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WereWolves and Vampires™

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Classic comic book and pulp magazine covers and movie posters, scanned from the originals and digitally-remastered and restored!
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Reading Room WORLD OF SUSPENSE "Brain Trap"

We conclude our look at Atlas' World of Suspense #5 (1956) with...

...a tale of brains, business, and betrayal!

And so, the world had to wait, until the mind-reading side-effects were filtered out, for Rogaine...

This never-reprinted, story was illustrated by George Roussos, but the writer is, mercifully, unknown.

BTW, there's one more tale in the issue, but since it's a Cold War spy story, it'll appear in our brother RetroBlog Crime & Punishment next week!

Reading Room WORLD OF SUSPENSE "Lead-Lined Box!"

What lay hidden in the back of Atlas' World of Suspense #5 (1956)...

...something so hideous...so terrifying...that it couldn't even be hinted at on the cover?

WOW!

I hope the SPCA or PETA never sees this tale illustrated by Chuck Miller (aka Charles F Miller)!

The writer is unknown.

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Science Fiction Comics

Taylor History of Comics

Vol 3
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Reading Room WORLD OF SUSPENSE "Men in Glass"

This tale behind this misleading cover illustration...

is about a recent immigrant to our shores and how his actions have consequences for both the United States...and the entire Earth!

The Star Spangled Banner has always been a difficult tune to sing, but who knew it could be used as a weapon?

Illustrated by Don Heck, this never-reprinted tale from Atlas' World of Suspense #5 (1956) takes the "high note can shatter glass" trope to a whole new level.
OTOH, if the aliens' helmets had been made of plastic or "transparent aluminium" or some such instead of glass, we'd all be chanting "Hail Zarki!"

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Science Fiction Comics 
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Reading Room WORLD OF SUSPENSE "By the Dark of the Moon"

The cover depicting this tale has a gothic horror feel...

...but, in fact, the story is hard science fiction!

No ghosts or ghoulies at all!

(Halloween was over a week ago!)

Was this story's ending rewritten to conform to the Comics Code?

Scripted by Carl Wessler and ilustrated by John Giunta, this never-reprinted tale from Atlas' World of Suspense #5 (1956) features a last panel with a rather convoluted explanation that seems, as the saying goes "out of left field".

Or is it just the result of trying to cram a lot of story into only four pages?

We'll never know...