Best of Reading Room RACE FOR THE MOON "Lunar Trap"

The 1950s, when we thought we'd be fighting with the Soviet Union over the Moon...

 

Pencils by Jack Kirby, inks by Al Williamson (who, along with fellow EC alumnus Reed Crandall, was doing a lot of work for Harvey at the time)!
Not sure who wrote it, but speculation is that Kirby himself scripted it.
Either way, a decent story with solid storytelling and magnificent rendering!

Design of the Week Redux: EASTER SURPRISE!

Each week, we post a limited-edition design, to be sold for exactly 7 days, then replaced with another, unless, like this one, it's proven very popular!

Since Easter is coming, we thought we'd present an absolutely adorable piece by the legendary Walt (Pogo) Kelly featuring a kid, bunny, mouse, and chick as the Easter Egg in their basket hatches, producing yet another cutie...a baby duck!

You just don't see stuff like this anymore!
So, why not order some kidswear, or even holiday greeting cards with this one-week-only graphic?
Everyone who sees it will go "Awwww."
But hurry, the window for ordering without rush charges ends on Tuesday!

Reading Room SPACE ADVENTURES "Jealousy on Kano"

One of comics legend Bernie Krigstein's few non-EC art jobs...

...which was probably unused material that Charlton purchased when they bought out Ziff-Davis' inventory.

Note Panel 3 from the last page.
Though there's a ZZZAAAAB! sound effect, and Dr Lexikon slumps over, there's no ray from the gun or impact on his body.
This was not an uncommon edit on material produced before the Comics Code went into effect, but published after companies complied with its' rules.
Though not explicitly-stated in the very generic regulations, one request the Code made to publishers was to not show a gun or bow being fired and the victim of the shot in the same panel.
This was relaxed a couple of years later for ray guns, but not for bows, crossbows, and guns.
The rule of thumb was, if a kid could imitate it using a real-world weapon, don't show it.
From Charlton's Space Adventures #16 (1955), it has the same look as Krigstein's SpaceBusters or Space Patrol material from the early 1950s, not his EC work from this period a couple of years later.
It's also his only work published by Charlton.

TIME WARP WEEK "Union in Steel"

Welcome to the finale of Time Warp Week...

...as we conclude our week-long look at DC's short-lived 1979-1980 sci-fi anthology.

Using both established pros and talented newcomers, this oversized anthology (68 pages for $1 when the standard comic was 36 pages for 40¢) presented all-new material, almost all of which (including this story) has never been reprinted!
The penciler on this tale, Don Newton, was one of the best of the fan-turned-pros of the 70s-80s.
Unfortunately, a heart attack cut his career and his life short and he passed in 1984.
BTW, most people don't realize he didn't break into comics until he was 40!
There's a really kool site dedicated to Don HERE.

Mike Kaluta, definitive artist for the comic version of The Shadow, provided pulp-style covers for the entire run.

While they had no relation to any of the stories in the book, they were spectacular!

TIME WARP WEEK "The Most Special of Effects"

Welcome to Time Warp Week...

...as we take a week-long look at DC's short-lived 1979-1980 sci-fi anthology, one issue per day.

Using both established pros and talented newcomers, this oversized anthology (68 pages for $1 when the standard comic was 36 pages for 40¢) presented all-new material, almost all of which (including this story) has never been reprinted!

Mike Kaluta, definitive artist for the comic version of The Shadow, provided pulp-style covers for the entire run.

While they had no relation to any of the stories in the book, they were spectacular!

Be here tomorrow as we sample #5, the final issue!