Tuesday, November 8, 2016

It's ELECTION DAY...

...and you must remember...
 ...as this HTF 1952 one-shot giveaway from Harvey Comics says!
It was so popular that the book was reprinted in b/w to meet demand in time for the election!

Monday, November 7, 2016

Trump Reading Room LOOIE LAZYBONES "Holiday in HogBite Holler!"

Let's look in on the adventures of Don (the Con) Trump's "deplorables"...
..and see what America might look like under their control...
Created in 1943, Looie Lazybones floated around the Nedor Comics line as a "filler" strip until settling down in Thrilling Comics as of #56 (1946).
Young up-and-comer Frank Frazetta took over the art a couple of issues before this tale in #70 (1948) bringing it amazingly-close in visual style to the strip's "inspiration", Al Capp's Li'l Abner, which had already become a media sensation, with a radio show, feature film and tons of merchandising!
So close, in fact, that Capp hired Frazetta to "ghost" Li'l Abner in 1954!
BTW, the writer is unknown.
Please Support Atomic Kommie Comics
Visit Amazon and Order...

Sunday, November 6, 2016

You CAN Vote EARLY in Most States!

Here's a handy (very) basic guide...
...published by Harvey Comics in 1952 (60 years ago)!
Amazing how it's both generic and pertinent even decades later!

Saturday, November 5, 2016

Reading Room ADVENTURES INTO THE UNKNOWN "Civic Spirit"

Some of the tales of this year's Presidential campaign are so unbelievable...
...you'd think they were taken from a comic book!
Written by Richard Hughes, penciled by Bob Lubbers, and inked by John Celardo, this tale of ghosts, graft, and government appeared in ACG's Adventures into the Unknown #10 (1950).
If only we could use such supernatural solutions to remove real-life grifters from local, state, and federal office...
Please support Atomic Kommie Comics!
Visit Amazon and Order...
Adventures into the Unknown Archives
Volume 1

Friday, November 4, 2016

Best of Reading Room UNCLE TOM'S CABIN Conclusion

Depending on your sensitivity, may be NSFW...
2nd Edition cover from 1954.
We have already seen...
While travelling on a riverboat with his new master, Tom meets a little girl named Eva, who quickly befriends him.
When Eva falls into the river, Tom dives in to save her, and her father, Augustine St. Clare, gratefully agrees to buy Tom from Haley.
Tom travels to the St Clares' home in New Orleans, where he grows increasingly close to Eva, with whom he shares a devout Christianity.
Up North, George and Eliza remain in flight from Loker and his men.
When the slavehunter attempts to capture them, George shoots him.
Eliza convinces George and the Quakers to bring the wounded Loker to the next settlement, where he can be healed.
Meanwhile, in New Orleans, St. Clare discusses slavery with his cousin Ophelia, who opposes slavery as an institution but harbors deep prejudices against blacks.
St. Clare, by contrast, feels no hostility against blacks but tolerates slavery because he feels powerless to change it.
To help Ophelia overcome her bigotry, he buys Topsy, a young black girl who was abused by her past master and arranges for Ophelia to begin educating her.
Eva grows very ill. She slowly weakens, then dies, with a vision of heaven before her.
Her death has a profound effect on everyone who knew her: Ophelia resolves to love the slaves, Topsy learns to trust and feel attached to others, and St. Clare decides to set Tom free.
However, before he can act on his decision, St. Clare is stabbed to death while trying to settle a brawl. As he dies, he at last finds God and goes to be reunited with his mother in heaven.
St. Clare’s cruel wife, Marie, decides to go against his wishes and, instead of freeing the slaves, sends them to a slave market to be sold...
Adaptation script by Evelyn Goodman (one of Classic Comics/Classics Illustrated's mainstays), art is by Rolland H Livingstone, who did only two other Classic issues; Rip Van Winkle and Headless Horseman.
Support Small Business!
Visit Adibah's
It's retro!
It's funky!
It's Lichtenstein-style Pop Art with a Black flair, featuring a proud Black woman!
(and it's done by a good friend of mine)