Monday, August 30, 2021

Monday Mars Madness STRANGE STORIES OF SUSPENSE "Beware...a Martian"

Here's a tale of racism and innuendo involving an "illegal alien"...
...that all Reich-wingers should take note of!
Written by Carl Wessler, penciled by Al Williamson, and inked by Ralph Mayo, this never-reprinted tale from Atlas' Strange Stories of Suspense #14 (1957) uses science fiction to tell a civil rights parable, substituting a Martian (and the paranoia about his race) for a African-American, Hispanic, Japanese, or other minority group about whom equally-inane fantasies have been concocted!

Note: it's interesting that Nardo the Martian has the same appearance as DC's J'Onn J'Onzz: the Martian Manhunter (except for skin color), as well as MM's specific ability to shape-shift, not a talent usually attributed to inhabitants of the Red Planet!
Note: J'Onn had debuted almost two years earlier!
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Sunday, August 29, 2021

School's Starting! Offices are Reopening! Time For a New FaceMask...or Two...or Three...or...

We're still going to need face masks...at least for awhile!

Each double-layer mask is reusable, washable, and built for comfort.
Every one-size-fits-all adult or kid mask features a pocket for optional filter use...and comes with two free carbon filters!
PLUS: these are exclusive designs, not available anywhere else on-line or in brick-and-mortar stores!
(Even Amazon doesn't have them!)
Click
to see them all!

Saturday, August 28, 2021

Space Force Saturdays INTERPLANETARY POLICE "Space Trap" Part 1

Tanya, the Space Siren has another cunning plan...
...and only Bruce Warren (and his little brother Terry) can stop her nefarious scheme in this tale from Buster Brown Comic Book #29 (1952)!
 What do they find?
(We know, but we ain't talking!)
You'll have to be back next Saturday to discover the startling secret!
The eagle-eyed among you will notice a redesign of the police uniforms and spacecraft from the previous story.
Reed Crandall, who finished the pencils over Ray Bailey's layouts, revamped them in a jauntier, more "Flash Gordon" style rather than the utilitarian "Space Cadet" look they initially had.
Crandall took over full penciling as of the next issue.
Written by Hobart Donovan.
Penciled by Ray Bailey and Reed Crandall
Inked by Ray Willner.
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Friday, August 27, 2021

Friday Fun TIPPY TEEN "Kiss and Tell"

In the 1960s, besides sci-fi and superhero comics, most of us also read "teen humor" comics...
...like Tower's Tippy Teen #17 (1967), which featured this tale that starts off with the heroine reading a romance comic.
(Talk about meta...)
If the plotting and art style on this tale from Tippy Teen #17 (1967) reads like an Archie Comics story, that's because many Archie writers and artists (who were freelancers) including Sam Schwartz, Harry Shorten, and Dan DeCarlo, also worked on Tippy strips for the short-lived Tower Comics' in the 1960s!
BTW, this story was reprinted several years later...but with the clothing and hairstyles updated to the 1970s, and the lead character changed!
Be here next Friday to see it!

Thursday, August 26, 2021

Reading Room LAND OF THE FHRE aka SAVAGE WORLD 2.0

...you'll find this version, using the same art...but a different script...a most fascinating read!
Noted Bronze Age writer/artist Bruce Jones was heavily-influenced by the Fleagle Gang and the EC Comics line in general.
Since the previously-published version of this tale in Witzend #1 (1966) was a rewrite of an unknown writer's script by Wally Wood, Bruce was given the opportunity to do a similar re-write, also without altering the art, for this publication in Pacific Comics' Alien Worlds #4 (1983).
Jones' version places the tale further into the future and makes the second half a dream sequence
The story also appeared in color for the first time, using the blueline/greyline method of hand-colored artwork with a black-line overlay, trying to simulate the traditional flat-color separations.
That's why the black linework isn't as crisp and sharp as in the b/w version.
The coloring was done by fantasy painter Joe Chiodo, another illustrator inspired by the work of 1950s comic artists.
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