Sunday, March 9, 2014

Reading Room WORLD WAR III "Unleashed" Conclusion

...in the Summer of 1960, the Soviet Union launched a devastating nuclear sneak attack on the United States...
Oddly, this series presented a similar series of events to the first issue of Atomic War, but in a slightly-different time-frame, and a different order!
There were no cross-overs and technology and certain events were very different in the two titles.
BTW, Atomic War! came first, in November, 1952, following in December, then going bi-monthly in February and April, 1953.
World War III ran in March and May of 1953, the months Atomic War! wasn't published, giving kids of the era a monthly fix of fissionable future fun!
In mid-1953 most of the Ace Publishing comic line, except for romance and war books (WWII & Korea, not future), and one horror title, were cancelled.
The remainder died when the publisher dropped comics altogether in 1956, concentrating on paperbacks (including the legendary Ace Doubles) until the company was purchased by Grosset & Dunlap in 1972, and is now a highly-successful division of Penguin Publishing Group.
Story by pulp and paperback novel author Robert Turner, who wrote all the tales in both issues of World War III.
Illustrated by Ken Rice.

Saturday, March 8, 2014

Reading Room WORLD WAR III "Unleashed" Part 1

We travel to another potential near future (the 1960s as seen in 1952)...
 ...as we see a different version of how World War III could start...from the same publisher as Atomic War!
We pause to catch our breaths and take in the sheer devastation.
Be here tomorrow for the conclusion of "Unleashed" along with background about how this series differs from it's "brother" title from the same publisher, Atomic War!

Friday, March 7, 2014

Reading Room ATOMIC WAR! "Sneak Attack" Conclusion

On a quiet night in 1960, the Soviet Union launched a treacherous attack on the United States utilizing nuclear weaponry.
Though caught off-guard due to Commie sleeper agents disabling most of NORAD's Distant Early Warning System, America's armed forces swing into action...
In reality, a mid-air burst would be as effective, if not more so, than a nuclear bomb hitting the ground, with the electro-magnetic pulse effectively destroying all electronics and a shock wave unobstructed by buildings or geographic features.
From the New York Journal-American Archive at the University of Texas

This 1952 tale launched the short-lived Atomic War comic book series, which presented a remarkably-consistent "future" world of 1960 with it's own continuity.
Illustrated by Ken Rice, this premiere tale from Ace's Atomic War! #1 (1952) establishes the premise and leaves the reader shell-shocked.
You can read even more Atomic War tales HERE!

Thursday, March 6, 2014

Reading Room ATOMIC WAR! "Sneak Attack" Part 1

With all the talk of potential war between the US and Russia over the Ukraine...
 ...let's look at a potential near future (the 1960s as seen from 1952)...when Commies were everywhere, ready to strike against the complacent Democracies of the world, and the Dodgers were still in Brooklyn!
 We pause to take in the sheer devastation and assure you that
America WILL Strike Back...
TOMORROW!
 Don't Miss It!

Wednesday, March 5, 2014

Reading Room JIM SOLAR: SPACE SHERIFF "Defeats the Moon Missile Men" Conclusion

To stop a group of outlaws hitting frontier settlements, a disguised Sheriff Solar joins a supply caravan and is captured by the criminals...
Buy, if there was ever proof that "space opera" was just "horse opera" with ray guns instead of six-shooters, this was it!
Veteran pulp and comics writer Walter Gibson (The Shadow) also wrote the space western series Spurs Jackson and His Space Vigilantes.
Artist E.C. Stoner (Blue Beetle) had a long career in both pulps and comics from the 1930s to the early 1960s.
Though he had illustrated both Doc Savage and Ajax the Sun Man for Street & Smith (which also published The Shadow), he didn't work with Walter Gibson until they teamed up on Blackstone the Magician for Vital Publications.
(Gibson was a close friend of Harry Blackstone, as well as being a a tlented amateur magician, and wrote all the comic stories based on the celebrity magician at the various publishers who licensed his character as well as scripts for the radio show and "how to do magic" books under Blackstone's name.)
Even after Blackstone moved to Atlas (later Marvel) Comics, and other artists took over, Gibson and  Stoner worked on other projects including these promo booklets for Vital.