Wednesday, November 16, 2011

Reading Room: CHILDREN OF DOOM Conclusion

Cover of the 1978 reprint which left out one page. Which one?
Returning to an Earth already devastated by man-made disaster, a pair of astronauts inadvertently doom the entire planet by using their atomic engines to land safely, causing a Doomsday Weapon (which activates when it senses any uncontrolled radioactivity) to awaken and begin it's lethal countdown...
Shortly after this issue came out, editor Dick Giordano went to DC Comics, taking a number of people including Children of Doom creators Denny O'Neil and Pat Boyette with him.
O'Neil stayed at DC, helping to revitalize several series including (with Neal Adams) Batman and Green Lantern, and carving out a long, multi-award-winning career as one of comics' best writers.
Boyette did several stories at DC, then returned to Charlton, where he continued to be one of the mainstays of the art staff until the company shut down.
For more about the highly-underrated Pat Boyette have a look HERE!

Tuesday, November 15, 2011

Reading Room: CHILDREN OF DOOM Part 2

The world ended.
But not by nuclear war, since a Doomsday Machine that would destroy the planet if any atomic explosion was detected, ended even testing of nuclear bombs!
Instead, a European power (implied to be Communists) manage to re-direct two meteors to strike Earth, ideally affecting only the USA!
Unfortunately, an attempt to divert the meteors using missiles results in the space rocks fragmenting and hitting all over the planet, creating devastation on an unparalleled scale!
With the Earth apparently doomed, a pair of astronauts in orbit, believing themselves the only survivors, decide to head for the nearest habitable planet...Venus!
But they don't know people have survived...but not unscathed!
Scientific note: In mid-1967, it wasn't yet known that Venus was covered with clouds of sulfuric acid and the surface was barren, so heading for it instead of Mars wasn't unreasonable.

As this issue’s “Postscripts From The Editor” (Dick Giordano) explains: “This issue may reach the stands a little late.
We had an entirely different issue ready for press, cover and all, and lost it on a legality.
We then had to get this one together in a big hurry.
We’ve always liked the idea of a black and white comic book but have been afraid of doing one in a format where everyone else is in four color.
So we mixed it up in this one! Some four color, some black and white. We like it…do you?"
The “we” was writer Denny O'Neil (under a pseudonym) and artist Pat Boyette, who produced the entire 25-page tale from concept to script to camera-ready art and color guides in less than a week!
Boyette did all the penciling, inking and lettering.
Rumor has it that O'Neil also assisted with the color guides.

Monday, November 14, 2011

Reading Room: CHILDREN OF DOOM Part 1

Presenting a comic the legendary Alan Moore considers "wonderful"...
Quoth Alan Moore from the ninth issue of the must-read mag, Comic Book Artist...
"There's still one of the books, Charlton Premiere—sort of a Showcase title—and I remember in the second or third issue of that, there was this wonderful thing called "Children of Doom" by Pat Boyette, who died recently (in 2000).
It was an incredibly sort of progressive piece of storytelling.
He was obviously, I'd imagine, looking at artists like Steranko that were coming up and messing around with the form and sort of experimenting. 
Pat decided to pitch his own hat into the ring, apparently."

Sunday, November 13, 2011

Flash Gordon Double Feature!

Click on the art to enlarge
Absolutely magnificent covers of issues #2 (below) and #3 (above) for the new Flash Gordon comic from Dynamite by Francesco Francavilla.
Nice to see the comic also utilizing a rather obvious connection between Ming and the Nazis.
(You didn't think Hitler & company developed advanced tech like rockets and jets without help, did you?  ;-)  )

Saturday, November 12, 2011

Metropolis: the Moroder Version on DVD/BluRay

While in the past decade there have been two superb reconstructions of the Fritz Lang masterpiece Metropolis (both well worth viewing or owning), the long OOP 1984 reworking by Giorgio Moroder has held a soft spot in many peoples' hearts (including mine) for his valiant pre-cgi attempt at reconstruction using the best existing print along with stills of expurgated scenes following the novelization written by the movie's screenwriter, Thea Von Harbou (Lang's wife).
Purists screamed about Moroder's use of subtitles instead of intertitles, animation to enhance the stills, color tinting of various segments, and a rock-based music score.
But the "enhanced" version didn't change any of the original story (unlike certain recently-"enhanced" movies [cough] Star Wars [cough]), the subtitles reduced running time by presenting information on-screen during key sequences instead of interrupting them, and the limited animation livened scenes using stills to restore previously-lost plot elements.
The use of color and the rock score are really matters of taste.

At any rate, the Moroder version is finally receiving a dvd/BluRay release this coming week.
Good thing as my VHS of it is wearing out!  ;-)

If you're a fan of Metropolis, rent or buy it as a fascinating "alternate" look at Lang's masterpiece.