Besides the new movie I, Frankenstein, there have been numerous updatings of the tale...
...in fact, even the co-creator of the Marvel Universe, Stan Lee, took a shot at the character!
Thursday, January 23, 2014
Reading Room MENACE "Your Name is Frankenstein"
Wednesday, January 22, 2014
Reading Room FRANKENSTEIN "Meets Boris Karload: Master of Horror"
For decades, he was the actor you thought of when you heard "Frankenstein"...
...so it seems obvious that this was a team-up waiting to happen!
Of course, they had to use a variation of his name, but we know who he is...
Now, on with the show...
This tale, from Prize's Frankenstein #11 (1948), shows not only the now-friendly Monster, but members of his supporting cast.
Makes you wonder if the creators of The Munsters didn't read this book when they were kids...
Next Week: More Horrifying Humor!
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The Mad Science of Dick Briefer
Tuesday, January 21, 2014
Reading Room FRANKENSTEIN "Rebirth of the Monster"
The new movie, I, Frankenstein, is not the first updating of the Monster's story...
...in fact, this is the second reboot of an updated Frankenstein series by the same publisher!
Written and illustrated by Dick Briefer, who did all three versions of the Monster of Frankenstein for publisher Prize Comics, this story in Frankenstein #18 (1952) was the lead tale in the series' revival since the book's cancellation three years earlier!
As you might have guessed by the date, the book was revived to capitalize on the popularity (or notoriety) of horror comics during this period, resulting in the darkest, scariest, version of the Monster up to that point!
It sold well, but the national panic produced by psychiatrist Fredric Wertham (who claimed comics caused juvenile delinquency) forced comics publishers to drop the horror genre entirely!
Note: Issues 1-17 were based on the first rebooted version carried over from the publisher's flagship anthology Prize Comics.
That version was a humorous take on the character, similar to The Munsters, complete with a supporting cast of various monsters and ghosts.
Be here tomorrow for the best-known story from that run, involving the monster meeting Boris...you-know-who!
Then, on Thursday, we'll show you a tale from the very first version, which was an action/sci-fi strip set during World War II!
As you might have guessed by the date, the book was revived to capitalize on the popularity (or notoriety) of horror comics during this period, resulting in the darkest, scariest, version of the Monster up to that point!
It sold well, but the national panic produced by psychiatrist Fredric Wertham (who claimed comics caused juvenile delinquency) forced comics publishers to drop the horror genre entirely!
Note: Issues 1-17 were based on the first rebooted version carried over from the publisher's flagship anthology Prize Comics.
That version was a humorous take on the character, similar to The Munsters, complete with a supporting cast of various monsters and ghosts.
Be here tomorrow for the best-known story from that run, involving the monster meeting Boris...you-know-who!
Then, on Thursday, we'll show you a tale from the very first version, which was an action/sci-fi strip set during World War II!
Monday, January 20, 2014
Reading Room WEIRD FANTASY "Judgement Day"
This 1950s comics tale is considered the gold standard in utilizing a sci-fi motif for social commentary...
...rightfully-so, I must say!
Perhaps it's a tad slow-paced, even pedantic, by today's standards and the pay-off isn't as shocking as you might expect, but this oft-reprinted tale by writer Al Feldstein, artist Joe Orlando and colorist Marie Severin from EC's Weird Fantasy #18 (1953) was quite controversial when it first appeared.
Even when it was reprinted in the Comics Code-approved Incredible Science Fiction #33 (1956), it caused hassles.
The Code wanted Tarlton changed to a White guy!
Publisher Bill Gaines refused!
The Code tried to get EC to, at least, remove the beads of sweat from Tarlton's brow!
Bill Gaines, again, refused!
The Code refused to approve the comic.
Gaines said he didn't care.
As it was, "Judgement Day" was a reprint fill-in for a new story ("An Eye for an Eye") the Code refused to approve, and, since it was EC's last color comic ever, they'd print it without the Code stamp.
The Code gave in and approved the reprint without changes.
Even when it was reprinted in the Comics Code-approved Incredible Science Fiction #33 (1956), it caused hassles.
The Code wanted Tarlton changed to a White guy!
Publisher Bill Gaines refused!
The Code tried to get EC to, at least, remove the beads of sweat from Tarlton's brow!
Bill Gaines, again, refused!
The Code refused to approve the comic.
Gaines said he didn't care.
As it was, "Judgement Day" was a reprint fill-in for a new story ("An Eye for an Eye") the Code refused to approve, and, since it was EC's last color comic ever, they'd print it without the Code stamp.
The Code gave in and approved the reprint without changes.
No less a personage than Ray Bradbury praised "Judgement Day" effusively in the final letter (among many...except one...that praised the tale) in Cosmic Correspondence...
Public praise from one of the Masters of Science Fiction/Fantasy!
Can't argue with that...
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Illustrated by Joe Orlando
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Sunday, January 19, 2014
What Should You Get for the Pop Culture Lover in Your Life on Valentine's Day?
With than in mind, Valentine's Day is coming!
And what says "True Love" better than a kool, kitchy gift from True Love Comics Tales™? (Plus, it's both longer-lasting AND cheaper than a dozen roses!)
Choose from over 50 heart-rending designs in eleven categories including...
(The ORIGINAL LonelyHearts Columnist)
(or is that Love in School?)
on greeting cards, teddy bears, calendars, shirts/tops/intimate wear, diaries, and many other kool kollectibles!
A public service announcement for all lovers and would-be lovers from your BFFs at Atomic Kommie Comics™
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