Monday Mecha Madness WEIRD THRILLERS "Menace of R Day"

In the 1950s, it was believed that war could be ended by 1999...

...and that other menaces would threaten the Earth, instead!

This somewhat-hokey, but entertaining, sci-fi tale from Ziff-Davis' Weird Thrillers #1 (1951) was both penciled and inked by Ross Andru.

Andru would later partner with Mike Esposito with Ross as the penciler and Mike doing the inking.

Whether this was because Esposito was faster at inking than Ross, or Andru enjoyed doing only pencils is unknown.

Considering Andru seemed pretty damn good at inking, it's a pity he eventually gave it up.

BTW, the writer of this never-reprinted tale of mechanical mayhem is unknown.

Next Week: the Return of

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Reading Room LOST WORLDS "City That Escaped From Tomorrow"

In the 1950s, the popularity of sci-fi in tv and in movies carried over to comics...

...with a plethora of sci-fi anthology titles from almost every publisher, most of which ran material equal to the bulk of pulp and paperback science fiction of the era.

This never-reprinted tale from Standard's Lost Worlds #5 (1952) was penciled by Ross Andru and inked by Mike Esposito and Jim Mooney.
The writer is unknown.

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Reading Room: WEIRD TALES OF THE FUTURE "Plaything"

Ever feel like you're totally-insignificant?

Well, there might be a very good reason, as shown in Key's Weird Tales of the Future #6 (1953)!

"As flies to wanton boys are we to th' gods. They kill us for their sport."

–Shakespeare "King Lear"

While the writer is unknown, the artist was Tony Mortellaro, who did hundreds of tales in various genres for Key and Atlas/Marvel, (where he became Associate Art Director under John Romita in the 1970s).

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Reading Room: GREEN PLANET "Empty Earth"

Ever Feel Like Staying in Bed and Pulling the Covers Over Your Head?

Here's a tale about an entire planet tha felt that way, from the one-shot Green Planet, published by Charlton Comics in 1962.

This backup tale, unrelated to the title story, was written by Joe Gill, penciled by Dick Giordano, and inked by Vince Coletta.

Green Planet was a very odd comic...

1) The title story was actually an adaptation of a then-current sci-fi novel by J Hunter Holly, but, oddly, there's no mention of that fact anywhere in the comic!

2) There's no numbering on the comic (it's indicia lists it as a quarterly book) and no copyright notice listing either Charlton or novel author Holly!

We presented the main feature a couple of years ago, HERE and HERE!

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Reading Room: UFO FLYING SAUCERS "Read the Real Story of the UFOs and Flying Saucers!"

As we mentioned in an earlier post, Dell and Gold Key published anthology comics about UFOs..

Here's the intro story from Gold Key's UFO Flying Saucers #1 (1968)

Written by long-time sci-fi/fantasy comics scripter Leo Dorfman and illustrated by Golden and Silver Age artist Joe Certa (best known as the co-creator of another alien series; J'onn J'onnz, Manhunter from Mars), the story set the rather straightforward tone for the book, which would run for 13 issues from 1968 to 1977 before changing its' title to UFO & Outer Space and continuing for another 12 issues combining reprints and new material until cancellation in 1980.

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Reading Room VENUS COMICS "Strange Rocket!"

Here's a tale combining sci-fi with the "present day" West...

 ...from the back of Atlas' Venus Comics featuring the art of a future major Silver Age Marvel artist!

The parents weren't questioned as to where their son went after he failed to show up for school...ever again?

"Well, officer, Toby went into space with a bunch of extraterrestrials, but they promised they'd bring him back.

It's OK!
We gave him permission..."

The writer of this somewhat silly story from Atlas' Venus #12 (1951) is unknown, but the artist is Gene Colan, best known to Marvel fans as one of the definitive artists on Silver and Bronze Age titles like Daredevil, Iron Man, and Dracula!

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Reading Room MONSTER OF FRANKENSTEIN COMICS "Doorway to the Future!"

Is this a "lost" Kirby Klassic from the 1950s?

Read this never-reprinted tale from Prize Comics' Monster of Frankenstein #33 (1954) and judge for yourself...

When Prize Comics' Monster of Frankenstein title was revived during the horror comic boom of the early 1950s, besides a wonderfully-gruesome version of Dick Briefer's Monster, it featured a number of two to four page "fillers".

Most of these tales appear to be, at the very least, laid-out by Jack Kirby.

This story is a prime example.

The figure poses, faces, machinery, even the futuristic buildings all but scream "KIRBY"!

The Grand Comics Database lists the story's artist as Marvin Stein with a "?", but considering the volume of work Simon & Kirby did for Prize before leaving to form their own company, Mainline, and the fact Stein worked primarily for their studio, it's not unlikely this was an "inventory" story meant for insertion wherever editorial material page count came up short.

Sadly, the writer of the story is, as in so many cases, unknown, but it might also be Kirby...

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Reading Room MONSTER OF FRANKENSTEIN COMICS "Into the 4th Dimension"

Is this a lost "Kirby Klassic" from the 1950s?

Read this never-reprinted tale from Prize's Monster of Frankenstein #31 (1954) and judge for yourself...

When Prize Comics' Monster of Frankenstein title was revived during the horror comic boom of the early 1950s, besides a wonderfully-gruesome version of Dick Briefer's Monster, it featured a number of two to four page "fillers".

Most of these tales appear to be, at the very least, laid-out by the legendary Jack (King) Kirby.

This story is a prime example.

The Grand Comics Database lists the story's illustrator as Marvin Stein, who worked primarily for the Simon & Kirby studio, so this most likely was an S&K "inventory" story laid-out by Kirby and meant for insertion wherever editorial page count came up short.

Sadly, the writer of the story is, as in so many cases, unknown...

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Space Hero Saturdays PLANET COMICS "Fero: Interplanetary Detective and the Kidnapped Councilman's Daughter"

When we first met him, Fero battled scientific menaces on present-day (1940s) Earth.

As of his next appearance, without explanation, he's set in the far future!

This tale from Fiction House's Planet Comics #6 (1940) was written and illustrated by Al Bryant under the pen-name "Allison Brant".

The change in venue from present to future without any in-story explanation (not even a caption like "returing from the past to the 21st Century..." or some-such) seems odd considering the same writer/artist did this follow-up tale.

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