Tales Twice Told STRANGE JOURNEY "Hole in the Sky!"

At first glance, this looks like a typical 1950s sci-fi comics tale...

...flying saucers, aliens, and a misunderstanding between humans and "invaders".

A rather typical 1950s tale of a "misunderstood mellow alien".

Note: the cover features a uniformed policeman, rather than the plainclothes detective, confronting the alien!
This was the Comics Code-approved version.
For the original, uncensored, horror comics-era story, you'll have to come back on Thursday!

Art for both the story and cover for this tale from Ajax/Farrell's Strange Journey #2 (1957) by Ken Battefield and the Iger Studios staff.
The scripter is unknown.

Please Support Atomic Kommie Comics!

Visit Amazon and Order...

Four Color Fear

Forgotten Horror Comics of the 1950s

Friday Fun MADHOUSE "Going-Going-Real Gone!"

What if Casper the Friendly Ghost was a middle-aged specter...

 ...encountering live teen "hep cats"?

This tale takes the concept to a literally-surreal level!

BTW, see how many pop-culture references you can understand without Googling them!

The Iger Comics Studio produced this tale for Ajax-Farrell's MadHouse V1N4 (1954), showing teen/young adult hipsters/hepcats encountering ghosts (apparently of middle-aged/older people) who didn't realize their attempts at creating ugly art and terrifying music resulted in cutting-edge popular culture!

When MAD became a surprise hit in 1953 (after the early issues lost money!) other comics publishers were quick to jump onto the bandwagon, eventually bringing out more than a dozen imitations with titles like FLIP, WHACK!, NUTS, EH!, UNSANE!, MADHOUSE/BUGHOUSE, and GET LOST!

These copiers realized that Will Elder’s cluttered “chicken fat” layouts were a major part of MAD’s success, and their pages were also densely-packed with all sorts of outlandish and bizarre gags!

Trivia: While most companies (like Ajax/Farrell) published just a single MAD imitation title, Atlas (the predecessor to Marvel) dove head-first into the fad, with no less than four titles, Snafu, WILD, RIOT, and Crazy!

These “parody comics” are uniquely 1950s catching the popular culture zeitgeist through a dual lens: not only reflecting '50s culture through parody but also being typical examples of that culture...ironically, in a way that MAD wasn't!

Please Support Atomic Kommie Comics

Visit Amazon and Order...

The Sincerest Form of Parody

The Best 1950s MAD-Inspired Satirical Comics

Reading Room VOODOO "Goodbye...World!"

Tuesday we presented an odder (than usual) Silver Age tale...

 ...with a cover that seemed as if was from another story entirely.

Well, it was...sort of.

The story in Ajax's Midnight #4 (1957) was a reprint of a tale from Ajax's Voodoo #7 (1953), which was published during the height of the horror comics boom!

And, let's just say that Ajax's editorial packager, the Iger Studio, was not noted for its' subtle (or even tasteful) stories.

The heavy hand of the Comics Code Authority forced quite a few changes from this wild original version, as you will see from the splash panel onward...

Beyond little things like making the duo who are sent into space to spawn the new human race a married couple instead of a pair of unmarried co-workers, the harpies were redrawn as insect-like humanoids (which made a certain amount of sense), and the ending was totally-redone as a happy ending with humanity surviving the alien onslaught!
Personally, I prefer the original!

Please Support Atomic Kommie Comics!

Visit Amazon and Order...

Four Color Fear

Forgotten Horror Comics of the 1950s

Reading Room MIDNIGHT "Project Final X"

Will the world end in an ecological disaster...

...or will it be something much more sinister?

Now that you've read this story from Ajax's Midnight #4 (1957), you might be asking yourself if it seems like it was a tad...disjointed, and that it didn't make much sense at a couple of points.
There's actually a good reason for thinking that.
The clues are in the cover for that issue...

Look carefully at the differences between the alien you see on the cover and the ones in the story itself.

There is a reason behind it all!

Be here Thursday for the surprising, shocking explanation!
Please Support Atomic Kommie Comics!
Visit Amazon and Order...

Four Color Fear
Forgotten Horror Comics of the 1950s

Reading Room: STUART TAYLOR IN WEIRD STORIES OF THE SUPERNATURAL "Faustus"

Despite the title, the series is actually sci-fi about a time traveler and his machine...

...who occasionally run into mystical menaces.

IIRC, The Time Tunnel TV series did the same thing, encountering Merlin, the ghost of Nero, and others along with the usual silver-skinned Irwin Allen aliens...

This series started in Jumbo Comics #1 (1939) as Diary of Dr Hayward, illustrated by Jack Kirby under the house pseudonom "Curt Davis" (which was used for every story in the series).

With #5, Lou Fine assumed the art chores, and several issues later the title changed to Weird Stories of the Supernatural as lab assistant Stuart Taylor took center stage and old Doc Hayward became a supporting character.

(In fact, the series title sometimes listed "Stuart Taylor" above the "Weird Stories..." logo, playing up the action-hero aspect.)

As of 15, a rotating lineup of artists contributed art but no other "big names" worked on the series which continued for almost the entire run of Jumbo, ending at #140 (1950).

You'll be seeing more of this multi-titled series here, so bookmark us for a daily dose of classic comics fun!

Check out

Horror Comics of the 1950s

Comics Collectibles Store!