Showing posts with label sci-fi. Show all posts
Showing posts with label sci-fi. Show all posts

Monday, July 13, 2026

Monday Mecha Madness WEIRD THRILLERS "Menace of R Day"

In the 1950s, it was believed that war could be ended by 1999...
...and that other menaces would threaten the Earth, instead!
This somewhat-hokey, but entertaining, sci-fi tale from Ziff-Davis' Weird Thrillers #1 (1951) was both penciled and inked by Ross Andru.
Andru would later partner with Mike Esposito with Ross as the penciler and Mike doing the inking.
Whether this was because Esposito was faster at inking than Ross, or Andru enjoyed doing only pencils is unknown.
Considering Andru seemed pretty damn good at inking, it's a pity he eventually gave it up.
BTW, the writer of this never-reprinted tale of mechanical mayhem is unknown.
Next Week: the Return of

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Tuesday, July 7, 2026

Reading Room LOST WORLDS "City That Escaped From Tomorrow"

In the 1950s, the popularity of sci-fi in tv and in movies carried over to comics...
...with a plethora of sci-fi anthology titles from almost every publisher, most of which ran material equal to the bulk of pulp and paperback science fiction of the era.
This never-reprinted tale from Standard's Lost Worlds #5 (1952) was penciled by Ross Andru and inked by Mike Esposito and Jim Mooney.
The writer is unknown.
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Thursday, June 25, 2026

Reading Room: WEIRD TALES OF THE FUTURE "Plaything"

Ever feel like you're totally-insignificant?
Well, there might be a very good reason, as shown in Key's Weird Tales of the Future #6 (1953)!
"As flies to wanton boys are we to th' gods. They kill us for their sport."
–Shakespeare "King Lear"

While the writer is unknown, the artist was Tony Mortellaro, who did hundreds of tales in various genres for Key and Atlas/Marvel, (where he became Associate Art Director under John Romita in the 1970s).

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Monday, June 22, 2026

Monday Mecha Madness SPIRIT OF FRANKENSTEIN "A Monster is Born"

There have been several ongoing series that combined horror and sci-fi...
...such as the strip which premiered with this tale from ACG's Adventures into the Unknown! #5 (1949)!
The "monster" here is not Frankenstein's Monster, nor are any of the scientists members of the Frankenstein clan.
Though it's defined as a "robot" it appears to be more of an android!
But, if the strip's creators say it's a robot, that's good enough for me!
Writer Richard Hughes and artist Charles Sultan invoked the "spirit" of the Frankenstein Monster Monster concept with a creation run amok and ran amuck with it for several issues from #5 to #16.
Rest assured it'll be back...
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Adventures Into the Unknown!
Volume 1

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Saturday, June 20, 2026

Best of Space Force Saturdays MARS COMPANY in "Winner"

In the early 1970s, DC experimented with pulp-style illustrated prose tales...
...in genre (sci-fi, horror, western, and romance) titles!
Written by Denny O'Neil, and rendered in retro 1950s Buck Rogers style...
...by Murphy Anderson, this never-reprinted text feature from DC's Strange Adventures #227 (1971) seems more a tribute to classic 1940s-50s "hard" sci-fi pulps instead of a then-current "new wave" science fiction tale!
Since it featured the last story about Earth's interplanetary fighting force, Mars Company, we felt it would be the perfect "capper" to the SpaceBusters saga, which Murphy re-conceived just before its' cancellation!
Murphy seemed to be DC's "go-to" guy when they needed retro-style material in the 1960s-70s!
He was the artist for Silver Age revival try-outs of Golden Age characters in Brave & Bold (Starman & Black Canary) and Showcase (Dr Fate & HourMan and The Spectre), as well as the first few issues of The Spectre's own Silver Age title!
Anderson was also the initial artist on DC's Bronze Age version of Edgar Rice Burroughs' John Carter of Mars, as well as filing-in where needed on other Burroughs strips including Korak and Beyond the Farthest Star!
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Saturday, June 13, 2026

Space Hero Saturdays SPACE MOUSE "Master Mind" & "Believe It or Not"

This short-lived, but entertaining, series was uneven...
...with some stories, like this one from the back cover of Avon's Space Mouse #1 (1953) featuring the heroic character as a thief, obviously adapted from a different strip...
...and this one, from the inside cover of Avon's Space Mouse #3 (1953) showing him both in "hero mode" and cleverly breaking the "fourth wall"!
Writer/artist Frank Carin was an experienced pro who started as an animator the Fleischer Brothers and TerryToons, then moved over to comics in the early, writing and/or illustrating several hundred stories and covers for everybody from Timely/Atlas to Magazine Enterprises, to Nation-Wide, to Harvey, to, of course, Avon, and finally, to Gold Key!
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(covering the studio where Frank Carin got his start)
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Thursday, June 4, 2026

Reading Room MONSTER OF FRANKENSTEIN COMICS "Doorway to the Future!"

Is this a "lost" Kirby Klassic from the 1950s?
Read this never-reprinted tale from Prize Comics' Monster of Frankenstein #33 (1954) and judge for yourself...
When Prize Comics' Monster of Frankenstein title was revived during the horror comic boom of the early 1950s, besides a wonderfully-gruesome version of Dick Briefer's Monster, it featured a number of two to four page "fillers".
Most of these tales appear to be, at the very least, laid-out by Jack Kirby.
This story is a prime example.
The figure poses, faces, machinery, even the futuristic buildings all but scream "KIRBY"!
The Grand Comics Database lists the story's artist as Marvin Stein with a "?", but considering the volume of work Simon & Kirby did for Prize before leaving to form their own company, Mainline, and the fact Stein worked primarily for their studio, it's not unlikely this was an "inventory" story meant for insertion wherever editorial material page count came up short.
Sadly, the writer of the story is, as in so many cases, unknown, but it might also be Kirby...
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Wednesday, June 3, 2026

Wednesday Worlds of Wonder WORLDS UNKNOWN "Doorstep"

We've been showing aliens who dare to land on Earth "who's the boss" for centuries...
...but this is one time that may not have been the best approach!
Adapted from a short story by Keith Laumer, this tale from Marvel's Worlds Unknown #2 (1973) has a kool "Twilight Zone" twist ending, but couldn't have been adapted for the show due to the crudeness of tv special effects work at the time.
OTOH, writer Gerry Conway, penciler Gil Kane, and inker Tom Sutton had no such constraints, and they do EC Comics' writers and artists proud with a tale that would have fit right in with Weird ScienceWeird Fantasy, or the merged Weird Science-Fantasy books!
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(featuring "Doorstep")
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