Reading Room WILD! "Frozen North"

A never-reprinted story from one of Atlas Comics' many MAD clones...

...is our snowbound story for today!

Did you catch the cameo by the Golden Age Human Torch on page 3, asking if this book was Young Men Comics (where he was appearing in 1954)?

This tale from Wild! #1 (1954) was illustrated by Sol Brodsky, who, while better-known to aficionados as Atlas/Marvel's production manager than as an artist, actually had over 1,000 stories and covers to his credit!

(He inked Jack Kirby's Fantastic Four #3 and #4 as well as Kirby's iconic cover for Avengers #16!)

Sadly, little of the material from Atlas' four humor titles from the 1950s has been reprinted, despite the fact that some of their "big names" like Bill Everett, Joe Maneely, Gene Colan, and Russ Heath all contributed stories that went far afield from their usual "realistic" styles with amazing results!

Reading Room STRANGE WORLDS "I Captured the Abominable SnowMan"

From the epic story of an underground civilization by Jack Kirby, we go to...

...this rather intimate story of one man's obsession with Yeti, illustrated by Steve Ditko!

Like the Abominable SnowMan story we ran for the past couple of days, no one (including Marvel) is certain who scripted this tale from Strange Worlds #1 (1958).

And, you'll note that neither tale shows the "real" Yeti, just people or other creatures mistaken for it!

BTW, this was the second comic with the Strange Worlds title.

The first one was published by Avon Comics from 1950 to 1955.

This series ran for five issues in 1958-59.

Since then there have been several one-shots from various publishers, usually reprinting stories from the Avon series.

Reading Room TALES TO ASTONISH "I Found the Abominable SnowMan" Conclusion

We Have Already Seen...

Art by Jack Kirby and Dick Ayers

...reality TV show producer Victor Cartwright stops at nothing to get ratings, even faking some of the wonders he shows on the cathode screen!

When he publicly promises to deliver film of the legendary Abominable SnowMan, Cartwright dons a furry costume to fake some footage.

But things go terribly wrong when a huge furry creature captures him and takes him via an advanced drilling ship into the depths of the Earth, where Victor discovers...

Whatever happened to the stranded lizard-man?

The cover art above was reused, but not for a reprint of the story you just read!

When it appeared on the cover of Marvel's Where Creatures Roam #5 (1970)...

Art by Jack Kirby, Dick Ayers with additions by Marie Severin

..it was to cover-feature a reprint of a different furry character (also drawn by Kirby and Ayers) that had it's own cover when it appeared in Tales to Astonish #18!

Why didn't they use that art?

Most likely, the original photostats and printing films of that cover had been lost, so Marvel decided to modify the art for TtA #24 that they did have stats for!

Reading Room TALES TO ASTONISH "I Found the Abominable SnowMan" Part 1

Continuing our series of frozen-themed posts...

...here's one of the coolest (literally) giant monster tales from the final days of Atlas Comics' pre-Marvel Universe Tales to Astonish! told by the master himself, Jack Kirby, assisted by inker Dick Ayers!

Be Here Tomorrow...

...when things get even hairier for Victor Cartwright!

(Sorry, couldn't resist!)

Unfortunately, there's no available record (or even consensus among experts) as to who wrote this snow-bound story from Tales to Astonish #24 (1961).

But, if you haven't read this tale previously, the conclusion does have a couple of suprising developments!

BTW, when we said this was from the "final days" of the pre-Marvel Universe Atlas Comics, we weren't kidding!

The very next month saw the debut of Fantastic Four #1, launching the Marvel Age of Comics!

Reading Room UNUSUAL TALES "Night of Red Snow"

As near-record cold grips the northern USA...

Art by Steve Ditko

...we present another chilly comics tale, illustrated by the co-creator of Spider-Man, Steve Ditko!

Unfortunately, due to Charlton Comics' legendarily-bad printing, the "red" effect on the canvas is muted almost to uselessness, diminishing the ending's effectiveness!

BTW, did you note the sneaky "red herring" on the sides of the moving van on page 3?

Beautifully-rendered by Steve Ditko, this tale from Charlton's Unusual Tales #9 (1957) has no credited writer, but many researchers/historians believe the scripter is the prolific (and underrated) Joe Gill.