As
Halloween approaches, we thought we'd take a look back at one of the
best horror comics series of all time (and toss in a free plug while
we're at it!)
Prize Comics' Monster of Frankenstein began life in Prize Comics #7 (the same issue that introduced The Green Lama
to comics) and continued over several years going from a
relatively-straight sequel to the Mary Shelley novel to all-out comedy,
all drawn by the same artist, Dick Briefer (who also created the series The Target & the Targeteers.) and continuing to the point when Prize Comics became Prize Western Comics.
By then, he had his own title, also played for laughs, which ran for 17 issues.
Of particular note was Prize Comics #24, where The Green Lama, Yank & Doodle, The Black Owl, and other Prize Comics
heroes teamed up as "The Prize Fighters" to deal with the assumed
threat of the Monster, much as various Marvel heroes tend to team up to
try to tame the presumed threat of The Incredible Hulk!
By the mid-1950s, with horror comics a hot genre, The Monster was revived as a straight horror title with #18 and running thru #33, with Dick Briefer still at the artistic helm.
This is the period Golden Age fans still speak of in respectful hushed tones (although technically, it's not the Golden Age).
Old-timers may also note the logo was adapted for the first (and only) issue of Calvin Beck's Journal of Frankenstein, a b/w magazine which was retitled Castle of Frankenstein for the remainder of it's run.
(It was one of the better competitors to Forrest J. Ackerman's long-running Famous Monsters of Filmland).
There have been several reprints of the Briefer material including Ray Zone's 3-D Zone, Michael T. Gilbert's Mr Monster's Hi-Shock Schlock, and AC Comics' Men of Mystery, and most recently, Idea Men Productions' trade paperback (ISBN-10 1419640178, ISBN-13 978-1419640179)
AC
Comics also did an updated, villainous version of the character, called
"Frightenstein"* in a number of their titles, and Dynamite
Entertainment's Project SuperPowers has incorporated him as the conceptual basis of the "F-Troop" reanimated-corpse soldiers.
Knowing you can't keep a good monster down, Atomic Kommie Comics™ has revived The Monster as part of our Lost Heroes of the Golden Age of Comics™
collectibles line with six classic covers
(including #18, his first horror-era appearance) adorning such items as
tote bags (perfect as Halloween trick-or-treat bags), mousepads, blank
sketchbooks, mugs, and, of course, shirts.
In addition, we now have a Frankenstein 2018 12-Month calendar featuring the a dozen of the best of both the humor and horror versions!
Personally, I'm gonna be wearing one of the shirts on Halloween.
Only question is, which one? ;-)
*"Frightenstein" was also the name of a short-lived 1970s syndicated tv series called The Hilarious House of Frightenstein. Vincent Price did a number of intros to segments.
Sunday, August 27, 2017
Saturday, August 26, 2017
The Unbelievably-KOOL Odds & Ends Art Gallery
We're re-presenting a line of long out-of-print posters and comic book covers as affordable poster prints
perfect for students' dorm or bed rooms, house stagers who need a way
to personalize a home they're selling in a kitchy (but not tacky) way
or pop-culture aficionados who don't want to spend hundreds or
thousands of dollars for a display piece!
(Have you seen what some of the originals are selling for on eBay?)
Great value!
Kool graphics!
HTF classic pop art!
What more could you want?
(Have you seen what some of the originals are selling for on eBay?)
They range from rare Silver Age comic covers...
...to black-light-style posters...
to pop-art classics!
Check out the Odds & Ends gallery!Great value!
Kool graphics!
HTF classic pop art!
What more could you want?
Friday, August 25, 2017
Friday Fun BIG APPLE COMIX "My Word"
The legendary Wally Wood contributed several pieces to this historic one-shot comic...
...but none was better than his New York City-themed re-do of one of his most famous tales...
...from EC's Weird Science #22 (1953) and written by Al Feldstein, not Wood.
Unfortunately, due to nudity and naughty words, we can't run it here, but you can find it on our "brother" blog Not Safe for Work Comics!
(Link Fixed)
(Link Fixed)
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Visit Amazon and Order...
Thursday, August 24, 2017
Reading Room AN EARTHMAN ON VENUS Part 4
Inside front cover art by Wally Wood |
WOW!
Don't just sit there!
Start reading!
Well, that's it for our presentation of Avon's Earth Man on Venus (1950) one-shot comic adaptation illustrated by Wally Wood with Joe Orlando and Sid Check doing inking and minor redrawing.
(The adaptation's scripter is unknown.)
BTW, both Doggo's and Yuri's "deaths" were exaggerations.
Both survived to return in the sequel novels, Radio Beasts and Radio Planet.
Only the first novel, Radio Man/Earth Man on Venus, has been adapted into comics form.
Too bad, since the later novels are even better.
Both survived to return in the sequel novels, Radio Beasts and Radio Planet.
Only the first novel, Radio Man/Earth Man on Venus, has been adapted into comics form.
Too bad, since the later novels are even better.
Wednesday, August 23, 2017
Reading Room AN EARTHMAN ON VENUS Part 3
Cover art by Gene Fawcette |
...an experiment in "teleportation by
radio wave" inadvertantly sends technician Miles Cabot to the planet
Venus, where he discovers humanoids (including a ravishingly-beautiful
woman) known as "Cupians" and giant intelligent ants (who've enslaved the humanoids) who call themselves "Formians"!
Both species communicate only via telepathy on a frequency close to radio waves, so Cabot builds a device to comunicate with them.
He becomes friends with Formian Doggo and Cupian Princess Lilla, which leads to his involvement with Lilla's evil cousin Yuri, who betrays Cabot to the Formians with whom he's formed an alliance...
He becomes friends with Formian Doggo and Cupian Princess Lilla, which leads to his involvement with Lilla's evil cousin Yuri, who betrays Cabot to the Formians with whom he's formed an alliance...
Continuing our presentation of Avon's Earth Man on Venus (1950) one-shot comic adaptation illustrated by Wally Wood with Joe Orlando and Sid Check doing inking and minor redrawing.
(The adaptation's scripter is unknown.)
Ironically,
the comic book version has been reprinted numerous times, and is
probably far more familiar to current sci-fi fans than the original
story by Ralph Milne Farley (which is a shame, since the novel is pretty good)!
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