Baker Reading Room JOURNEY INTO MYSTERY "Green Fog!"

Before a long-haired hippie (hey, it was the Swinging Sixties) with a hammer took over the book...

....Atlas-Marvel's Journey into Mystery was first a horror, then sci-fi anthology featuring some of the best work of the era...quite a bit of it never-reprinted, like this tale from #50 (1959), penciled by the legendary Matt Baker and inked by Vince Colletta!

The scripter is unknown, but probably isn't editor Stan Lee, who tended to incorporate his distinctive signature into the title page when he wrote the story.

You'll note the inking is much more detailed here than in the previous Baker Reading Room story, also inked by Colletta, but published by Charlton!

Atlas' reproduction quality was better than Charlton's, so art studio owner/inker Colletta (who packaged stories for Atlas, Charlton, Dell and others) put more effort into the final product.

The Marvel Masterworks: Journey into Mystery reprint series ended with Volume Four (2012), which only reprinted up to #40, so almost all the non-Thor and Tales of Asgard material since #40 (including this story) hasn't been seen since original publication!

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Baker Reading Room OUTER SPACE "Incredible Giants"

Here's another never-reprinted sci-fi tale...

...by renowned Black artist Matt Baker, who penciled, but didn't ink, the story!

Inker Vince Colletta employed a number of excellent, detailed pencilers like Matt Baker and Joe Sinnott to work for his studio, which "packaged" stories, series, and even book-length tales for publishers.

Unfortunately, when dealing with smaller publishers like Charlton (who didn't pay as much as DC, Marvel, Harvey, etc) to save cash, Vince inked most of the work himself, usually rushing it to meet deadlines!
Compare with another story, inked by long-time Baker collaborator Ray Osrin, and you see the difference inkers can make!
The same level of page layout and storytelling is obvious in both tales...but the rendering...hoo boy!
BTW, Joe Gill wrote this story from Charlton's Outer Space #23 (1959).

One important plot point was that the giant children thought the scout ship was a seed pod due to it's design...

...an element cover artists Charles Nicholas and Rocke Mastroserio didn't follow though on with their re-do of the story's splash panel!

Were they not informed, or did the editor deliberately insist on a more traditional ship design?

We'll never know the answer!

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Matt Baker

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Baker Reading Room LASSIE "Isle of Adventure"

Besides being a superb "good girl" artist, Matt Baker was also a superb nature illustrator!

This tale from the era between the movie series and the TV show demonstrates Baker's amazing artistic range!

This page is black-and-white because it's the inside back cover.
Dell (and most comic publishers) printed the inside covers as b/w or two-color to save money.

After the last movie in the original series came out in 1951, the comic continued, with Lassie linked to new humans, including photographer Rocky Langford and his girlfriend Gerry Lawrence on their trip to South America!

Penciled by Matt Baker and inked by long-time artistic partner Ray Osrin (who inked, among other Baker stories, It Rhymes with Lust), this tale from Dell's Lassie #22 (1955) is from the final issue of Matt's four-issue tenure as the feature's primary artist.

The writer is unknown.

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Baker Reading Room STRANGE SUSPENSE STORIES "Inexplicable"

Can you guess which cover-featured tale from this book was pencilled by Matt Baker?

Considering Baker was one of the foremost "good girl" illustrators of the 1940s-50s, it should be obvious, even with the terrible inking by Vince Colletta!

That is one smart bear!

This never-reprinted story from Charlton's Strange Suspense Stories #44 (1959), penciled by Baker and inked by Vince Colletta, was one of the last tales published before his death earlier in 1959 of a heart attack at the age of 38.

Note that Matt was so prolific that the inventory of stories he worked on though Colletta's studio for both Charlton and Atlas (later Marvel) wasn't exhausted until a year after his passing!

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Baker Reading Room UNUSUAL TALES "Blotting Threat"

Here's another rarely-seen sci-fi/fantasy tale by Black artest Matt Baker...

...the never-reprinted cover story from Charlton's Unusual Tales #19 (1959), about a disillusioned commercial artist involved with...

This story, penciled by Baker and inked by Vince Colletta, was one of the last tales published before his death later in 1959 of a heart attack at the age of 38.

Note that Matt was so prolific that the inventory of stories he worked on though Colletta's studio for both Charlton and Atlas (later Marvel) wasn't exhausted until a year after his passing!

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Baker Reading Room OUT OF THIS WORLD "Xondu the Eternal"

A never-reprinted 1950s sci-fi tale by legendary Black artist Matt Baker...

..with a Twilight Zone-style twist ending!

OK, it's more a "Third from the Sun" than "To Serve Man" ending, but still, it's fairly effective!

(And kudos to those who didn't have to click on the links to understand what I was talking about!)

Penciled by Matt Baker and inked by Vince Colletta, this tale from Out of This World #15 (1959) unfortunately suffers from both Colletta's rushed inking and the poor printing Charlton was notorious for.

(Unlike other comics companies, Charlton had their own printing press, which had been designed for packaging...including breakfast cereal boxes...not newsprint!)

The writer is unknown, but many believe it to be Joe Gill, who was rapidly making a name for himself with an impressive, and varied, body of work.
Penciler Matt Baker was one of the few Black comic book artists of the Golden and Silver Ages, and was easily the most prolific of them!
Though known for his "good girl" art, including the famous (and infamous) Phantom Girl stories, he handled every genre with ease, including horror, war, sci-fi, and romance!
Sadly, though, few of his stories featured Black characters...who were rare in comics until the mid-1960s!
You can read a short, but complete bio HERE!
He'll be our featured artist this month in the Baker Reading Room at Atomic Kommie Comics, spotlighting his amazing cross-genre versatility!

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Matt Baker

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Baker Reading Room "Behind the Scenes of 'Half Man-Half What' "

Here's Saturday's tale...

...but from the original Matt Baker/Al Williamson art!

Take particular note of the areas "whited out", probably at the request of the Comics Code Authority!

BTW, note that in the story, Dr Talbot's right side is altered, but on the cover, his left side is affected!

Let's look closely at that final panel...

Dr Talbot's right side has been totally-whited out.

Was it still metallic?

And his face originally wasn't happy!

Did the original ending show him at the beginning of the process, wondering if it would succeed, and leaving the door open for a sequel if it didn't?

Was the Comics Code Authority responsible for the odd changes?

We'll never know...
Penciler Matt Baker was one of the few Black comic book artists of the Golden and Silver Ages, and was easily the most prolific of them!
Though known for his "good girl" art, including the famous (and infamous) Phantom Girl stories, he handled every genre with ease, including horror, war, sci-fi, and romance!
Sadly, though, few of his stories featured Black characters...who were rare in comics until the mid-1960s!
You can read a short, but complete bio HERE!
He'll be our featured artist this month in the Baker Reading Room at Atomic Kommie Comics, spotlighting his amazing cross-genre versatility!

Please Support Atomic Kommie Comics

Visit Amazon and Order...

Matt Baker

Art of Glamour