Wednesday, March 21, 2012

YouTube Wednesday: JOHN CARTER...Hit or Disaster?

Don't worry, John! We'll dig our way out of this hole!
The BBC's news/entertainment division did this piece about John Carter's less than stellar box-office...
...giving it a less-than stellar future.
Odd since JC has done over $125 million overseas, opened with over $10 million in China, and has yet to open in Japan, a strong market for films featuring sci-fi/fantasy and retro high-adventure (the two themes of JC)!
Personally, I think it'll end up doing very well on DVD/Blu-Ray, PPV, and 'net streaming, picking up the audience it didn't get in theatres.
Personally, I blame the marketing; terrible posters, trailers and commercials that didn't play up the "Carter was the FIRST!" concept and the whole "this is kool" idea, and, stupidiest of all, naming the flick the almost-useless "John Carter" instead of "John Carter and the Princess of Mars".
(Hey, "Hero and Plot Element" titles worked for Harry Potter and Indiana Jones!
Why not here?)

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Tuesday, March 20, 2012

The Shadow Returns...

With our favorite retro publisher, Dynamite Publishing, returning The Shadow to action...
...we thought we would re-present some of the earlier versions of He Who Knows What Evil Lurks...
...so check out Crime & Punishment™ for the 1970s version in a never-reprinted tale, as well as other Bronze Age stories of the original Dark Knight...

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for goodies featuring other Silver Age heroes, besides The Batman and The Shadow!

Monday, March 19, 2012

Nerdist SpaceMan Stuff Sale!

With the creation of the Nerdist YouTube Channel...
...we're celebrating with a sale on collectibles featuring the most interesting visual on the set of their new BBC-TV series The Nerdist.
Like it's counterpart on the wall of Sheldon and Leonard's apartment in The Big Bang Theory (Click HERE for that art), it's based on a classic cover from the Golden Age.
This particular image is from Ace Comics' Space Action #2, published in 1952, 60 years ago!
And here's the really weird thing...it has nothing to do with any of the stories in the comic!
Yes, it's the old "this scene on the cover does not occur on the inside" trick!
As to who the artist is, there's speculation it's either Lou Cameron or Matt Fox, both of whom had considerable sci-fi experience.

Choose from iPod,  iPad, and iPhone cases, t-shirts, mugs, tote bags, and other goodies by clicking HERE!

Sunday, March 18, 2012

John Carter & Gullivar Jones...TOGETHER..sorta!

Though they worked together in League of Extraordinary Gentlemen Vol 2...
...a new mini-series, Warriors of Mars, pits John Carter and his predecessor on Mars, Gullivar Jones, against each other (at least initially)!
The two end up working together (and sharing the same tailor)...
...as the mini-series attempts to combine the two different versions of Mars into one coherent world!
Will they succeed?
I'll tell you after #5.

Saturday, March 17, 2012

Digital vs Print Comics

There's an article at Comic Book Resources about the quality of "Digital" vs "Print" comics...
The author, Augie de Blieck, claims that print comics are "...like looking at a VHS copy of a movie versus a Blu-Ray...And if this is DC's print publishing program for Vertigo, I think I'll stick to the digital comics, thanks."
As someone who has worked on comic book production from 1981 up to the present, I can tell you, Augie is full of $#!t.
The problem is simple.
Comic books today are colored on computer.
The colors are based on the RGB system, which is "additive color", meaning that when you add all the colors together, you get white!
Add to that the fact that the image is on a screen which is also the light source throwing both the light itself and the image right at your eye!
Coloring for print is based on CMYK system, which is "subtractive color", meaning that when you add all the colors together, you get black!
In addition, the light source is above, behind, or around you.
It hits the page, and both the light and the image are reflected back at your eye!
Augie doesn't realize that files prepared for RedGreenBlue color, as almost all comic files are these days, simply do not print well!
What looks good on screen may not come across well when printed with CyanMagentaYellowBlack inks unless some translating and enhancement is done.
Unfortunately, most of today's colorists are incapable of doing that, having been reared with RGB only, and taught to optimize for the screen, not print!
They can't help it.
They're what I call web-heads, untrained in using printing inks or paper to create imagery, except to send their files to an ink-jet or laser printer.
Add to that the fact that some paper stocks don't take really fine screens well and muddy-up when printed, and you end up with a mess on the printed page!
Using a coarser printing screen would produce better results on lower-quality paper.
Apparently, neither Marvel or DC has in-house staff these days who can successfully translate RGB files to CMYK, or spec the correct lpi screens for various paper stocks!

This was the official DC Comics Style Guide Color Chart in the 1980s...
Click on the Jose Luis Garcia-Lopez art for a really BIG version!
Does that look "muddy" to you?