Holiday Reading Room AMAZING ADULT FANTASY "Beware of the Giants!"

It's not often you see Stan Lee's signature on cover art...

...(behind the giant boot) perhaps because it was probably meant as the title page for the following story (and, to tell the truth, I think the splash page below would've been a better cover)...

Hah!

Bet you thought I had forgotten St Patrick's Day, eh? 

This Stan Lee-scripted/Steve Ditko-illiustrated piece from Atlas' Amazing Adult Fantasy #14 (1962) has one fatal flaw...the clothing and architecture are more mid-European (Germany/Austria/Switzerland) than Celtic (Irish/Scottish)!

BTW, one of the rarely-noted aspects of this series were the kool individualized contents pages for each issue...

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Friday the 13th Fun TIPPY'S FRIEND GO-GO "Egg-Head in Friday the 13th"

One of the better Archie clones of the 1960s was Tippy Teen, who had both her own book...

...and two spin-off titles featuring a Riverdale-like ensemble of supporting characters who had their own features, including Egg-Head...who was called that only because he wore glasses and looked like a nerd!

If the story doesn't make much sense, the fact it was from Tower's Tippy's Friend Go-Go #15 (1969), which was the last book of the series and the company was already winding down to close the doors a month later, might have loosened the editorial standards a tad...

You'll note the art appears exactly like the Archie Comics "house look"!

That's because the Tippy Teen books were illustrated almost entirely by moonlighting Archie artists, though which particular one did this tale is unknown!

BTW, Egg-Head was not the only Tower Comics character to bear that name!

One of the original members of the T.H.U.N.D.E.R. Squad (a non-superpowered backup team for the T.H.U.N.D.E.R. Agents) was named...Egghead!

I'm not sure how "well-trained" and "highly-skilled" the "super-brilliant strategist" was since he died in his second appearance...

Lunar Reading Room FOUR COLOR COMICS "Maybes About the Moon"

As the Artemis II Moon Shot is Postponed Until April...

...we're presenting a never-reprinted feature from the days before we had even landed on the moon the first time!

This never-reprinted short from Dell's Four Color Comics #1253 (aka Space Man #1) appeared in 1962, just as our Mercury space program was getting under way, so it's a lot of speculation.

Illustrated by Jack Sparling, but the writer is unknown.

BTW, even though it appeared in Four Color Comics, it's in black and white because it appeared on the inside back cover.

The inside covers of comics used to be printed with only one color, black, instead of the four colors CYAN, YELLOW, MAGENTA, and BLACK (CYMK), that make up all the colors in standard comic printing, as a cost-saving measure!

Space Hero & Heroine Saturdays KIDNAPPED BY A SPACE SHIP! "Part 1-Off to the Stars!"

 In pop culture, lots of kids besides comics' Buzzy Bean went into space...

...as early as 1970, according to this tale from Treasure Chest V14N11 (1959)!

Oops!

We'll find out how this liftoff happened when the story continues next month!

Writer Frances Crandall followed the accepted concepts of space travel postulated by scientist Wener Von Braun and, illustrated by Chesley Bonestell in various books and magazines like Conquest of Space, and popularized in numerous 1950s movies like Destination Moon and Angry Red Planet!

Artist Fran Matera was also the art director/art editor for Treasure Chest, but is best known for his long run on the Steve Roper and Mike Nomad newspaper strip.

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Taylor History of Comics

Vol 3
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FLYING SAUCERS "Far Out Physical"

With all the current mishigas about UFOs/Flying Saucers...

...we thought we'd present a tale or two from the 1960s-70s comic anthologies dedicated to the topic!

You'll note that the aliens' world balloons are left blank!

Editor Don (D J) Arneson wrote all the stories in the four-issue run of Dell's Flying Saucers.
He also made sure the various artists presented a fairly-consistent "look" to the aliens.
(Note: the series ran five issues, but the fifth was a reprint of #1)
In the case of this tale from #1 (1967), Sam Glanzman brought his realistic, natural style to a story using many of the already-established elements of UFO lore.
Trivia: Both Dell and Gold Key produced anthology comics about alien visitors and their kitchenware-shaped vessels during this period.
Gold Key's UFO: Flying Saucers ran for twenty five issues, changing the title to UFO and Outer Space as of #14!

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Voyage to the Deep

TPB reprinting the complete four-issue sci-fi/fantasy 1960s series illustrated by Sam Glanzman, plus some kool features!
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Lunar Reading Room RACE FOR THE MOON "Saucer Man"

From the era when actual space travel was brand new...

 ...and flying saucers were probably real, here's a tale from Harvey's Race for the Moon #3 (1958).

Pencils by Jack Kirby, inks by Al Williamson, an absolutely magnificent combo, rivaling Kirby's pairings with Wally Wood and Joe Sinnott!

Science fiction was in a state of flux as real-world science began catching up with our imaginations.

Instead of far-future sagas with warp-drive ships, tales of "the day after tomorrow", when we would make our first landings on the Moon and Mars came into vogue.

That didn't mean that visitors from beyond our Solar System were left out, but the technology we used to respond to them (friendly or not) was much closer to "present-day" (1950s) tech than ray-guns and photon drives.

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Tomorrow is PRESIDENTS' DAY...the Holiday that Combines Two REAL Presidents' Birthdays!

Before they combined Lincoln's and Washington's birthdays into a "floating" holiday...

...Washington's Birthday was always celebrated each year on Feb 22nd...

...and Lincoln's Birthday was always on February 12th!

Why the change?

USA Today has an explanation HERE!

Since this is a comics blog, let's get back on-topic!

These two features appeared in a 1956 comic called "Every Day's a Holly Day"

(No, it's not a typo...as you can see!)

Why was it called that instead of "Every Day's a Holiday"?

Because it was given away to kids by grocers who sold Holly Sugar!

Illustrated by long-time comic illustrator John Rosenberger, it's a unique pamphlet covering a number of American holidays, including Mothers' Day (though not Fathers' Day), Flag Day, Independence Day, Labor Day, Thanksgiving, and a couple of holidays we've largely abandoned...Pan-American Day and American Indian Day!

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In February, TRUE LOVE COMICS TALES Goes MOD...

...with tales from a Never-Reprinted 1960s Comic Magazine...

...not  a Comic Book !

Western's Mod Love (1967) was a magazine-sized 50¢ multi-color publication with all material written by Michael Lutin and illustrated by already-noted graphic artist Michael Quarez who went total "pop art", with one important difference!
Unlike most "pop art" visualizers (including myself) who used exaggerated dot screens to mimic Roy Lichtenstein's pseudo-pop art work...

...Quarez used only solid colors in his work, creating incredibly-vivid visuals, such as this two-page spread about hot, hot hot fashion boutique Tiger Morse's!

We ran the stories over a decade ago with scans we found on the Internet, but since acquiring a copy of this very-hard-to-find publication, we've remastered them from scratch and will present them on three of the four Wednesdays in February!

But, on the second week of February, aka Valentine's Day Week, we're paying tribute to the creators of the romance comics genre, Joe Simon and Jack Kirby, with a special never-reprinted, cover-featured, Valentine's Day tale from Young Love!
(And yes, that's a very young Robert Redford, during his male model period, on the cover!)

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Reading Room BLACK CAT MYSTIC "Great Stone Face!"

Despite the title, Black Cat Mystic was actually a sci-fi anthology...

...featuring the final work of the Simon & Kirby Studio!

NOTE: May be NSFW due to racial stereotypes common to the era.

Penciled, inked, and probably scripted by Jack Kirby, this tale from Harvey's Black Cat Mystic #59 (1957) is Jack's first look at what would become known as the "ancient astronauts" theory in the 1970s due to the interest generated by Erich von Daniken's Chariots of the Gods.
At the same time, Kirby himself would expand the concept into The Eternals, (originally-titled Return of the Gods), which is now one of the lynchpins of the Marvel Universe.

Kirby would present a variation of the theme a couple of years after "Great Stone Face" in Race for the Moon's "Face on Mars" as shown HERE.

Note: Kirby and Stan Lee did a variation of the concept at Marvel in the 1960s with The Inhumans, who were created by Kree scientists visiting Earth in prehistoric times and genetically-manipulating humans to draw out dormant abilities.

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