Lunar Reading Room RACE FOR THE MOON "Saucer Man"

From the era when actual space travel was brand new...

 ...and flying saucers were probably real, here's a tale from Harvey's Race for the Moon #3 (1958).

Pencils by Jack Kirby, inks by Al Williamson, an absolutely magnificent combo, rivaling Kirby's pairings with Wally Wood and Joe Sinnott!

Science fiction was in a state of flux as real-world science began catching up with our imaginations.

Instead of far-future sagas with warp-drive ships, tales of "the day after tomorrow", when we would make our first landings on the Moon and Mars came into vogue.

That didn't mean that visitors from beyond our Solar System were left out, but the technology we used to respond to them (friendly or not) was much closer to "present-day" (1950s) tech than ray-guns and photon drives.

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Space Hero Saturdays FLASH GORDON Happy 45th, Flash!

Before we end 2025, we wanted to acknowledge that it's the 45th Anniversary of Flash Gordon.

Though critically-reviled when it came out, the movie has attained cult-classic status, primarily due to the soundtrack by Queen...

...and over-the-top performances by (among others) Brian Blessed (Hawkman Prince Vultan), Topol (Dr Zarkoff) and Max Von Sydow (Ming the Merciless).

The comic adaptation was written by Bruce Jones and illustrated by legendary artist Al Williamson (who, ironically, was also doing the equally-magnificent graphic novel version of The Empire Strikes Back at the same time)!

Interestingly, Williamson inked the entire Flash adaptation, while allowing the talented Carlos Garzon (himself, no slouch) to ink the bulk of Empire.
Read it, from the beginning...HERE!

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Reading Room STRANGE WORLDS "Invasion from the Abyss!"

Alien Invasions of Earth are a Popular Story Concept...

...even when the "aliens" are from inside the Earth, rather than outer space!

This story from Avon's Strange Worlds #3 (1951) was a "Fleagle Gang" production.

The "Fleagles" were a group of artists including Frank Frazetta, Al Williamson, Roy Krenkel, Wally Wood, Angelo Torres, and George Woodbridge who would help each other out on tight deadlines by doing a "jam" with individuals penciling and inking different pages and even different panels on a single page, producing some absolutely-amazing visuals!

Trivia: the group was named by EC Comics editor/writer/artist Harvey Kurtzman.

The idea of advanced beings living inside the Earth and invading/reconquering the surface was very popular in the early 1950s.

Richard Shaver and 1930s-40s pulp magazine editor Raymond A Palmer caused a media firestorm with a series of stories presenting a theory that combined the "civilization inside the Earth" concept with another pop culture phenomenon...flying saucers!

Numerous readers wrote in, claiming that they had actually seen creatures and vehicles exactly as described in the stories!

The "Shaver Hoax" (as it came to be known) influenced 1930s-50s sci-fi/fantasy ranging from the two-part pilot episode of the TV's Adventures of Superman "Superman and the Mole Men" to movie serials like The Phantom Empire and movies like Brain Eaters!

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Space Hero Saturdays ALIEN WORLDS "Few and the Far"

In space, things aren't always as they seem to appear...

...as this never-reprinted tale from Pacific's Alien Worlds #1 (1982) demonstrates not once, but twice...

Admit it.

Writer Bruce Jones and artist Al Williamson fooled you!

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Space Hero Saturdays SPACE ACE "Nothing Weapon!"

Buckle Up for EXCITEMENT in the Far-Flung Reaches of Space...

...as Magazine Enterprise's Space Ace 2.5 makes his initial appearance, and he's looking good!

Al Williamson does the penciling, showing off his superb design and anatomy skills.
The inking is by Williamson plus the legendary Fleagle Gang (Frank Frazetta, Angelo Torres, Roy Krenkel, George Woodbridge).
If that weren't enough, the script is by Gardner Fox, taking the somewhat more juvenile concepts of "Space Ace 2.0" (as seen HERE and HERE) and making them a superb example of classic, epic space opera.

BONUS #1: the original art for page one...

Is that magnificent, or what? ;-)

Bonus #2

This story in 3-D

Get your Red/Blue glasses out...

From 3-D Zone #10 (1988)
"ZoneVision" conversion by Ray Zone.

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Baker Reading Room "Behind the Scenes of 'Half Man-Half What' "

Here's Tuesday's tale...

...but from the original Matt Baker/Al Williamson art!

Take particular note of the areas "whited out", probably at the request of the Comics Code Authority!

BTW, note that in the story, Dr Talbot's right side is altered, but on the cover, his left side is affected!

Let's look closely at that final panel...

Dr Talbot's right side has been totally-whited out.

Was it still metallic?

And his face originally wasn't happy!

Did the original ending show him at the beginning of the process, wondering if it would succeed, and leaving the door open for a sequel if it didn't?

Was the Comics Code Authority responsible for the odd changes?

We'll never know...
Penciler Matt Baker was one of the few Black comic book artists of the Golden and Silver Ages, and was easily the most prolific of them!
Though known for his "good girl" art, including the famous (and infamous) Phantom Girl stories, he handled every genre with ease, including horror, war, sci-fi, and romance!
Sadly, though, few of his stories featured Black characters...who were rare in comics until the mid-1960s!
You can read a short, but complete bio HERE!
He'll be our featured artist this month in the Baker Reading Room at Atomic Kommie Comics, spotlighting his amazing cross-genre versatility!

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Baker Reading Room ALARMING TALES "Half Man-Half What"

"Scientists Tampering with Things Man Should Not Meddle In!" is an old cliche...

Art by John Severin

...given a new look by a most unusual assortment of artists...at least four, along with the writer...

Art by the Bob Powell Studio

OK.

Let's identify the talents involved in this never-reprinted tale from Harvey's Alarming Tales #5 (1958)...

Cover art by John Severin

Script by Dick Wood.

Opening page (which was actually the lower part of the contents page) by the Bob Powell Studio.

Story pencils by Matt Baker (who's the reason this is included in Black History Month).

Story inks by Al Williamson.

Thursday:

the entire story (and cover) in original art form, with some revealing alterations and footnotes!

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