Sunday, January 1, 2012

Happy New Year's!

Action Comics #81. Art by Wayne Boring & Stan Kaye
Expanding the RetroBlogs™ family paid off well as the audiences for each specialized blog grew both through search engines and crossover events, including the Lone Ranger (first multi-blog posting of a single storyline), Frankenstein, and most recently, Christmas Comics multi-blog postings.
RetroBlogs™ fans also accounted for more than half of our various Collectibles stores' sales, so, a humble "thank you" for your display of good taste!
The stores account for more than half of our annual income, so your patronage is greatly appreciated.

One of our New Year's resolutions is to reduce the amount of stuff in our condo, so we're instituting a Graphics Swag and One of-a-Kind Collectibles Page at the top of this blog to sell some of the goodies we've accumulated over three decades in publishing (including stints at various comics companies).
Most of the items are industry-only swag or in-house production items like make-readies or cover/page proofs you won't see anywhere else!
Check back every few days for new items!

Saturday, December 31, 2011

Annual Comicraft Font Sale!

You can own the fonts the pros at DC, Marvel, Image, even Atomic Kommie Comics, use...
Begins at midnight December 31st and ends midnight January 1st wherever you are in the world, so technically New Year's at Comicraft is a 36 hour day!
Maybe longer, I didn't look it up or anything...

Friday, December 30, 2011

Calendars REDUCED from $19.99 to $14.99 on New Year's Eve & Day!

From 12:01 AM Saturday, December 31st to 12:01 AM Monday, January 2nd...
All 12-Month Pop Culture Calendars on THIS PAGE
REDUCED from $19.99 to $14.99
(25% OFF!)
And, as you may have noticed, we implemented the page format change a couple of days early...

Thursday, December 29, 2011

Reading Room: JETTA OF THE 21st CENTURY "My Cosmic Hero"

With 2012 right around the corner...
...let's look at a typical evening at the drive-in, supposedly set in 2012...as presented in 1952!
(I'm still waiting for my flying car!)
If the art style looks familiar, it's the work of Dan DeCarlo, who helped establish the iconic "look" of Archie Comics!
Dan actually started at Atlas Comics (the 1940s-50s predecessor to Marvel Comics) doing a variety of humor strips before beginning a long-term run on various Archie titles in 1951.
Even then, he continued to work for a number of other publishers, including Standard Comics, who asked him to create, write, and illustrate a teen-humor series.
(Every publisher had at least one of them!)
Exactly whose idea it was to set it in the "far future" of the 21st Century is unknown, but the resultant strip, though extremely derivative of Archie, was unique in the teen-humor genre for it's Jetsons-style setting and "futuristic" slang.

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Wednesday, December 28, 2011

Fantagraphics Year-End Sale

Fantagraphics, one of the premiere comics and comix publishers is having a year-end sale on a lot of their trade paperbacks and hardcovers.
Of particular interest to fans of this blog are..
Originally meant to be part of the LifeDeath plotline in Uncanny X-Men, Barry Windsor-Smith's already-penciled pages were adapted into a new story with Ororo/Storm being reworked into Adastra.
Ten years in the making, this exhaustively researched tome is a giant biography and career retrospective of one of the most important cartoonists in the history of comics. Following his life from early childhood to his acclaimed run at EC Comics, B. Krigstein traces the development of an artist who, despite having left only a relative handful of works behind him when he finally abandoned the comics field for the world of fine art, nonetheless served as an influence on many of the most acclaimed of the cartoonists to follow in his footsteps. This book also reproduces a generous sampling of art and illustration, plus six complete stories (including the famed "Master Race"), many of them newly-recolored by noted EC artist Marie Severin from Krigstein's own specifications!
"It's the part of the chicken soup that is bad for you, yet gives the soup its delicious flavor," Will Elder once explained. Chicken Fat is a collection of flavors by a master comedic chef as he works out his recipes. Elder's stable of characters is duly represented, with Goodman Beaver, Little Annie Fanny, the Mole and the more obscure Anthony Adverse, together with caricatures of celebrities and politicians, studies of classic comics characters (including the iconic Wedding of Popeye and Olive Oyl), movie posters, assorted gag panels, anatomical and fine art studies, and pages upon pages of ingeniously realized doodles.
Jack Cole has been justly celebrated as the creator of Plastic Man and an innovative comic book artist of the 1940s. After finishing his 14-year run on Plastic Man, he found himself looking for something new. According to Cole, his savior was the Humorama line of down-market digest magazines. This girls and gags magazine circuit proved to be the perfect training ground to regain his footing and develop his craft at single panel “gag” cartoons. His ability to render the female form was already without peer. Though he signed his cartoons “Jake,” Cole’s exquisite line drawings and masterful use of ink-wash — a skill he carried over to Playboy — betrayed his pseudonym.
Out of print for over 30 years, The Great Comic Book Heroes is widely acknowledged to be the first book to analyze the juvenile medium of superhero comics in a critical manner, but without denying the iconic hold such works have over readers of all ages. Feiffer discusses the role that the patriotic superhero played during World War II in shaping the public spirit of civilians and soldiers, as well as the escapist power these stories held over the zeitgeist of America. New cover by R. Sikoryak.
One note: this volume does not include the complete comic stories included in the 1960s and 1970 editions.

There's lots more if you go HERE.