Reading Room / Tales Twice Told STRANGE WORLDS "Sabotage on Space Station 1"

Tuesday, we presented a 1970s tale with a 1950s flavor...

...now you'll see where that "flavor" came from!

Damn, we humans are good at this sort of world-saving stuff, eh?

This Norman Nodel-illustrated tale from Avon's Strange Worlds #7 (1952) could have been the basis of an episode of Space: 1999 or Classic Star Trek with just a couple of tweaks!

As to why it was reworked...

Eerie Publications had been using photostats and negatives from defunct comics companies as the source material for their b/w magazine line.

About a year in, they started using South American artists eager to break into the comics market and American artists like Dick Ayers and Chic Stone (who were losing work as the Silver Age ended and comics companies cut back their lines) to re-do old stories with a more contemporary style.

Some illustrators totally-redid the art, using new "camera angles" and clothing/technology designs reflecting contemporary tastes.

In this particular case, artist Cirilo Munoz just lightboxed and re-inked the Nodel artwork!

Editor Carl (Golden Age Human Torch) Burgos eliminated the opening captions and modified a couple of captions and dialogue balloons, but otherwise left the unknown writer's original script intact.

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Reading Room STRANGE WORLDS "Invasion from the Abyss!"

Alien Invasions of Earth are a Popular Story Concept...

...even when the "aliens" are from inside the Earth, rather than outer space!

This story from Avon's Strange Worlds #3 (1951) was a "Fleagle Gang" production.

The "Fleagles" were a group of artists including Frank Frazetta, Al Williamson, Roy Krenkel, Wally Wood, Angelo Torres, and George Woodbridge who would help each other out on tight deadlines by doing a "jam" with individuals penciling and inking different pages and even different panels on a single page, producing some absolutely-amazing visuals!

Trivia: the group was named by EC Comics editor/writer/artist Harvey Kurtzman.

The idea of advanced beings living inside the Earth and invading/reconquering the surface was very popular in the early 1950s.

Richard Shaver and 1930s-40s pulp magazine editor Raymond A Palmer caused a media firestorm with a series of stories presenting a theory that combined the "civilization inside the Earth" concept with another pop culture phenomenon...flying saucers!

Numerous readers wrote in, claiming that they had actually seen creatures and vehicles exactly as described in the stories!

The "Shaver Hoax" (as it came to be known) influenced 1930s-50s sci-fi/fantasy ranging from the two-part pilot episode of the TV's Adventures of Superman "Superman and the Mole Men" to movie serials like The Phantom Empire and movies like Brain Eaters!

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Reading Room STRANGE WORLDS "I Couldn't Stop the Runaway Comet!"

Some people believe we're entering the Biblical End Times!

Well, we here at Atomic Kommie Comics don't believe that!

We believe the End of the World be something more like this scientifically-inaccurate, never-reprinted tale about death by extreme heat from Atlas' Strange Worlds #5 (1959)!

There's also a really kool Easter Egg within the story!

See if you can find it!

No, we're not going to explore whether God exists or not.

Though popularized as fireballs in bad science fiction, the fact that comets were really composed primarily of rock and ice which vaporized as they approached the Sun, creating the "tail", was known as far back as Issac Newton's time.

So the whole idea of the comet generating heat like a star was ludicrous...even in the 1950s!

Though the writer is unknown, the artist was Steve (Spider-Man) Ditko.

That fact is crucial for understanding the Easter Egg...

The name "Victor Sage", used here for the extremely-fallible protagonist, later became "Vic Sage",  the secret identity of one of Ditko's more durable creations...Charlton's The Question!

Besides becoming a DC mainstay with his own title and spotlighted appearances in the Justice League animated series, the character was the basis for Rorschach in Alan Moore's "reimagining" of classic comic character archetypes in Watchmen!

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Reading Room STRANGE WORLDS "Abduction of Henry Twigg"

Here's a dream come true for all us fanboys and nerds (Yep, I'm one)...

...in this Joe Kubert-illustrated tale from Avon's Strange Worlds #8 (1952)...

Talk about politically-incorrect...from both sexes!

But it's still entertaining, and that's what counts, eh?

Note: we've run stories from two different series named "Strange Worlds".

This tale is from the first one, published by Avon Comics in the early 1950s.

By the late 1950s, Avon Publishing had abandoned comic books and concentrated on "traditional" publishing (hardcovers and paperbacks) in various genres (including sci-fi and horror).

Curiously, when comics became "hot' in the 1960s, Avon did not reprint their comic library in paperback format the way Ballantine Books did with EC Comics, Signet did with DC Comics, Lancer did with Marvel. and Belmont did with Archie's super-heroes!

Considering they owned the material and didn't have to pay to reprint it like all the other publishers did, it seems like a lost opportunity for Avon to make some quick cash.

Note: We've re-presented several tales from the other Strange Worlds, published by Atlas Comics in the late 1950s, literally right before they became Marvel in 1961!

It's easy to tell which is which, since the Atlas/Marvel version features work by creatives like Jack Kirby, Don Heck, and Steve Ditko who would be the creative mainstays of the Marvel Age of Comics, while the Avon books have art by illustrators who would make their mark at DC, like Joe Kubert and John Forte!

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Friday Fascist Fun UNQUOTABLE TRUMP "Strange Wombs"

Sometimes Don da Con's incoherent ramblings are sadly, self-explanatory...

...as he misquotes others to make a "point" that doesn't actually exist!

The original cover by Wally Wood and Joe Orlando from Avon's Strange Worlds #5 (1951) is less frightening than the reworked version above!

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Wednesday Worlds of Wonder CROM THE BARBARIAN "Giant from Beyond!"

Return to a time before Atlantis sank with comics' first barbarian...

...as we present the third and final chapter in the saga of Crom, from Avon's Strange Worlds #2 (1951)

 

Thus do the tales of Crom come to an end, two decades before the coming of Conan in 1970...

His last adventure was produced by co-creators Gardner Fox (writer), and John Giunta (artist).

None of his stories were reprinted, even after the success of Lord of the Rings, Conan the Barbarian, and others made sword and sorcery a hot genre!
One bit of barbarian trivia; around this time, artist John Giunta took on a 15-year old apprentice who would later illustrate many fantasy characters including Conan, Kull, John Carter of Mars, and Tarzan!
His name?
Frank Frazetta!

Next Wednesday!

A New World of Wonder!

Past, Present, or Future?

This Universe or an Alternate Reality?

The Only Way You'll Find Out is to Be HERE!

Reading Room STRANGE WORLDS "I Was the Changing Man!"

Here's a beautifully-rendered tale by comics legend Al Williamson...

...that elevates an average tale about mind/body transfer to near-classic status!

Published in Atlas' Strange Worlds #4 (1959), the story was likely-plotted by the book's editor, Stan Lee, but the actual scripter is unknown!

Since publication, it's been reprinted, only once, and only in b/w, in the volume below...

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Al Williamson

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