Showing posts with label Bronze Age. Show all posts
Showing posts with label Bronze Age. Show all posts

Wednesday, August 12, 2026

Wednesday Worlds of Wonder ALIEN WORLDS "Ride the Blue Bus"

As Our Economy Collapses, We Ask "Is This the Future Don the Con has in mind for us?"
Thanks to him, we are edging ever closer and closer to it!
This never-reprinted post-apocalyptic tale by writer Bruce Jones and artist George Perez from Pacific's Alien Worlds #7 (1984) has an odd quirk.
Both Toby's friend, Juke, and the unnamed bus driver are illustrated as Black.
Yet neither is colored differently than the blond/blue-eyed Toby!
Was this deliberate?
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Friday, August 7, 2026

Friday Fun BIG APPLE COMIX "Battery's Down"

Like many people, Chicagoan Alan Weiss came to New York City to seek fame and fortune...
...and the Midwestern man who became an established comics illustrator shared a (supposedly only-slightly exaggerated version of his first days in NYC in the late 1960s...
Note: may by NSFW due to a couple of common-to-the-era racial stereotypes in this never reprinted tale.
A link to a website selling Alan's originals HERE!
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Friday, July 31, 2026

Friday Fun BIG APPLE COMIX "A Nice Place to Visit, But..."

We New Yorkers are proud of our metropolis...
...and we deal appropriately with those who put it down, as exemplified by this short scripted and illustrated by Marvel writer/editorial assistant Linda Fite, who, no doubt, based it on real-life visits from irritating out-of-towners!
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Friday, July 24, 2026

Friday Fun BIG APPLE COMIX "Silent Majority"

I believe it was the legendary Will Eisner who said...
"If you can tell a tale without word balloons or captions, you've succeeded as a graphic storyteller!"
Appropriately enough, this almost totally-silent story from Big Apple Comix #1 (1975) is by Mike Ploog, who broke into comics assisting Eisner on the military publication P.S. Magazine! before becoming Marvel's primary "monster" artist doing Man-Thing, Monster of Frankenstein, Werewolf by Night, and Ghost Rider during the Bronze Age.
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Friday, July 17, 2026

Friday Fun BIG APPLE COMIX "Peep Shows"

I can tell you from first-hand experience...
...this is, in fact, an extremely accurate look (except for the last four panels in the story)...
...at what visiting 42nd Street west of Times Square in the 1970s and 80s was like!
My high school was nearby (West 54th between 5th and 6th Avenues), and I discovered that, when you wore a sports jacket or leisure suit (which I had to wear daily because it was a prep school), you could pass as over 18, even if you were only 15!
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Friday, July 3, 2026

Friday Fun BIG APPLE COMIX "Token"

In the early 1970s, there were a lot of underground / alternative comics...
Art by Larry Hama, Paul Kirchner, Stu Schwartzberg, Wally Wood
...but this HTF 1975 one-shot was one of the koolest, if only for it's awesome lineup of big-name New York-based comics talent including:
Wally Wood (who did the amazing cover above as well as a NSFW spoof of his classic "My World" strip, plus he wrote a second strip and inked a third.)!
Al Williamson, who illustrated a NSFW strip written by Wood, starring a Roy Thomas-lookalike nerd thrust into a world of barbarians, nude princesses, and monsters, becoming a loincloth-wearing, sword-wielding hero!
Plus: Neal Adams, Larry Hama, Ralph Reese, Paul Kirshner, Archie Goodwin, Marie Severin, Mike Ploog, Alan Weiss, Stu Schwarzberg, and Linda Fite.
Edited and published by Flo Steinberg (known as "Fabulous Flo" when she was Stan Lee's Gal Friday during the Silver Age), the comic was sold primarily in "head shops" and sleazy bookstores since the Direct Market was in it's infancy and there were maybe two dozen comic book shops in the entire country!
The comic was a tribute to New York City, the city we love, the city we hate, the city we love to hate and hate to love!
(Yeah, I was born and raised in NYC...Brooklyn, to be exact!)
There's lots of venting of cynicism and irritation, like the cover above with commuters just standing there with a "What now!" attitude instead of fleeing in terror as most populaces do at the sight of giant monsters tearing up the skyline.
And then there's the gentle, poetic, side as shown by the highly-underrated Herb Trimpe's visual treat...
BTW, the object in question is a subway token.
Its' use was discontinued over two decades ago in favor of "smart cards", so there are probably readers of this blog who have never used, or even seen them.

Penciler/inker (and occasional writer) Herb Trimpe, who fell into disfavor with Marvel in the 1990s, despite trying to adapt by becoming a Rob Liefield clone, was as much a part of their Silver and Bronze Age success as the Buscema brothers, Don Heck, John Romita Sr, Dick Ayers, Gene Colan, Frank Giacoia, Joe Sinnott, or any of the other hardworking craftsmen of the era.

He passed away over a decade ago...another of the links to the Silver and Bronze Ages (and, according to all accounts, a heck of a nice guy) lost to eternity. 

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Saturday, June 20, 2026

Best of Space Force Saturdays MARS COMPANY in "Winner"

In the early 1970s, DC experimented with pulp-style illustrated prose tales...
...in genre (sci-fi, horror, western, and romance) titles!
Written by Denny O'Neil, and rendered in retro 1950s Buck Rogers style...
...by Murphy Anderson, this never-reprinted text feature from DC's Strange Adventures #227 (1971) seems more a tribute to classic 1940s-50s "hard" sci-fi pulps instead of a then-current "new wave" science fiction tale!
Since it featured the last story about Earth's interplanetary fighting force, Mars Company, we felt it would be the perfect "capper" to the SpaceBusters saga, which Murphy re-conceived just before its' cancellation!
Murphy seemed to be DC's "go-to" guy when they needed retro-style material in the 1960s-70s!
He was the artist for Silver Age revival try-outs of Golden Age characters in Brave & Bold (Starman & Black Canary) and Showcase (Dr Fate & HourMan and The Spectre), as well as the first few issues of The Spectre's own Silver Age title!
Anderson was also the initial artist on DC's Bronze Age version of Edgar Rice Burroughs' John Carter of Mars, as well as filing-in where needed on other Burroughs strips including Korak and Beyond the Farthest Star!
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Friday, June 19, 2026

Friday Fun FAST WILLIE JACKSON "Jabar in 'No Way Out' "

In the 1970s, there was an Archie-style comic aimed at Black audiences...
...from the publishers of the Golden Legacy series which featured factual stories about Black historical figures!
Though it looks like it, Fast Willie Jackson was not published  by Archie Comics, but by Black-owned publisher Fitzgerald Publications who had previously published the Golden Legacy non-fiction comic series about Black history.
Fast Willie was their entry into the mass-market comics market.
Though not Comics Code-approved, it received newsstand distribution, and sales were climbing for each successive issue.
Unfortunately, it reached break-even only with the seventh (and final) issue, when other matters caused Fitzgerald Publications to cease producing new material for an extended period.
When Fitzgerald briefly resumed publishing, Fast Willie was not among the titles.
Written by publisher/editor Bertram Fitzgerald, illustrated by "Gus LeMoine".
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Wednesday, June 3, 2026

Wednesday Worlds of Wonder WORLDS UNKNOWN "Doorstep"

We've been showing aliens who dare to land on Earth "who's the boss" for centuries...
...but this is one time that may not have been the best approach!
Adapted from a short story by Keith Laumer, this tale from Marvel's Worlds Unknown #2 (1973) has a kool "Twilight Zone" twist ending, but couldn't have been adapted for the show due to the crudeness of tv special effects work at the time.
OTOH, writer Gerry Conway, penciler Gil Kane, and inker Tom Sutton had no such constraints, and they do EC Comics' writers and artists proud with a tale that would have fit right in with Weird ScienceWeird Fantasy, or the merged Weird Science-Fantasy books!
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Wednesday, April 8, 2026

Wednesday Worlds of Wonder TRAGG AND THE SKY GODS

Man-Gods From Beyond the Stars Wasn't the Only Comics Project Based on Chariots of the Gods!

Art by Jack Kirby and Frank Giacoia
The best-known (and most successful) was Jack Kirby's Eternals series, which he began when he returned to Marvel in 1975!

In fact, the series was going to be called "Return of the Gods" with a logo using the same font as the Chariots of the Gods books!
But there was another series, also utilizing the theme of "ancient astronauts interacting with our ancestors" launched about the same time...but it didn't start out that way...


Art by Jesse Santos
Writer Don Glut and artist Jesse Santos had conceived a tale about Tragg, a prehistoric caveman in a world where a crashed alien ship leakd chemicals into a lake which turned a human who drank from it into a proto-werewolf!
You can read it HERE!
Glut and Santos tried to promote Tragg again, this time facing a shaman who utilized herbs to control others.
That story appeared HERE.
When neither tale prompted the editors to greenlight Tragg as a series, a new approach was taken, combining Tragg with Chariot of the Gods-style aliens...and that was OKed as a new series...

Art by Jesse Santos
With the concept locked in, Tragg and the Sky Gods launched at the same time as The Eternals, but lasted only eight issues.
The aliens from the planet Yargon apparently didn't believe in a non-interference Prime Directive, and manipulated the DNA of a pair of cavewomen to "improve the species", then left, returning 25 years later to check on their now-grown offspring, Tragg, his mate Lorn, and Tragg's older brother Jarn (born before the Yargon altered his mother's DNA).
The Yargonites themselves were a mixed bag of altrusitic scientists and power-hungry soldiers, whose differing motives constantly produced problems among themselves, and resulted in conflict with the humans!
Note: Jesse Santos did the interior art for the "tryout stories" listed above and the first two regular issues, but continued doing covers for the remainder of the run.
Dan Spiegle took over the art the stories for the remainder of the series.

Unlike The Eternals (whom Kirby deliberately kept separate from the rest of the Marvel Universe), Tragg was incorporated into an already-existing universe of characters at Gold Key also written by Don Glut, including present-day mystic Doctor Spektor and ancient warrior Dagar the Invincible, even doing crossovers through space and time with those other characters!
We're not going to re-present the tales in Wednesday Worlds of Wonder (which would end up running from now to Autumn non-stop), but here are links to the entire series....

Spawn of Yargon
Part 1, Part 2
Day the Earth Thundered
Part 1, Part 2
Race Against Death
Standalone Story featuring Lorn
Slaves of Fire Mountain
Part 1, Part 2
Project: Sabre: Fang
Part 1, Part 2
Attack of the Man-Apes
Part 1, Part 2
Death-Duel
Part 1, Part 2
Battle for a World
Part 1, Part 2
Master of the Living Bones
(Crossover story with Dagar the Invincible & Dr Spekor)
Part 1, Part 2
Where Prowls the Devil Shark
Part 1, Part 2
Plus: Three Text Stories
"Tragg and the Jaws of Death", "Valley of the Shadow" & "Spotlight on Keera"

Next Week: A New "Flashy" World of Wonder!