Showing posts with label Fantagraphics. Show all posts
Showing posts with label Fantagraphics. Show all posts

Friday, November 1, 2024

Friday Fascist Fun / Trump Reading Room TRUMP'S ABC

 Considering this was created only six months into Don da Con's (hopefully) sole term of office...

...the fact that it's still potentially-pertinent almost a decade later is indeed disturbing!
We present selected excerpts...




Written in a sing-songy rhyme and drawn in a beguilingly-impeccable ink line by Pulitzer Prize-winning editorial cartoonist Ann Telnaes, each page is a miniature critique and expose of convicted criminal and impeached politician Don da Con and his janissaries, poltroons, and dissemblers, illustrating his public policies, his personal defects, his ethical dysfunction, and the unfortunate consequences of his Presidency on the lives of Americans ― in a format that is cleverly designed to reflect his minimal attention span and toddler-like mental level.
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by Ann Telnaes
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Monday, September 9, 2024

Monday Maternity Madness NAUGHTY BITS "The Job is Taken"...

...by GOD!!!

Republi-Cons Don't Realize He is the Most Prolific Abortionist of All Time?
A never-reprinted PSA (Public Service Announcement) written and illustrated by Donna Barr from Fantagraphics' Naughty Bits #8 (1993).
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A Bitch is Born
by Roberta Gregory

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Thursday, September 8, 2022

Reading Room ANYTHING GOES "Heroes"

Sometimes you come across a beautiful piece that speaks for itself...
...such as this never-reprinted Alex Toth piece from Fantagraphics' "benefit book" Anything Goes! #1 (1986)
Exactly what Anything Goes was can be discovered HERE.
Several such "benefit books" (and "benefit portfolios") were produced in the 1980s, including Eclipse's Destroyer Duck (to aid Steve Gerber in his Howard the Duck lawsuit against Marvel), and Last Gasp's Strip AIDS U.S.A. (benefiting the Shanti Project, an AIDS education and support organization!)
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Thursday, July 19, 2018

Reading Room ANYTHING GOES "Comic Book Convention"

Though I do a couple of East Coast and MidWest conventions each year...
...I've never done the nigh-legendary San Diego Comic-Con which begins today!
This never-reprinted tale from Fantagraphics' Anything Goes #6 (1987) by highly-underrated writer/artist George Metzger gives you a feel of how comic conventions used to be, before the onslaught of media promotion made them less "comic book" and more "movie/tv/video game" oriented!
It's an experience sadly lost to today's fans.
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Thursday, March 1, 2018

Reading Room PHANTASMAGORIA "Sinking Feeling"

One of the most unique talents to ever grace the comics field...
...Kenneth Smith's work is hard to find, but well-worth tracking down, as this story he wrote and illustrated proves!
This tale from Smith's self-published Phantasmagoria #2 (1972) is a pretty good example of both his scripting and illustrating, both of which are multi-layered and require several readings to grasp all the details.
Kenneth Smith's about as close to an actual Renaissance Man as has ever contributed to the comics field!
His best-known work was the self-published anthology Phantasmagoria, whose every aspect, including printing, was under his total control! 
Fantagraphics was so impressed they offered not only to publish a continuation of it (available below), they gave him an open forum for his writing, as shown HERE!
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Wednesday, December 28, 2011

Fantagraphics Year-End Sale

Fantagraphics, one of the premiere comics and comix publishers is having a year-end sale on a lot of their trade paperbacks and hardcovers.
Of particular interest to fans of this blog are..
Originally meant to be part of the LifeDeath plotline in Uncanny X-Men, Barry Windsor-Smith's already-penciled pages were adapted into a new story with Ororo/Storm being reworked into Adastra.
Ten years in the making, this exhaustively researched tome is a giant biography and career retrospective of one of the most important cartoonists in the history of comics. Following his life from early childhood to his acclaimed run at EC Comics, B. Krigstein traces the development of an artist who, despite having left only a relative handful of works behind him when he finally abandoned the comics field for the world of fine art, nonetheless served as an influence on many of the most acclaimed of the cartoonists to follow in his footsteps. This book also reproduces a generous sampling of art and illustration, plus six complete stories (including the famed "Master Race"), many of them newly-recolored by noted EC artist Marie Severin from Krigstein's own specifications!
"It's the part of the chicken soup that is bad for you, yet gives the soup its delicious flavor," Will Elder once explained. Chicken Fat is a collection of flavors by a master comedic chef as he works out his recipes. Elder's stable of characters is duly represented, with Goodman Beaver, Little Annie Fanny, the Mole and the more obscure Anthony Adverse, together with caricatures of celebrities and politicians, studies of classic comics characters (including the iconic Wedding of Popeye and Olive Oyl), movie posters, assorted gag panels, anatomical and fine art studies, and pages upon pages of ingeniously realized doodles.
Jack Cole has been justly celebrated as the creator of Plastic Man and an innovative comic book artist of the 1940s. After finishing his 14-year run on Plastic Man, he found himself looking for something new. According to Cole, his savior was the Humorama line of down-market digest magazines. This girls and gags magazine circuit proved to be the perfect training ground to regain his footing and develop his craft at single panel “gag” cartoons. His ability to render the female form was already without peer. Though he signed his cartoons “Jake,” Cole’s exquisite line drawings and masterful use of ink-wash — a skill he carried over to Playboy — betrayed his pseudonym.
Out of print for over 30 years, The Great Comic Book Heroes is widely acknowledged to be the first book to analyze the juvenile medium of superhero comics in a critical manner, but without denying the iconic hold such works have over readers of all ages. Feiffer discusses the role that the patriotic superhero played during World War II in shaping the public spirit of civilians and soldiers, as well as the escapist power these stories held over the zeitgeist of America. New cover by R. Sikoryak.
One note: this volume does not include the complete comic stories included in the 1960s and 1970 editions.

There's lots more if you go HERE.

Saturday, April 4, 2009

Supermen! & Lost Heroes: the PERFECT present!

We at Atomic Kommie Comics™ are ecstatic that some of the "lost" classics of the Golden Age of Comics are being made available to a graphic novel-hungry audience in the magnificent new tome SUPERMEN! The First Wave of Comic Book Heroes! Fantagraphics has done absolutely spectacular work with previous 1930s-40s reprint albums and follows thru here equally well with a handsome volume worthy of any fan's library!)
We believe that Supermen! would make a great graduation or birthday gift for the graphic story aficionado in your life, especially when combined with one of the Golden Age-themed goodies from our Lost Heroes of the Golden Age of Comics™ collection, which features some of the exhibited heroes including...
Blue Bolt, The Claw, The Clock, DareDevil, The Face, The Flame, Marvelo, Silver Streak, SkyMan, and Sub Zero, in some cases, using the same cover art, on t-shirts, mugs, messenger bags, and other assorted items
Note: Marvelo & Sub Zero are in the Solo Heroes section, since we only have one cover for each character (at present)

As they'd say back in the 1940s: "Gosh, they'd make a swell present for a comics-loving guy or gal!"

Monday, March 2, 2009

NY Times Book Review Praises "Supermen..."!

Sunday's NY Times Book Review had a very positive review of several comics, I mean graphic novel, related tomes, particularly, SUPERMEN! The First Wave of Comic Book Heroes.
An excerpt from the review follows...
In the tense, murky years before America entered World War II, its young couldn’t get enough tales of costumed mystery men. SUPERMEN! The First Wave of Comic Book Heroes 1936-41 (Fantagraphics, paper, $24.99) is a rambunctious anthology of the earliest superhero stories — gaudy, crude, infernally potent things, cranked out by scrappy young cartoonists who were more concerned with what the likes of Silver Streak, Yarko the Great and Skyrocket Steele (and SkyMan, as seen above) could do than with what they might mean.
The book’s editor, Greg Sadowski, has compiled vivid early work by Will Eisner, Jack Kirby and Jack Cole, among others who went on to be the medium’s great stylists. So it’s surprising how similar their work was in the days when they were inventing the superhero concept. Their stories have the same frantic tumble of calamities and grotesqueries, the same orphan-threatening menaces and square-jawed, tough-talking heroes, the same prose so overheated it threatens to singe its readers’ eyeballs: “Seven million wide-eyed souls glance skyward as one! Rearing his ugly head above Manhattan, casting a shadow over all — the Claw!” (read the review for the rest of the rave!)

We at Atomic Kommie Comics™ are ecstatic that some of the "lost" classics of the Golden Age of Comics are being made available to a graphic novel-hungry audience! (And Fantagraphics has done absolutely spectacular work with previous 1930s-40s reprint albums!)
We believe that Supermen! would make a great gift for the graphic story aficionado in your life, especially when combined with one of the Golden Age-themed goodies from our Lost Heroes of the Golden Age of Comics™ collection, which feature some of the very same heroes on t-shirts, mugs, messenger bags, and other assorted items!
As they'd say back in the 1940s: "Gosh, they'd make a swell birthday or graduation present for a comics-loving guy or gal!"