Sunday, August 4, 2013

Tomorrow, we'll be presenting a two-part tribute to the late Michael Ansara...
...at Secret Sanctum of Captain Video™ and Western Comics Adventures™ featuring a never-reprinted comic adaptation of an episode of his breakout TV series, Broken Arrow!
Don't miss it!

Saturday, August 3, 2013

Reading Room: "Into the 4th Dimension"

Is this another lost "Kirby Klassic" from the 1950s?
Read this never-reprinted tale from Monster of Frankenstein #31 (1954) and judge for yourself...

When Prize Comics' Monster of Frankenstein title was revived during the horror comic boom of the early 1950s, besides a wonderfully-gruesome version of Dick Briefer's Monster, it featured a number of two to four page "fillers".
Most of these tales appear to be, at the very least, laid-out by Jack Kirby.
This story is a prime example.
The Grand Comics Database lists the story's illustrator as Marvin Stein, who worked primarily for the Simon & Kirby studio, so this most likely was an S&K "inventory" story laid-ouy by Kirby and meant for insertion wherever editorial material pagecount came up short.
Sadly, the writer of the story is, as in so many cases, unknown...

Friday, August 2, 2013

Reading Room: "Doorway to the Future"

Is this a "lost" Kirby Klassic from the 1950s?
Read this never-reprinted tale from Monster of Frankenstein #33 (1954) and judge for yourself...
When Prize Comics' Monster of Frankenstein title was revived during the horror comic boom of the early 1950s, besides a wonderfully-gruesome version of Dick Briefer's Monster, it featured a number of two to four page "fillers".
Most of these tales appear to be, at the very least, laid-out by Jack Kirby.
This story is a prime example.
The figure poses, faces, machinery, even the futuristic buildings all but scream "KIRBY"!
The Grand Comics Database lists the story's creators as "unknown", but considering the volume of work Simon & Kirby did for Prize before leaving to form their own company, Mainline, it's not unlikely this was an "inventory" story meant for insertion wherever editorial material pagecount came up short.
Sadly, the writer of the story is, as in so many cases, unknown...

Thursday, August 1, 2013

2014 12-Month Calendars Now Available!

Here are the  
Atomic Kommie Comics
2014 12-Month Calendars 
by genre

Mystery / Crime
Sherlock Holmes: the Greatest Sleuth of All! 
Basil Rathbone IS Sherlock Holmes!
Mr District Attorney


Horror
WereWolves and Vampires
Horror Comics of the 1950s
Vampires of Pulps and Comics
Werewolves of the Comics and Pulps
Zombies of Comics and Pulps
(shown above)

Camp / Kitsch
3-D Movies
3-D Comic Books
Seduction of the Innocent!!
Jungle Girls
Good Girl / Bad Grrrl


Romance
True Love Comics Tales


Sci-Fi / Fantasy
Martians, Martians, Martians!
Art of Barsoom 
Thrilling Science-Fiction Tales 
Bugs and Creepy Crawlies of Comics and Pulps
Dinosaurs of the Comics and Pulps™ 

SuperHeroes
Captains of the Comics
Heroines!
Classic Phantom Lady

Lost Heroes of the Silver Age of Comics
Lost Heroes of the Golden Age of Comics
Lost Heroes of the Golden Age of Comics Team-Ups
1st Appearance Lost Heroes of the Golden Age of Comics
Flag-Waving Lost Heroes of the Golden Age of Comics

Lost Heroes of the Golden Age of Comics vs HITLER
Classic Captain Future

Classic Green Hornet
Classic Monster of Frankenstein 

Classic SuperSnipe

Western
Western Comics Adventures
Real-Life Western Comics
The Cisco Kid and Pancho



Military
Captain MidNight
Aviators of the Golden Age of Comics
WAR: Past, Present and Future
Classic Korean War Comics

NOT available in stores, only on-line! Order now...before time runs out! ;-)

Wednesday, July 31, 2013

Reading Room: WEIRD THRILLERS "Shadow on the Screen"

For all those whose parents told them "TV is bad for you"...
...and "comics are bad for you", well, they were right, as this comic tale about TV proves!
This tale from Ziff-Davis' Weird Thrillers #3 (1952) was illustrated by Bob Powell.
Powell, besides being a gifted illustrator was also a pioneer in the use of "color holds" in comic books.
The same technique he used on the tv screen was also used in a tale of radio and pulp hero The Shadow HERE, taking artwork that normally would be black-line and making it one of the color plates.
It was a very tricky thing to do back in those days since the interior pages were almost never proofed due to time and cost restraints.
But, Powell does some amazing things with the holds, making them line up exactly almost all the time!
Sadly, the writer of the story is, as in so many cases, unknown...