Sunday, March 18, 2012

John Carter & Gullivar Jones...TOGETHER..sorta!

Though they worked together in League of Extraordinary Gentlemen Vol 2...
...a new mini-series, Warriors of Mars, pits John Carter and his predecessor on Mars, Gullivar Jones, against each other (at least initially)!
The two end up working together (and sharing the same tailor)...
...as the mini-series attempts to combine the two different versions of Mars into one coherent world!
Will they succeed?
I'll tell you after #5.

Saturday, March 17, 2012

Digital vs Print Comics

There's an article at Comic Book Resources about the quality of "Digital" vs "Print" comics...
The author, Augie de Blieck, claims that print comics are "...like looking at a VHS copy of a movie versus a Blu-Ray...And if this is DC's print publishing program for Vertigo, I think I'll stick to the digital comics, thanks."
As someone who has worked on comic book production from 1981 up to the present, I can tell you, Augie is full of $#!t.
The problem is simple.
Comic books today are colored on computer.
The colors are based on the RGB system, which is "additive color", meaning that when you add all the colors together, you get white!
Add to that the fact that the image is on a screen which is also the light source throwing both the light itself and the image right at your eye!
Coloring for print is based on CMYK system, which is "subtractive color", meaning that when you add all the colors together, you get black!
In addition, the light source is above, behind, or around you.
It hits the page, and both the light and the image are reflected back at your eye!
Augie doesn't realize that files prepared for RedGreenBlue color, as almost all comic files are these days, simply do not print well!
What looks good on screen may not come across well when printed with CyanMagentaYellowBlack inks unless some translating and enhancement is done.
Unfortunately, most of today's colorists are incapable of doing that, having been reared with RGB only, and taught to optimize for the screen, not print!
They can't help it.
They're what I call web-heads, untrained in using printing inks or paper to create imagery, except to send their files to an ink-jet or laser printer.
Add to that the fact that some paper stocks don't take really fine screens well and muddy-up when printed, and you end up with a mess on the printed page!
Using a coarser printing screen would produce better results on lower-quality paper.
Apparently, neither Marvel or DC has in-house staff these days who can successfully translate RGB files to CMYK, or spec the correct lpi screens for various paper stocks!

This was the official DC Comics Style Guide Color Chart in the 1980s...
Click on the Jose Luis Garcia-Lopez art for a really BIG version!
Does that look "muddy" to you?

Friday, March 16, 2012

Indulge in the Airin' of the Green (Hornet, that is) on St Patrick's Day

I won't be watching The Quiet Man this St Pat's Day!
Instead, it's...
...who will have my attention during the...

...featuring Svengoolie!

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Thursday, March 15, 2012

Space: 1999 Returns to Comics!

One of the announcements at this weekend's WonderCon features...
...the first of a series of new graphic novels and comics from Archaia Entertainment.
We've been presenting the 1970s comics (both American and British) at our "brother" blog, Secret Sanctum of Captain Video™, and will continue to do so in advance of these new adventures.

Wednesday, March 14, 2012

Reading Room: INTERPLANETARY POLICE "Mirror of Doom" Conclusion

Yes, I know we've used this art before, but it's the only time the InterPlanetary Police appeared on the cover!
Tanya, the Space Siren, constructed a giant mirror on the surface of a small planetoid.
With it, she focused the Sun's rays at the frozen planet Simia in order to melt it's icy coating and then mine the previously-unreachable platinum beneath it's surface.
However, without the solar radiation she diverted, Earth is now freezing!
Needless to say, the InterPlanetary Police tracked down the source of the solar energy drain and landed on the tiny planetoid...
It's 59 years later, and we're still looking (she was one hot babe)...
This final high-adventure story from Buster Brown Comic Book #32 (1953) was written by Hobart Donovan, penciled by Reed Crandall, and inked by Ray Wilner.
The book continued for another eleven issues, ending in late 1956.

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