Baker Reading Room CROWN COMICS Voodah in "Justice of the Jungle!"

When you hear the phrase "Lord of the Jungle", you visualize Tarzan or Thun'da...

...or some other White guy.

But, during the Golden Age of Comics, one such jungle lord was Black!

Debuting in Golfing/McCombs' anthology Crown Comics #3 (1945), Voodah was the first Black hero in comic books.

Illustrated by Matt Baker (who most fans know was one of the premiere Good Girl artists of the '40s-'50s, but don't know that he was one of the few African-American comic artists of the era), the idea of a non-White jungle hero seems obvious today, but was extremely-daring in the 1940s!
In fact, it was so daring that Voodah became paler, eventually becoming just another White guy bossing the locals around!
But, before he went White, Voodah had some kool adventures, including battling a dinosaur single-handed!

You'll see a couple more of them before the end of the month!

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Matt Baker

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Monday Madness OUT OF THIS WORLD "Xondu the Eternal"

A never-reprinted 1950s sci-fi tale by legendary Black artist Matt Baker...

..with a Twilight Zone-style twist ending!

OK, it's more a "Third from the Sun" than "To Serve Man" ending, but still, it's fairly effective!

(And kudos to those who didn't have to click on the links to understand what I was talking about!)

Penciled by Matt Baker and inked by Vince Colletta, this tale from Charlton's Out of This World #15 (1959) unfortunately suffers from both Colletta's rushed inking and the poor printing Charlton was notorious for.

(Unlike other comics companies, Charlton had their own printing press, which had been designed for packaging...including breakfast cereal boxes...not newsprint!)

The writer is unknown, but many believe it to be Joe Gill, who was rapidly making a name for himself with an impressive, and varied, body of work.
Penciler Matt Baker was one of the few Black comic book artists of the Golden and Silver Ages, and was easily the most prolific of them!
Though known for his "good girl" art, including the famous (and infamous) Phantom Girl stories, he handled every genre with ease, including horror, war, sci-fi, and romance!
Sadly, though, few of his stories featured Black characters...who were rare in comics until the mid-1960s!
You can read a short, but complete bio HERE!
He's also our featured artist this month in the Baker Reading Room at Atomic Kommie Comics, spotlighting his amazing cross-genre versatility!

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Now THIS is a SUPER-HERO Bowl!

Today, we PARTY, with our own Super-HERO Bowl!

A marathon of comic book-based DVDs and BluRays from around the world (including the Japanese Spider-Man live-action series with the giant Spider-Robot!).

Thank the tech gods for multi-region players!

See you tomorrow with more exciting tales!

Space Force Saturdays OUTER SPACE "Incredible Giants"

Though pioneering Black artist Matt Baker was best known for good-girl/cheesecake art...

...he could work in any genre, including action-packed space opera!

Inker Vince Colletta employed a number of excellent, detail-oriented pencilers like Matt Baker and Joe Sinnott to work for his studio, which "packaged" stories, series, and even book-length tales for publishers.

Unfortunately, when dealing with smaller publishers like Charlton (who didn't pay as much as DC, Marvel, Harvey, etc) in order to save maximize profit, Vince inked most of the work himself, usually rushing to meet deadlines!
Compare with another story, inked by long-time Baker collaborator Ray Osrin, and you see the difference inkers can make!
The same level of page layout and storytelling is obvious in both tales...but the rendering...hoo boy!
BTW, Joe Gill wrote this story from Charlton's Outer Space #23 (1959).

One important plot point was that the giant children thought the scout ship was a seed pod due to it's design...

...an element cover artists Charles Nicholas and Rocke Mastroserio didn't follow though on with their re-do of the story's splash panel for the cover!

Were they not informed, or did the editor deliberately insist on a more traditional ship design?

We'll never know the answer!

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Friday Fun YAK YAK "Romance vs Realism"

Last Friday, we presented the first part of this series about "fiction vs realism"...

...now here's the second, and sadly, final part of the series!

Dell gave MAD mainstay Jack Davis his own title, to do with as he pleased.

The series, Yak Yak (subtitled "A Pathology of Humor") only ran two issues, but they were pure Davis, who wrote, penciled, inked, and colored the whole project as well as providing painted covers for both issues!

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Art of Jack Davis
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