Trump Reading Room ARCHIE'S JOKE BOOK MAGAZINE "Profiles in Courage"

Every family has its' "black sheep"...

...even the incredibly-wealthy Lodges!

(From Archie's Joke Book Magazine #73 [1963])

This never-reprinted strip was created during the 100th Anniversary of the Civil War, when Southerners were determined, in fact almost desperate, to rehabilitate their image.

Numerous movies and TV series portrayed the Confederates as noble, but misguided, and in some cases,  objects of humor.

(Hey, if they could make the Nazis funny in Hogan's Heroes...)

The irony is that this was also the era of the creation and implementation of the Civil Rights Act, which brought out the worst in many White Southerners who were terrified at the concept of Black people being on a totally-equal level (socially and politically) with them!
It's also worth noting that, in this era, Republicans...the Party of Abe Lincoln...are the ones defending memorials to the "glory" of the Confederacy!
Truth is stranger than fiction!

Wednesday Worlds of Wonder WEIRD FANTASY "Judgement Day"

This 1950s comics tale is considered the gold standard in utilizing a sci-fi motif for social commentary...

...rightfully-so, I must say!

Perhaps it's a tad slow-paced, even pedantic, by today's standards and the pay-off isn't as shocking as you might expect, but this oft-reprinted tale by writer Al Feldstein, artist Joe Orlando and colorist Marie Severin from EC's Weird Fantasy #18 (1953) was quite controversial when it first appeared.
Even when it was reprinted in the Comics Code-approved Incredible Science Fiction #33 (1956), it caused hassles.
The Code wanted Tarlton changed to a White guy!
Publisher Bill Gaines refused!
The Code tried to get EC to, at least, remove the beads of sweat from Tarlton's brow!
Bill Gaines, again, refused!
The Code refused to approve the comic.
Gaines said he didn't care.
As it was, "Judgement Day" was a reprint fill-in for a new story ("An Eye for an Eye") the Code refused to approve, and, since it was EC's last color comic ever, they'd print it without the Code stamp.
The Code gave in and approved the reprint without changes.

No less a personage than Ray Bradbury praised "Judgement Day" effusively in the final letter (among many...except one...that praised the tale) in Cosmic Correspondence...

Public praise from one of the Masters of Science Fiction/Fantasy!

Can't argue with that...

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Judgement Day and Other Stories
Illustrated by Joe Orlando

Fantagraphics' EC Comics Library

MARTIN LUTHER KING and THE MONTGOMERY STORY

On the day we honor the memory of Martin Luther King, Jr, the gang at Atomic Kommie Comics™ thought it only appropriate to present this item, the first comic book dramatizing his historic efforts.
From the website's intro to the comic...
Most sane thinkers consider MLK to be an important and historic larger-than-life icon, but how did that happen?
Especially given the marginalized press coverage of blacks in the 50s, how was his message galvanized among southern minorities and then spread as a single statement beyond the black community -- and how was it focused so specifically to such seemingly ignorable or boring local incidents as one black woman's refusal to give up a bus seat and a following small-town bus boycott, as well as the concept of Passive Resistance?
Without any need for hyperbole, this comic book is one of the reasons.


Produced by the Fellowship of the Reconciliation and sent very surreptitiously throughout the South (it was dangerous for many to own a copy), then translated, re-drawn, and distributed once again throughout the entire SOUTHERN CONTINENT through Mexico, into Central and then South America, this comic tells the story that established the myth of Martin Luther King and Rosa Parks at the time that it mattered, mere months after news events occurred.
Intended for adults, but shown in comic book format for the largest possible distribution and audience and instruction.

It was also produced as a comic because more adult seeming publications and newspapers were often destroyed by white businessmen and other violent types bent on continuing segregation's grip on the South.
But that does not mean people found distributing copies of this comic were not given their fair share of beatings and harassment, nor does it mean thousands of copies were not often destroyed.
Why? This comic is and was dangerously honest.
Featuring the Klan (lynching, bombs, burning crosses), Jim Crow laws, and the entire concept of Nonviolent Protest.
This pamphlet offered advice and instructions on how to use passive resistance and massive non-violent resistance against segregation, just as these ideas were fresh --and it also established a clear connection of MLK to Gandhi, a public connection that continues on to today.


A copy of this comic is held in the Smithsonian and many Civil Rights leaders recognize this as one of the most important AND PERSUASIVE items of the 50s in establishing or explaining their cause to the world, as well as giving many black youths the courage and direction to hold their own political protests.
Many notable sit-ins and demonstrations link to this comic book getting into the right hands - and it did get around, literally devoured by black college students at the time.

We're DELIGHTED to offer you not just the American version of this comic but also the SPANISH edition, of which maybe two or three copies are known to exist.
After extensive effort and search, we were able to find a copy in Uruguay.
Not joking. Completely redrawn and translated, click back and forth to compare art, some of the differences between the two are great.


Ever wonder how much influence and power a small press or self-produced item can have?
This is one of the best examples you'll ever see.