Holiday Reading Room: TICK-TOCK TALES "Koko & Kola Meet the Red Easter Bunny"

Walt (Pogo) Kelly didn't have a monopoly on Easter-themed stories...

...in fact, Magazine Entertainment's Tick Tock Tales #4 (1946) presented both a cover and several stories (including this one) featuring it's ongoing characters teamed-up with the Easter Bunny!

The artwork is by Leon Jason Comic Art Studios who supplied funny-animal art to numerous publishers including Magazine Entertainment, Spotlight Publishing, Novelty Press and EC Comics (before they did horror) during the 1940s and '50s.

Reading Room 2001: A SPACE ODYSSEY "Norton of New York 2040 A.D." Conclusion

When Last We Left Comics Fanboy Norton in the New York City of 2040...

After a disappointing interactive experience at the Comicsville amusement facility, Norton heads home...

Can a comics fanboy save the Earth?

Be here Next Week to find out!

At the time (1975), writer/penciler Jack Kirby was heavily-criticized for much of his output after returing to Marvel.

The audience wanted more Marvel continuity-oriented material, considering his Captain America and Black Panther series to be too drastic a change in their creative direction and new projects like Eternals, Devil Dinosaur, and 2001 (which didn't tie-in to the Marvel Universe) to be eccentric failures.

Kirby ended up integrating some series into the MU, introducing S.H.I.E.L.D. into The Eternals and creating X-51 (originally called "Mister Machine", but altered to "Machine Man" when Ideal Toys claimed trademark infrigement.) in the final three issues of 2001.

Marvel brought Devil Dinosaur into conflict with Godzilla, then made him a member of Fallen Angels.

Ironically, Kirby's work from this period is now lauded as exciting, innovative, and even astoundingly-creative and is almost all back in print (except for 2001, due to licensing problems!)

Reading Room 2001: A SPACE ODYSSEY "Norton of New York 2040 A.D." Part 1

Jack "King" Kirby presented the idea of an interactive comics-themed amusement park 39 years ago...

...in this never-reprinted tale from Marvel's 2001: A Space Odyssey #5 (1977).

And kids today wonder why we still call him "The King".

BTW, at the time, letters columns and fanzines (we didn't have blogs and message boards back then) complained Kirby was mocking comics fans!

The story continues tomorrow as fanboy Norton makes a fateful choice!

Written and penciled by Kirby, inked by Mike Royer, this highly-imaginative series based on the concepts presented in the landmark Stanley Kubrick/Arthur C Clarke cinematic collaboration and goes off in directions that only Kirby could conceive.

Reading Room CRUSADER FROM MARS "Death in the Soil"

We've presented almost all the tales of the short-lived Crusader from Mars...

...and now, at long last, here's the only one we haven't run!

Illustrated by Henry Sharp, and probably written by editor Jerry (Superman) Siegel, the second story from Ziff-Davis' Crusader from Mars #1 (1952) continues the theme that the major example of "Evil on Earth" Tarka and Zira must battle is Communism!
Though the adventures of the earlier Ziff-Davis Martian, Lars of Mars, have been reprinted several times (including a 3-D adaptation), the saga of the Crusader from Mars has been kept from the eyes of a sci fi-loving audience for over 60 years!
We've corrected that oversight with a complete re-presentation of his too-brief stay on Earth...

"Mission Through Space" (Origin)

"Death in the Soil"

"Night of Terror"

"Beachhead on Saturn's Ring"

BTW, isn't it a shame there was never a Lars/Crusader crossover?

Reading Room JOURNEY INTO MYSTERY "Three Who Vanished"

One of the joys of doing things like Reading Room...

...is uncovering a long-lost treasure, like this never-reprinted tale from Atlas' Journey into Mystery #50 (1959)!

With a (admittedly somewhat-misleading) cover by Joe Sinnott, art by Steve Ditko, and script probably by Larry Lieber (Stan Lee almost always had his byline on his own scripts), it's a great example of the sort of energy and creativity that was just waiting for a spark to coalesce into what would become Marvel Comics only a year or so later.