Reading Room / Tales Twice-Told TERROR TALES "Horror Bugs"

Last Tuesday, We Presented a Frightening Future by Simon & Kirby HERE!
Now, We Present Another Artist's Version of That Same Story!

Illustrated by Antonio Reynoso, this retelling from Eerie Publications' Terror Tales V5N6 (1973) of Simon & Kirby's "Slaughter-House" shows the SOP (Standard Operating Procedure) of editor Carl Burgos.

• Find an old story from a now-defunct publisher that hadn't been reprinted since the 1950s.
• Use the original script almost verbatim, usually making a couple of changes in the opening and closing narratives and assigning it to one of the team of talented South American artists hired to work at rates lower than US illustrators!
• "Update" it, making technology and aliens look like what tv/movies were currently showing.
• And, in this case, making one of the primary characters in the originally all-White cast a Black guy!

Curiously, though most of these reworked versions were reprinted throughout the publisher's various titles, usually a year after the previous publication, this story was only run once!

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The Worst of Eerie Publications

Reading Room / Tales Twice Told WEIRD "Thing in a Box"

On Tuesday, we posted the original 1950s version of this tale, entitled "Death on the Earth-Mars Run!"!

Here's the re-titled and re-illustrated, but not re-written (except for the opening caption) 1970s version!

You'll note the rich Martian and his adopted Venusian daughter are much more "alien" here than in the 1950s art.

In addition, the ship, technology, and clothing are more in line with late-1960s/early 1970s visualizations of such things.
(No more capes and other fashion elements so prevalent in Alex Raymond's Flash Gordon!)

Sadly, artist Antonio Reynoso's storytelling style isn't quite as sharp as original artist Everett Raymond Kinstler's, with the captions covering story elements the artist doesn't quite get across in this story from Eerie Publications' Weird V6N1 (1972).
As in the case of the vast majority of Eerie Publications' comic magazines, all the stories in this issue were either direct reprints of 1950s comic stories or redrawn (and re-titled) versions of 1950s comic stories.
Remember, at that time, there was no Grand Comics Database...or even a World Wide Web the average reader could access to figure out where the stories, from defunct publishers, originally-appeared!
Nor were there even reference books (like the one conveniently-listed below) which contained such minutia for the serious aficionado of graphic arts!

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Weird Indexes of Eerie Publications

Tales Twice Told STRANGE GALAXY "Terror Asteroid"

With a really kool title like this...

...you can bet there'll be thrills and chills aplenty in the dark void of space..where no one can hear you scream!

If you think this story from Eerie Publications' b/w magazine Strange Galaxy V1N11 (1971) has a curiously-1950s retro feel to it, you'd be right...sort of.

Though the art by Antonio Reynoso is new, the story itself is lifted, with only minor caption and dialogue changes, from a tale in Avon Comics' Strange Worlds #9 (1952)!

We'll bring you that one on Thursday!

Note: Reynoso was one of numerous South American artists used by Eerie to re-interpret old comics stories in an updated, usually gorier, style for the b/w magazine market.

In fact, he did more stories (over 80 of them) than any other artist!

And, unlike most of their other illustrators, he worked exclusively for Eerie in the American comics business!

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The Worst of Eerie Publications

It's a Tale THRICE-Told! WEIRD "Eye of Evil!"

Remember when we ran these two stories last week?

A run of the mill sci-fi tale...

...and it's original, more horror-oriented, version...

As you might have guessed, Eerie Publications got its' claws on these two versions of a story from a defunct publisher Ajax-Farrell and...

...reprinted the heavily-edited, Comics Code-approved version...

...and redid the original story in a rather...unique...way!

Antonio Reynoso brought his surreal style to this redo which appeared in Eerie Publications' Weird V8N2 (1974).

Reynoso was one of numerous South American artists used by Eerie to re-interpret old comics stories in an updated, usually gorier, style for the b/w magazine market.

In fact, he did more stories (over 80 of them) than any other artist!

And, unlike most of their other illustrators, he worked exclusively for Eerie in the American comics business!

Please Support Atomic Kommie Comics

Visit Amazon and Order...

The Worst of Eerie Publications