Monday Madness MAD "Stokley and Bess"

Before we begin the re-presentation of this never-reprinted tale adapting...

...I sincerely suggest anybody under 45 check out the links to these people...

Stokely Carmichael

Dick Gregory

Adam Clayton Powell

and this musical...

Porgy & Bess

...before proceeding.

I'll take it as given that even the youngest among you know who Malcolm X, Dr Martin Luther King, Jr and Muhammad Ali/Cassius Clay are...

Is there a reason this particular tale by Larry Siegel and Mort Drucker from MAD #111 (1967) has never been reprinted?

Was it controversial?

Did it generate too much negative reader response?

One thing's for sure...it wouldn't be done in today's cultural climate!

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Porgy and Bess

(note: requires region-free DVD player since it's an import disc)

The movie's NEVER been released in the US on DVD or BluRay!

The FIRST Black Hero to Have His Own Comic was...a Cowboy???

In 1966, the year the Black Panther debuted in Marvel's Fantastic Four...

...Dell Comics went them one better, introducing the first Black hero to get his own comic!

Other Black characters had their own series in anthology titles, but Lobo was the first to have his name AS the comic's title! 
Lobo combined a couple of popular plot concepts...
Man on the Run for a Crime He Did NOT Commit
Exemplified by then-hit tv series The Fugitive, Lobo was framed, but couldn't prove his innocence.
Lone Western Hero
A loner wandering the Old West, righting wrongs was an especially popular genre in tv Westerns.
Variations on the theme included gamblers (Maverick) and martial-arts experts (Kung Fu)
Note: the tv series Branded also combined both the Loner and Man Framed themes!
...as well as a new concept:
Prominent Black character
Black characters (except for sterotypes like Amos 'n Andy) were few and far between on tv until the mid-1960s, and even then only as supporting characters (usually servants).
1960s urban dramas like Naked City and East Side, West Side, which dealt with current social themes had Black guest stars including James Earl Jones and Diana Sands, but no Black regulars.
Star Trek (1966) had both a Black regular character (Lt. Nyota Uhura) and Black actors in prominent roles as scientists and high-placed officers (admirals, etc,).
But, at that point, there were no tv series with a Black lead or Black title character!
(Diahann Carroll's groundbreaking series Julia didn't debut until 1968, two years later!)
So, Lobo was, to say the least, a daring experiment, albeit one with as many popular themes as possible to maximize sales potential!
Dell writer/editor Don (DJ) Arneson and artist Tony Tallarico felt the time was right, and managed to convince their publisher to take a chance.
(You can read Arneson's tale of Lobo's creation HERE.)
Unfortunately, it didn't work.
Many vendors outside of East Coast cities refused to even put a comic with a Black hero on their racks, and the book had an almost 90% return rate.
Lobo the comic only ran two issues.
It's rumored that a script and unfinished art exist for a third issue, but that's never been confirmed.
You can read both issues of Lobo HERE and HERE.

And don't forget our line of Lobo comic collectibles, including t-shirts, mugs, and other goodies at...

Lobo Comics Shop

Before the Black Panther...

The Black Panther was not the first Black Marvel character to get a cover-featured series!

He wasn't even the second!

He was the third!

First was Luke Cage, who received his own title...

...and was the star of his own Netflix series!

[Note: Though the series has ended, three of the stars have gone on to headline new series!
Simone Missick (Misty Knight) on All Rise, Mike Colter (Luke Cage) on Evil and Rosario Dawson (Clare Temple/Night Nurse) on Ahsoka!]
The second character was...

WHO???

Several months before Prince T'Challa took over a reprint book, Jungle Action, and began a memorable series that served as part of the plot of the billion-dollar blockbuster movie...

...this character took over another reprint book and began a series that nobody remembers!

[You can read every never-reprinted tale featuring Calvin and his buddies HERE!]

What makes the strip even more fascinating, beyond the vaudeville-level humor, is the identity of the writer-artist behind it!

"Kevin Banks" was not a pseudonym for an already-established creative, but an editorial staffer at Marvel in the early 1970s who received his "big break" with this strip!
Trivia: Kevin was the first (and so far, only) Marvel creator to have a head shot illustration on an on-going series!

Even the ever-amazing comics researcher Nick Caputo could find little about the mysterious Mr Banks, as seen HERE.
What did Banks did after working at Marvel?
Did he work in advertising?
Become an art instructor?
Switch careers and become an accountant or fireman?
We may never know the answer...

Friday Fun THE FORGOTTEN SILVER AGE DC COMIC!

Last week we presented this never-reprinted Silver Age cartoon by Mort Drucker...

...and asked if anyone could identify what DC comic it was from.

Nobody could!

The answer is this...

DC's Teen Beam #2 (1968)!

Yeah, it doesn't look like a comic, but it was comic-sized, and DC produced it!

From '66-'69 several comics companies took a shot at doing mixed-format comics/teen mag titles...

Tower's Teen-In

Charlton's Go-Go

Harvey's Pop Comics

Warren also tried their hand with two b/w mag titles...

Freak Out, U.S.A.
and

Teen Love Stories!

Oddly, Marvel, once noted for their tendency to jump on trends, didn't do one of these!

DC advertised their attempt with this...odd...ad...

...featuring the mascot character Teeny and, presuming it would appeal to the target teenage girl audience, a grungy hippie!

The first issue featured Teeny introducing articles about various heart-throbs...

...but no other comics-type material!

The incredibly-popular mag they based the title on...

...immediately threatened a trademark infringement lawsuit!

So, DC hastily-altered the title in their ads and the book's logo to Teen Beam...

...and added comic pages along with the articles!

It didn't help, since distributors, unwilling to anger the insanely-hot Tiger Beat, refused to rack the title!

(as the ad points out, you had to ask for it, since it was now, as they used to say "under the counter" along with porn magazines!)

The second issue was the last!

You'll be seeing the other comic strips throughout the summer.

Watch for them!

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MEOW!

My Groovy Life with Tiger Beat's Teen Idols!

Baker Reading Room TALES TO ASTONISH "I Fell to the Center of the Earth!"

Here's a 1950s sci-fi story penciled by Black artist Matt Baker, whose speciality was "good girl" art!

Yet, there's not a single beautiful woman (not even a cavewoman), in this story, one of his few assignments for Atlas (later Marvel) Comics!

When this story appeared in Atlas' Tales to Astonish #2 (1959), Baker was near the end of his career, working through Vince Colletta's studio, doing only penciling to increase his productivity.

Vince Colletta inked the pages, and it's possible that, seeing how much detail Colletta tended to leave out during inking, Baker did less-detailed pencils than normal.

The writer is unknown, but it's believed to be the book's editor Stan Lee.
Penciler Matt Baker was one of the few Black comic book artists of the Golden and Silver Ages, and was easily the most prolific of them!
Though known for his "good girl" art, including the famous (and infamous) Phantom Girl stories, he handled every genre with ease, including horror, war, sci-fi, and romance!
Sadly, though, few of his stories featured Black characters...who were rare in comics until the mid-1960s!
You can read a short, but complete bio HERE!
He'll be our featured artist this month in the Baker Reading Room at Atomic Kommie Comics, spotlighting his amazing cross-genre versatility!

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Matt Baker

Art of Glamour