Thursday, January 24, 2013

Reading Room: WEIRD THRILLERS "The Menace of R-Day"

In the 1950s, it was thought that war could be ended by 1999...
...and that other menaces would threaten the Earth, instead!
This somewhat-hokey, but entertaining, sci-fi tale from Ziff-Davis' Weird Thrillers #1 (1951) was both penciled and inked by Ross Andru.
Andru would later partner with Mike Esposito with Ross as the penciler and Mike doing the inking.
Whether this was because Esposito was faster at inking than Ross, or Andru enjoyed doing only pencils is unknown.
Considering Andru seemed pretty damn good at inking, it's a pity he eventually gave it up.
BTW, the writer of this never-reprinted tale of mechanical mayhem is unknown.

Wednesday, January 23, 2013

Reading Room: OUTER SPACE "His Own Little World"

After co-creating Spider-Man and Dr Strange, Steve Ditko left Marvel Comics...
...in a dispute over credits and royalties for reprints and licensed merchandise based on his co-creations.
He continued to work for almost everyone else in the industry, including one of his early haunts, Charlton Comics, where, besides co-creating the new Blue Beetle and The Question, he revamped his first super-hero co-creation, Captain Atom, and also illustrated numerous sci-fi and horror one-shots, like this one!
If you compare this tale from Charlton's Outer Space V2N1 (1968) to Ditko's earlier work, you'll see it appears to be less-detailed.
But that's actually an optical illusion!
Before 1967-68, comic book art was usually drawn twice as large (12 1/2" x 18 1/2") as the size it was printed at.
In '67-68, the primary comic color separation company, Chemical Color Plate, changed the original art size to the smaller 1 1/2 times printed size (10" x 15") so more pages could fit on their photostat cameras' platen at a time in order to both speed up the production process and reduce costs.
The major comic companies, who provided paper to their artists free of charge, quickly began providing the smaller-size stock, to encourage the transition.
It appears this story was done on the smaller-size paper.
So, while Ditko was still inking at the same detail-level he had done previously, because the art wasn't reduced as much as it was earlier, the final product looked less-detailed!

Tuesday, January 22, 2013

Cover Gallery: FANTASTIC WORLDS & LOST WORLDS

They only ran for a combined total of five issues...
Art by Alex Toth
...but Standard's short-lived sci-fi anthologies Fantastic Worlds and Lost Worlds had some first-rate talent both on the covers and inside them!
Art by John Celardo
And, all five covers had something unique in common...
...the covers had nothing in common with the interior stories!
Art by Alex Toth & Mike Peppe
Despite the captions, which did mention titles from stories that ran in the books...
Art by Mike Sekowsky & John Celardo
...the art didn't depict anything even close to what was in the tales!
But they sure look kool, don't they?

Monday, January 21, 2013

Reading Room: WEIRD FANTASY "Judgement Day"

This 1950s comics tale is considered the gold standard in utilizing a sci-fi motif for social commentary...
...rightfully-so, I must say!
Perhaps it's a tad slow-paced, even pedantic, by today's standards and the pay-off isn't as shocking as you might expect, but this oft-reprinted tale by writer Al Feldstein, artist Joe Orlando and colorist Marie Severin from EC's Weird Fantasy #18 (1953) was quite controversial when it first appeared.
Even when it was reprinted in the Comics Code-approved Incredible Science Fiction #33 (1956), it caused hassles.
The Code wanted Tarlton changed to a White guy!
Publisher Bill Gaines refused!
The Code tried to get EC to, at least, remove the beads of sweat from Tarlton's brow!
Bill Gaines, again, refused!
The Code refused to approve the comic.
Gaines said he didn't care.
As it was, "Judgement Day" was a reprint fill-in for a new story ("An Eye for an Eye") the Code refused to approve, and, since it was EC's last color comic ever, they'd print it without the Code stamp.
The Code gave in and approved the reprint without changes.
No less a personage than Ray Bradbury praised "Judgement Day" effusively in the final letter (among many...except one...that praised the tale) in Cosmic Correspondence...
Public praise from one of the Masters of Science Fiction/Fantasy!
Can't argue with that...
Support Atomic Kommie Comics!
Visit Amazon and Buy...
Judgement Day and Other Stories
Illustrated by Joe Orlando
Fantagraphics' EC Comics Library
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Sunday, January 20, 2013

Family Emergency

Due to my Significant Other's broken toe (and unwillingness to go to an overcrowded Emergency Room), I'm performing nursing duties on her today.
Remember, family is the most important thing in your life, whether it's your parents, siblings, mates, or extended family.
See you tomorrow.