in Black Cat Mystery #61 (1958), the Comics Code insisted on some alterations, beginning with the cover...

Art by Bob Powell from Page 1 with additional art by Howard Nostrand

...adapted from the first panel on Page 1, but featuring a character not seen in the story itself, and with the protagonist shown in the rear-view mirror wearing glasses he doesn't wear until the end of the story!
Quite frankly, there's nothing too gross or disgusting about the original cover, so why it wasn't used is unknown...

Page 1 in the reprint is unaltered.

Page 2 has only one minor change; the policeman's less-snarling expression in Panel 5...

There are no changes on Page 3

Page 4, on the other hand, has a major change...the optometrist survives!

 

And the final page is unchanged.

Script and art are by Golden Age great Bob Powell.

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