Showing posts with label Jim Mooney. Show all posts
Showing posts with label Jim Mooney. Show all posts

Thursday, September 26, 2019

Reading Room LARS OF MARS 3-D "When Terrorists Die..."

Get out the 3-D glasses, kiddies...
...as we present the final, never-reprinted Lars of Mars tale...from 1987???
Eclipse Comics and 3-D expert Ray Zone were using a number of old comic strips as the basis for a series of 3-D comics.
But this was an entirely-new tale created specifically for Eclipse's Lars of Mars 3-D #1 (1987), as detailed below...
The rest of the book were reprints of "EarthShaker" and "Terror Weapon" modified to 3-D.
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featuring the covers of both issues of Lars of Mars!

Sunday, July 15, 2018

Reading Room SPACE ACTION "Silicon Monsters from Galaxy X"

If you're a cheesy sci-fi fan like me, you'll go for a story with a title like...
...'cause with a title like that, you're in for a fun (if not totally rational or even coherent) time!
While the writer is unknown, the art for this tale from Ace's Space Action #2 (1952) is attributed to "Jim McLaughlin", who had a short-lived comics career doing work primarily for Ace!
After that publisher dropped comics in 1955 to concentrate on paperbacks, he did a couple of stories for Atlas/Marvel, then a run of Dell's adaptation of the TV series Gunsmoke.
Then "Jim McLaughlin" disappeared.
Totally.
Unlike most comic book artists who went on to do commercial art or newspaper strips, there's no trace of "Jim McLaughlin" after his brief foray into four-color publishing...and no background about his pre-comics career!
Here's another interesting point...his art style altered considerably during his career.
In this story, the inking looks a lot like the work of long-time artist Jim Mooney!
In fact, a number of panels resemble Mooney's work on the DC strip Tommy Tomorrow, which Jim Mooney was both penciling and inking during the same period as "Jim McLaughlin's" work for Ace!
In McLaughlin's later work (particularly his Gunsmoke art), while the layouts look similar, the inking style is totally-different!
Was "Jim McLaughlin" a pen-name for a penciler working with at least two (if not more) different inkers?
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Science Fiction Comics
Taylor History of Comics
Vol 3

Sunday, April 22, 2018

Reading Room SPACE ACTION "Flight from Destruction"

Here's an apocalyptic tale of the future with a twist...
...direct from the Cold War!
(Considering it was published in 1952, that's not suprising!)
While the writer is unknown, the art for this tale from Ace's Space Action #3 (1952) is attributed to "Jim McLaughlin", who had a short-lived comics career doing work primarily for Ace!
After that publisher dropped comics in 1955 to concentrate on paperbacks, he did a couple of stories for Atlas/Marvel, then a run of Dell's adaptation of the TV series Gunsmoke.
Then "Jim McLaughlin" disappeared.
Totally.
Unlike most comic book artists who went on to do commercial art or newspaper strips, there's no trace of "Jim McLaughlin" after his brief foray into four-color publishing...and no background about his pre-comics career!
Here's another interesting point...his art style altered considerably during his career.
In this story, the inking looks a lot like the work of long-time artist Jim Mooney!
In fact, a number of panels resemble Mooney's work on the DC strip Tommy Tomorrow, which Jim Mooney was both penciling and inking during the same period as "Jim McLaughlin's" work for Ace!
In McLaughlin's later work (particularly his Gunsmoke art), while the layouts look similar, the inking style is totally-different!
Was "Jim McLaughlin" a pen-name for a penciler working with at least two (if not more) different inkers?

Monday, March 5, 2018

Reading Room NORGE BENSON "Pirates of the Lost Planet"

Frosting the bear suddenly shrinks to the size of a cub...
...a clear indication a new artist has taken over the strip!
This never-reprinted tale from Fiction House's Planet Comics #27 introduces Jim (Supergirl) Mooney to the wacky world of Pluto and its' weird residents.
Despite a commendable effort (except reducing Frosting to half his normal size), it's a one-off for an artist who became synonymous with Silver-Age superheroines as the series' last illustrator (no stranger to sci-fi or scantily-clad females) debuts on the strip next issue!
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Thursday, February 25, 2016

Best of Reading Room: GULLIVAR JONES "Long Road to Nowhere"

Art by Gil Kane and Frank Giacoia
...we'll let the protagonist of this interplanetary saga fill us in...
The artist round-robin continues as long-time Superman artist Wayne Boring steps in for Creatures on the Loose #19 (1972), the fourth chapter of the short-lived, never-reprinted, comic adaptation, inked by long-time Supergirl artist Jim Mooney!
(Oddly, Wayne and Jim never worked together at DC!)
At this time, Boring also did the first three issues (#22-24) of the 1972 revival of Captain Marvel.
BTW, you'll note the splash page is partially-penciled by Gil Kane.
George Alec Effinger goes solo on the scripting and continues to the end of the series in Creatures on the Loose #21.

Thursday, March 1, 2012

Reading Room: GULLIVAR JONES "Long Road to Nowhere"

The John Carter movie is only a week away (March 9th)...
Art by Gil Kane and Frank Giacoia
Meanwhile, we're continuing the adventures of his swashbuckling predecessor on Mars, Gullivar Jones, as we present, from Creatures on the Loose #19 (1972), the fourth chapter of the short-lived, never-reprinted, comic adaptation...
To be continued HERE!
The artist round-robin continues as long-time Superman artist Wayne Boring steps in for an issue, inked by long-time Supergirl artist Jim Mooney!
At this time, Boring also did the first three issues (#22-24) of the 1972 revival of Captain Marvel.
George Alec Effinger goes solo on the scripting and continues to the end of the series in Creatures on the Loose #21.
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