Best of Holiday Reading Room MARVEL CLASSIC COMICS "A Christmas Carol"!

There have been numerous comic adaptations of Charles Dickens' Christmas ghost story...

...but this never-reprinted one from (believe it or not) Marvel Comics, has the distinction of being illustrated by more artists than any other version!

Credited to "Diverse Hands", the art styles I recognize include Bob Hall, Frank Giacoia, Frank Springer, Dave Cockrum, Marie Severin, Carmine Infantino, Steve Leialoha, John Romita Sr, Al Milgrom, Mike Esposito, and probably anybody who wandered into the Bullpen while this book was in production in 1978!

Trivia: 

This was the final title in the Marvel Classics Comics line which had started out as color reprints of the early '70s b/w Pendulum Press "comic adaptations of classic stories" series. After a dozen issues, Marvel began doing their own adaptations, continuing for another two dozen issues.

Scripter Doug Moench was no newcomer to adapting prose to comics having worked on comics versions of literary properties including Doc Savage, The Shadow, James Bond, and Fu Manchu!

Colorist Francoise Mouly later became the art editor of The New Yorker, co-creator of the legendary comic anthology Raw, and is currently the publisher/editorial director of Toon Books.

You can read this HTF story by clicking HERE for Stave One!

Wouldn't a Purple Claw look Kool under YOUR Christmas Tree?

PURPLE CLAW!

The name that strikes terror into the hearts of evildoers...at least to the minds of an impressionable 9-14 year old audience!
Technically, it's the name of the metal glove that imparts mystic powers to it's wearer, but some refer to the user himself (or herself) by the name...sort of like Green Lanterns and their rings.
The user in this 1950s series, which mixed horror with heroics, was Dr. Johnathan Weir, a former US Army doctor who acquired it when he crashed his plane in Africa.
After the locals rescued him from the wreckage, he used his medical knowledge to save them from a plague.
Judging him as Honorable and Worthy, they gave him The Purple Claw, which had been left in their care by it's now-deceased previous owner.

The Claw's origin and history, which Dr. Weir tried to trace, is somewhat cloudy, since it was all word-of-mouth.
What is known is that it's an ancient mystic artifact of Great Power when used for Good. (Those who attempt to use it for Evil usually come to a Bad End!)
The bearer becomes a Defender of Humanity against Occult Evil, whether they want the job or not!
The Claw's exact abilities and limitations are unknown, and Weir had to experiment to see what would and wouldn't work, always stumbling upon the right way to use it before being killed/dismembered/disintegrated by a foe. (Talk about "on the job training"!)

The series ran for only three issues, but Weir continued to fight evil as a backup feature in Tales of Horror, until the Great Comics WitchHunt of the 1950s killed almost all horror/occult-themed comics titles.

As you might have guessed, we at Atomic Kommie Comics™ found it to be a perfect fit for our Horror Comics of the 1950s™ collection, even giving The Claw it's own section!

We think any of the collectibles we offer with The Purple Claw on them would make a kool Xmas stocking stuffer for the horror/occult pop culture kitch aficionado in your life!
But, remember...use them for Good...not Evil! ;-)

Holiday Reading Room SANTA CLAUS FUNNIES "Toy Trouble"

We'll wind up the week with a never-reprinted, silent one-pager...

...by Walt (Pogo) Kelly from Dell's Four Color Comics: Santa Claus Funnies #91 (1945).

Simple.

Effective.

Cute.

Cowboys + Dinosaurs = CHRISTMAS FUN!

Art by Ross Andru and Mike Esposito

They just don't make comics like this anymore!

Masked cowboy hero vs gunslinger riding a pterodactyl...and a bright magenta pterodactyl at that!
It's the sort of concept a nine-year old would come up with while playing with his (or her) newly-unwrapped action figures under the Christmas tree, mixing the dinosaurs with superheroes and cowboys!

Why not?
That's what makes it so KOOL!
It's so darn silly, yet fun, you just have to look at it and think "what the--?"

That's exactly the sense of wonder we at Atomic Kommie Comics™ still feel!
We want to live in a world where anything can, and does, happen!
In pop culture, we call this sort of tale "cross-genre", where a story draws elements from disparate categories of fiction.

Sometimes there's a certain logic to it.
One of my favorite books involves fiction's greatest detective dealing with the first alien invasion!
Since he lived in London at the time the invasion took place, it seems only (dare I say it) elementary, that Sherlock Holmes would witness and analyze the Martian invasion of 1898!
That's the basis of the superb pastiche, Sherlock Holmes' War of the Worlds by Manly Wade Wellman & Wade Wellman!
That novel, to me, defines KOOL!
(The fact the story also includes another of Sir Arthur Conan Doyle's classic characters; Professor Challenger from The Lost World and other sci-fi novels, is a cross-genre bonus!)
Track down a copy.
If you're a Holmes, Challenger, and/or War of the Worlds fan (I'm all three), it's well worth the effort!

Sometimes there's no real logic to it except--"why not?"
That's the category where something like Santa Claus Conquers the Martians goes!
And that's where the cover shown above goes.
This particular design was so cross-genre we put it in two wildly-different sections--Dinosaurs!, and Masked Western Heroes, because, hey, it fits both categories, so--"why not?"

Keep the Sense of Wonder alive!
Give a Christmas gift that keeps inspiring the imaginations of both the young and the young-at-heart!

Reading Room OUT OF THIS WORLD "Man Who Stepped Out of a Cloud"

Let's have a look at a Steve Ditko story...

...that shows both his storytelling and rendering talents at their best.

Written by Joe Gill and illustrated by Steve Ditko, this tale from Charlton's Out of This World #5 (1957) is a great example of how to tell a complete story in just five pages.

While the script isn't the greatest, Ditko tells the story effectively with both "talking heads" (and very distinctive, individualistic talking heads, at that), and kool graphics showing things impossible to portray convincingly with the sfx technology of the 1950s.