Wednesday, February 12, 2020

Wednesday Worlds of Wonder DUKE "Last White Man"

From the first issue of a long out-of-print 1950s Playboy competitor comes this Ray Bradbury tale...
...which was presented only once with this title!
Intended as one of several new stories to link previously-published Mars tales in the now-legendary anthology The Martian Chronicles (1950) as a sequel to "Way in the Middle of the Air", it was delayed due to editorial requests for revisions and ended up initially-appearing in 1951 in a non-science fiction magazine dedicated to short stories in every genre as "The Other Foot"...
...before finally making its' appearance in a later, equally-legendary Bradbury anthology in 1951...
How did this unusual retitling come about?
In 1957, with Playboy dominating the newsstands, a new publisher introduced an African-American counterpart called Duke, which featured Black creatives and cheesecake models.
(The centerfold models were called "Duchesses"!)
Along with acclaimed Black writers Langston Hughes, Erskine Caldwell, and Chester Hines, the premiere issue featured Ray Bradbury's short story "The Other Foot", now entitled "The Last White Man"!
Unlike most of Bradbury's works, this tale has, to date, never been adapted into any other media!
(Sadly, Duke only lasted six issues.)
AFAIK, the only time "The Other Foot/The Last White Man" has ever been cover-featured was in a rare, limited-run book produced by, of all companies, Xerox, in 1967!
Try finding a copy of it at a reasonable price (or even a clean scan of the cover)!
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Tuesday, February 11, 2020

The FIRST Black Character to Get His Own Comic was a COWBOY???

YOU BETCHA!
In 1966, the year the Black Panther debuted in Marvel's Fantastic Four...
...Dell Comics went them one better, introducing the first Black character to get his own comic!
Other Black characters had their own series in anthology titles, but Lobo was the first to have his name AS the comic's title! 
Lobo combined a couple of popular plot concepts...
Man on the Run for a Crime He Did NOT Commit
Exemplified by then-hit tv series The Fugitive, Lobo was framed, but couldn't prove his innocence.
Lone Western Hero
A loner wandering the Old West, righting wrongs was an especially popular sub-genre in tv Westerns.
Variations on the theme included gamblers (Maverick) and martial-arts experts (Kung Fu)
Note: the tv series Branded also combined both the Loner and Man Framed themes!
...as well as a new concept:
Prominent Black character
Black characters (except for sterotypes like Amos 'n Andy) were few and far between on tv until the mid-1960s, and even then only as supporting characters (usually servants).
1960s urban dramas like Naked City and East Side, West Side, which dealt with current social themes had Black guest stars including James Earl Jones and Diana Sands, but no Black regulars.
Star Trek (1966) had both a Black regular character (Lt. Nyota Uhura) and Black actors in prominent roles as scientists and high-placed officers (admirals, etc,).
But, at that point, there were no tv series with a Black lead or Black title character!
(Diahann Carroll's groundbreaking series Julia didn't debut until 1968, two years later!)
So, Lobo was, to say the least, a daring experiment, albeit one with as many popular themes as possible to maximize sales potential!
Dell writer/editor Don (DJ) Arneson and artist Tony Tallarico felt the time was right, and managed to convince their publisher to take a chance.
(You can read Arneson's tale of Lobo's creation HERE.)
Unfortunately, it didn't work.
Many vendors outside of East Coast cities refused to even put a comic with a Black hero on their racks, and the book had an almost 90% return rate!
Lobo the comic only ran two issues.
It's rumored that a script and unfinished art exist for a third issue, but that's never been confirmed.
You can read both issues of Lobo HERE and HERE.

And don't forget our line of Lobo comic collectibles, including t-shirts, mugs, and other goodies at...

Monday, February 10, 2020

Monday Madness MAD "Stokley and Bess"

Before we begin the re-presentation of this never-reprinted tale adapting...
...I sincerely suggest anybody under 45 check out the links to these people...
and this musical...
...before proceeding.
I'll take it as given that even the youngest among you know who Malcolm X, Dr Martin Luther King, Jr and Muhammad Ali/Cassius Clay are...
Is there a reason this particular tale by Larry Siegel and Mort Drucker from MAD #111 (1967) has never been reprinted?
Was it controversial?
Did it generate too much negative reader response?
One thing's for sure...it wouldn't be done in today's cultural climate!
Please Support Atomic Kommie Comics
Visit Amazon and Order...
(note: requires region-free DVD player since it's an import disc)
The movie's NEVER been released in the US on DVD or BluRay!

Sunday, February 9, 2020

The FIRST Black Hero to Have His Own Comic was...a Cowboy???

In 1966, the year the Black Panther debuted in Marvel's Fantastic Four...
...Dell Comics went them one better, introducing the first Black hero to get his own comic!
Other Black characters had their own series in anthology titles, but Lobo was the first to have his name AS the comic's title! 
Lobo combined a couple of popular plot concepts...
Man on the Run for a Crime He Did NOT Commit
Exemplified by then-hit tv series The Fugitive, Lobo was framed, but couldn't prove his innocence.
Lone Western Hero
A loner wandering the Old West, righting wrongs was an especially popular genre in tv Westerns.
Variations on the theme included gamblers (Maverick) and martial-arts experts (Kung Fu)
Note: the tv series Branded also combined both the Loner and Man Framed themes!
...as well as a new concept:
Prominent Black character
Black characters (except for sterotypes like Amos 'n Andy) were few and far between on tv until the mid-1960s, and even then only as supporting characters (usually servants).
1960s urban dramas like Naked City and East Side, West Side, which dealt with current social themes had Black guest stars including James Earl Jones and Diana Sands, but no Black regulars.
Star Trek (1966) had both a Black regular character (Lt. Nyota Uhura) and Black actors in prominent roles as scientists and high-placed officers (admirals, etc,).
But, at that point, there were no tv series with a Black lead or Black title character!
(Diahann Carroll's groundbreaking series Julia didn't debut until 1968, two years later!)
So, Lobo was, to say the least, a daring experiment, albeit one with as many popular themes as possible to maximize sales potential!
Dell writer/editor Don (DJ) Arneson and artist Tony Tallarico felt the time was right, and managed to convince their publisher to take a chance.
(You can read Arneson's tale of Lobo's creation HERE.)
Unfortunately, it didn't work.
Many vendors outside of East Coast cities refused to even put a comic with a Black hero on their racks, and the book had an almost 90% return rate.
Lobo the comic only ran two issues.
It's rumored that a script and unfinished art exist for a third issue, but that's never been confirmed.
You can read both issues of Lobo HERE and HERE.

And don't forget our line of Lobo comic collectibles, including t-shirts, mugs, and other goodies at...

Saturday, February 8, 2020

Before the Black Panther...

The Black Panther was not the first Black Marvel character to get a cover-featured series!
He wasn't even the second!
He was the third!
First was Luke Cage, who received his own title...
[Note: Though the series has ended, three of the stars have gone on to headline new series!
Simone Missick (Misty Knight) on All RiseMike Colter (Luke Cage) on Evil and Rosario Dawson (Clare Temple/Night Nurse) on Ahsoka!]
The second character was...
WHO???
Several months before Prince T'Challa took over a reprint book, Jungle Action, and began a memorable series that served as part of the plot of the billion-dollar blockbuster movie...
...this character took over another reprint book and began a series that nobody remembers!
[You can read every never-reprinted tale featuring Calvin and his buddies HERE!]
What makes the strip even more fascinating, beyond the vaudeville-level humor, is the identity of the writer-artist behind it!
"Kevin Banks" was not a pseudonym for an already-established creative, but an editorial staffer at Marvel in the early 1970s who received his "big break" with this strip!
Trivia: Kevin was the first (and so far, onlyMarvel creator to have a head shot illustration on an on-going series!
Even the ever-amazing comics researcher Nick Caputo could find little about the mysterious Mr Banks, as seen HERE.
What did Banks did after working at Marvel?
Did he work in advertising?
Become an art instructor?
Switch careers and become an accountant or fireman?
We may never know the answer...