Best of Reading Room SPACE ADVENTURES "U.F.O.: Secret of the Saucer"

Rural reporter Paul Mann had heard many stories about locals seeing flying saucers...

...now he's encountered an alien who saved him (and the town) from a biolgical weapon stolen by a Communist spy.

Now,  Mann is taken into the flying saucer where he's about to (as we said in the 60s) "blow his mind"...

The finale of this book-length tale from Charlton's Space Adventures #60 (1967) was deliberately left open-ended.
A sequel, also using the artist "round-robin" concept, and also written by Denny O'Neil using his "Sergius O'Shaughnessy" pseudonom, appeared almost a year later.
Luckily for you, it'll be here tomorrow!
The art for this chapter was by up-and-comer Jim Aparo, who started at Charlton and went to DC when editor Dick Giordano moved there and offered him, Pat Boyette, Steve Ditko, and writers Denny O'Neil and Steve Skeates work after Charlton cancelled all their super hero and adventure/sci-fi titles in 1968!

Aparo became DC's primary Batman artist during the 70s and 80s as well as handling other series like Aquaman and Phantom Stranger.

Best of Reading Room SPACE ADVENTURES "U.F.O.: Plague"

We Have Already Seen...

Cover art by Rocke Mastroserio

Newspaper reporter Paul Mann researches a story about how, 100 years earlier, a flying saucer landed and aliens cured a local boy, ending a feud between two families that had gone on for generations.

With saucer sightings recently on the increase, Mann wonders if he'll encounter one...

 

But how can Mann be prepared for the senses-shattering Secret of the Saucer?

Find Out Tomorrow!

The second part of this book-length tale from Charlton's Space Adventures #60 (1967) was illustrated by artist Pat Boyette, an artist who usually did his own penciling, inking, and lettering, giving his work an immediately-distinctive visual style.
There's a kool tribute page to Boyette HERE.

BTW, all three parts of this story (and the sequel) were written by Denny O'Neil using his "Sergius O'Shaughnessy" pseudonom.

Reading Room JET POWERS "Three-Million-Year-Old Men"

What's a typical day in the life of Jet Powers like?

After breakfast there's a scientist with a time machine...

...which ends up in the hands of alien invaders from the future!

But, Jet Powers cleans the whole matter up...before lunch!

That's just the opening Jet tale, lovingly-illustrated by Bob Powell, from Magazine Enterprises' Jet Powers #2 (1951).
Be here tomorrow to see how Jet spends the rest of his day...

Check out the

Comic Collectible Corner

Tomorrow: JET POWERS!

This scene does not actually occur in the comic...

Art by Bob Powell

...but it's a really kool cover and these characters (and the dinosaur) do get involved in overlapping stories involving time travel, aliens, a returning arch-villain, robots, and another mad scientist!

Be here tomorrow...

Reading Room UNKNOWN WORLDS OF SCIENCE FICTION "Behold the Man" Conclusion

We Have Already Seen...

Art by Frank Brunner

Time traveler Karl Glogauer journeys to Palestine almost 2,000 years in the past to confirm the existence of Jesus Christ.

With his time machine damaged beyond repair and discovering he's gone a decade too far back, the now-stranded Glogauer encounters John the Baptist...

Published in the magazine New Worlds (which Moorcock himself edited) in 1966, the non-linear story running two parallel plot/timelines won the Nebula Award for "best novella".

Moorcock expanded it to novel length...

Art by Robert Foster

...and it is that version which is best-known to American audiences and served as the basis of this never-reprinted adaptation in Marvel's Unknown Worlds of Science Fiction #6 (1975) by writer Doug Moench and artist Alex Nino.

Reading Room UNKNOWN WORLDS OF SCIENCE FICTION "Behold the Man" Part 1

With Christmas behind us, we're going to present a controversial (albeit award-winning) tale...

...about the guy whose birthday we just celebrated!

To Be Concluded...

Tomorrow!

In the 1960s, science fiction experienced an influx of a "New Wave" of writers who wanted to go beyond "hard" sf and experiment, both in form and in content, with a more literary/artistic sensibility.

New Wave writers often saw themselves as part of the modernist tradition, writing "soft" or metaphysical stories instead of the technology-oriented or "hard" sf of Asimov, Heinlein, et al.

The leading proponent of the movement was Michael Moorcock, editor of the British magazine New Worlds as well as an established and successful "hard" sf writer.

...to be continued