Reading Room TALES TO ASTONISH "I Fell to the Center of the Earth!"

Here's a kool 1950s sci-fi story penciled by Matt Baker, whose speciality was "good girl" art!

Yet, there's not a single beautiful woman (not even a cavewoman), in this story, one of his few assignments for Atlas (later Marvel) Comics!

When this story appeared in Atlas' Tales to Astonish #2 (1959), Baker was near the end of his career, working through Vince Colletta's studio, doing only penciling to increase his productivity.

Vince Colletta inked the pages, and it's possible that, seeing how much detail Colletta tended to leave out during inking, Baker did less-detailed pencils than normal.

The writer is unknown, but it's believed to be the book's editor Stan Lee.
Penciler Matt Baker was one of the few Black comic book artists of the Golden and Silver Ages, and was easily the most prolific of them!
Though known for his "good girl" art, including the famous (and infamous) Phantom Girl stories, he handled every genre with ease, including horror, war, sci-fi, and romance!
Sadly, though, few of his stories featured Black characters...who were rare in comics until the mid-1960s!
You can read a short, but complete bio HERE!

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Matt Baker

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Reading Room WORLD OF FANTASY "Brain Picker!"

Nuclear accidents mutating everyday people were common in pre-Marvel tales...

...plotted or written by Stan Lee for Atlas Comics...except they didn't result in costumed superheroes...or costumed supervillains!

If this never-reprinted story by plotter Stan Lee, scripter Larry Lieber, penciler Matt Baker and inker Vince Colletta, from Atlas' World of Fantasy #17 (1959) had appeared after the intro of the Fantastic Four in 1961, I don't doubt Frederic Kane would've become an ongoing super-villain and scientist brother Phillip would've become his nemesis, probably working with S.H.I.E.L.D. and/or Professor X to stop him!

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Baker Reading Room JOURNEY INTO MYSTERY "Green Fog!"

Before a long-haired hippie (hey, it was the Swinging Sixties) with a hammer took over the book...

....Atlas-Marvel's Journey into Mystery was first a horror, then sci-fi anthology featuring some of the best work of the era...quite a bit of it never-reprinted, like this tale from #50 (1959), penciled by the legendary Matt Baker and inked by Vince Colletta!

The scripter is unknown, but probably isn't editor Stan Lee, who tended to incorporate his distinctive signature into the title page when he wrote the story.

You'll note the inking is much more detailed here than in the previous Baker Reading Room story, also inked by Colletta, but published by Charlton!

Atlas' reproduction quality was better than Charlton's, so art studio owner/inker Colletta (who packaged stories for Atlas, Charlton, Dell and others) put more effort into the final product.

The Marvel Masterworks: Journey into Mystery reprint series ended with Volume Four (2012), which only reprinted up to #40, so almost all the non-Thor and Tales of Asgard material since #40 (including this story) hasn't been seen since original publication!

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Baker Reading Room OUTER SPACE "Incredible Giants"

Here's another never-reprinted sci-fi tale...

...by renowned Black artist Matt Baker, who penciled, but didn't ink, the story!

Inker Vince Colletta employed a number of excellent, detailed pencilers like Matt Baker and Joe Sinnott to work for his studio, which "packaged" stories, series, and even book-length tales for publishers.

Unfortunately, when dealing with smaller publishers like Charlton (who didn't pay as much as DC, Marvel, Harvey, etc) to save cash, Vince inked most of the work himself, usually rushing it to meet deadlines!
Compare with another story, inked by long-time Baker collaborator Ray Osrin, and you see the difference inkers can make!
The same level of page layout and storytelling is obvious in both tales...but the rendering...hoo boy!
BTW, Joe Gill wrote this story from Charlton's Outer Space #23 (1959).

One important plot point was that the giant children thought the scout ship was a seed pod due to it's design...

...an element cover artists Charles Nicholas and Rocke Mastroserio didn't follow though on with their re-do of the story's splash panel!

Were they not informed, or did the editor deliberately insist on a more traditional ship design?

We'll never know the answer!

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Baker Reading Room LASSIE "Isle of Adventure"

Besides being a superb "good girl" artist, Matt Baker was also a superb nature illustrator!

This tale from the era between the movie series and the TV show demonstrates Baker's amazing artistic range!

This page is black-and-white because it's the inside back cover.
Dell (and most comic publishers) printed the inside covers as b/w or two-color to save money.

After the last movie in the original series came out in 1951, the comic continued, with Lassie linked to new humans, including photographer Rocky Langford and his girlfriend Gerry Lawrence on their trip to South America!

Penciled by Matt Baker and inked by long-time artistic partner Ray Osrin (who inked, among other Baker stories, It Rhymes with Lust), this tale from Dell's Lassie #22 (1955) is from the final issue of Matt's four-issue tenure as the feature's primary artist.

The writer is unknown.

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Did You Know a Black Artist Penciled the FIRST Graphic Novel from a Comics Publisher?

Graphic Novels are the standard format for innovative storytelling today...

The complete presentation of the first graphic novel!

But "back in the day", as they say, it was an untried concept!
Written by Arnold Drake and Leslie Waller (as "Drake Waller"), illustrated by penciler Matt Baker and and inker Ray Osrin, the digest-sized 1950 one-shot from St John Publications is a pulpish "film noir" tale at its' coolest!

Dark Horse Comics (which published a high-quality reprint available below) explained it thusly...

In 1950, writers Arnold Drake and Leslie Waller, both attending college on the G.I. Bill, envisioned a sophisticated, novel-length comic tailored to their peers. Collaborating with comics art master Matt Baker, known for singularly defining the genre of "good girl art" on titles such as Phantom Lady, they crafted a film-noir inspired masterwork of romance, intrigue, and moral relativity. When cynical newspaperman Hal Weber reunites with old flame Rust Masson, he finds the beguiling widow of a mining magnate willing to do anything to undermine the local political machine--her only opponent for total control of Copper City!

Though not specifically-mentioned, penciler Matt Baker was one of the few Black artists of both comic books' Golden and Silver Ages!
It Rhymes with Lust was the basis of our 2017 Summer Blogathon spanning several RetroBlogs!
Start at True Love Comics Tales and experience not only comics history, but Black history as well!

Note: The thanks of a grateful nation go to Kracalactaka, who found the scans of the St John first edition in the wilds of the internet, cleaned them up, and made them available!

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It Rhymes with Lust

Deluxe Reprint Edition

Baker Reading Room OUT OF THIS WORLD "Spymaster"

With a cover by Dick Giordano...

...and interiors by Matt Baker, this never-reprinted tale from 1959 has a moral that'll be lost on most of the readers of 2021!

If retold in the cynical, dog-eat-dog world of 2021, the "big chain" drugstore would be welcomed with open arms since its' prices would be lower, the little drugstore would be driven out of business, and the Earth would fall under alien control...

An ironic lesson in lost morality originally-published in Charlton's Out of This World #14 (1959) by writer Joe Gill, penciler Matt Baker and inker Vince Colletta.
We're giving artist Matt Baker his own "Reading Room" during Black History Month to showcase his amazing illustrating versatility!

Horror, war, romance, sci-fi, crime...there was nothing he couldn't draw!
One of the few Black artists of the Golden and Silver Ages, Matt drew only one Black character in his own strip...Voodah, whom he co-created.
you can read his premiere adventure HERE!

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Matt Baker

Art of Glamour