Though pioneering Black artist Matt Baker was best known for good-girl/cheesecake art...
...he could work in any genre, including action-packed space opera!
Inker Vince Colletta employed a number of excellent, detail-oriented pencilers like Matt Baker and Joe Sinnott to work for his studio, which "packaged" stories, series, and even book-length tales for publishers.
Unfortunately, when dealing with smaller publishers like Charlton (who didn't pay as much as DC, Marvel, Harvey, etc) in order to save maximize profit, Vince inked most of the work himself, usually rushing to meet deadlines!
Compare with another story, inked by long-time Baker collaborator Ray Osrin, and you see the difference inkers can make!
The same level of page layout and storytelling is obvious in both tales...but the rendering...hoo boy!
BTW, Joe Gill wrote this story from Charlton's Outer Space #23 (1959).
Compare with another story, inked by long-time Baker collaborator Ray Osrin, and you see the difference inkers can make!
The same level of page layout and storytelling is obvious in both tales...but the rendering...hoo boy!
BTW, Joe Gill wrote this story from Charlton's Outer Space #23 (1959).
One important plot point was that the giant children thought the scout ship was a seed pod due to it's design...
...an element cover artists Charles Nicholas and Rocke Mastroserio didn't follow though on with their re-do of the story's splash panel for the cover!
Were they not informed, or did the editor deliberately insist on a more traditional ship design?
We'll never know the answer!
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