Reading Room / Tales Twice Told BACK MAGIC "Buried Alive!"

Tuesday, We Presented the Later Version of This Tale...

...now, we show you the earlier version created by one (possibly two) Silver Age comics legends!

Illustrated by Steve (Spider-Man/Doctor Strange) Ditko, the writer of this tale from Prize's Black Magic Comics V4N4 (1954) is unknown.

It could be either Jack (King) Kirby or Joe Simon, or both, since they were the editor/art director team of the Simon & Kirby Studios which packaged Black Magic and several other books for Prize Comics!
But we don't know for certain!
(And if I have to explain who Jack Kirby is, you're not a regular reader of this blog!)
One thing we are certain of...while both stories used the same script (with a couple of modified word balloons), Ditko's version runs six pages, while Munoz's remake is seven pages long!
Don't believe me?
Click HERE and compare!

Which one do you, dear reader, believe is an example of better storytelling?

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Steve Ditko Archives Vol 1

Strange Suspense

(Which reprints this story...but in black and white)

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Reading Room / Tales Twice Told WEIRD "The Dead Live"

 Usually, in "Tales Twice Told" we present the original story first...

...but this time, we're going with the later, reworked version from the same script first!

Illustrated (or is that re-illustrated by Cirilo Munoz, this tale from Eerie Publications' Weird V8N4 (1974) is a re-working of a story from 20 years earlier that, up until then, had not been reprinted...despite the fact it had been illustrated by a major Silver-Age artist!
Trivia: that original tale remained hidden under the cowbwebs of history until 2008.over a half century later, and only in black and white!
But you'll see that story from 1954, in brilliant color, right here on Thursday!

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The Worst of Eerie Publications

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Reading Room WORLD OF SUSPENSE "By the Dark of the Moon"

The cover depicting this tale has a gothic horror feel...

...but, in fact, the story is hard science fiction!

No ghosts or ghoulies at all!

(Halloween was over a week ago!)

Was this story's ending rewritten to conform to the Comics Code?

Scripted by Carl Wessler and ilustrated by John Giunta, this never-reprinted tale from Atlas' World of Suspense #5 (1956) features a last panel with a rather convoluted explanation that seems, as the saying goes "out of left field".

Or is it just the result of trying to cram a lot of story into only four pages?

We'll never know...

Reading Room BLACK MAGIC "Man Who Captured a Ghost!"

Most people wouldn't consider our judicial system a source of horror...

...at least not the non-corporeal type of terror!

Since Kirby (and Joe Simon) were the editors/art directors for the book, it's not unreasonable to think one or the other was also the story's writer.

While Kirby is clearly the cover artist...

...the interior art for the never-reprinted, cover-featured, tale from Prize's Black Magic V2N1 (1951) seems to be a combination of his layouts, pencils by Mort Meskin, and inks by Meskin and George Roussos!

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Simon & Kirby Library: Horror!

(which doesn't include this story)
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Reading Room / Tales Twice Told VOODOO "Goodbye...World!"

Tuesday we presented an odder (than usual) Silver Age tale...

 ...with a cover that seemed as if was from another story entirely.

Well, it was...sort of.

The story in Ajax's Midnight #4 (1957) was a reprint of a tale from Ajax's Voodoo #7 (1953), which was published during the height of the horror comics boom!

And, let's just say that Ajax's editorial packager, the Iger Studio, was not noted for its' subtle (or even tasteful) stories.

The heavy hand of the Comics Code Authority forced quite a few changes from this wild original version, as you will see from the splash panel onward...

Beyond little things like making the duo who are sent into space to spawn the new human race a married couple instead of a pair of unmarried co-workers, the harpies were redrawn as insect-like humanoids (which made a certain amount of sense), and the ending was totally-redone as a happy ending with humanity surviving the alien onslaught!

Personally, I prefer the original!

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Four Color Fear

Forgotten Horror Comics of the 1950s

Reading Room / Tales Twice Told MIDNIGHT "Project Final X"

Will the world end in an ecological disaster...

...or will it be something much more sinister?

Now that you've read this story from Ajax's Midnight #4 (1957), you might be asking yourself if it seems like it was a tad...disjointed, and that it didn't make much sense at a couple of points.
There's actually a good reason for thinking that.
The clues are in the cover for that issue...

Look carefully at the differences between the alien you see on the cover and the ones in the story itself.

There is a reason behind it all!

Be here Thursday for the surprising, shocking explanation!

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Four Color Fear

Forgotten Horror Comics of the 1950s

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Reading Room SPACE ACTION "Silicon Monsters from Galaxy X"

If you're a cheesy sci-fi fan like me, you'll go for a story with a title like...

...'cause with a title like that, you're in for a fun (if not totally rational or even coherent) time!

While the writer is unknown, the art for this tale from Ace's Space Action #2 (1952) is attributed to "Jim McLaughlin", who had a short-lived comics career doing work primarily for Ace!

After Ace dropped comics in 1955 to concentrate on paperbacks, "Jim" did a couple of stories for Atlas/Marvel and a run on Dell's comic adaptation of TV's Gunsmoke!
Then "Jim McLaughlin" disappeared!
Totally.
Unlike most comic book artists who went on to do commercial art or newspaper strips, there's no trace of "Jim McLaughlin" after his brief foray into four-color publishing...and no background about his pre-comics career!
Here's another interesting point...his art style altered considerably during his career.
In this story, the inking looks a lot like the work of long-time artist Jim Mooney!
In fact, a number of panels resemble Mooney's work on the DC strip Tommy Tomorrow, which Jim Mooney was both penciling and inking during the same period as "Jim McLaughlin's" work for Ace!
In McLaughlin's later work (particularly his Gunsmoke art), while the layouts look similar, the inking style is totally-different!
Was "Jim McLaughlin" a pen-name for a penciler working with at least two (if not more) different inkers?

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Science Fiction Comics
Taylor History of Comics
Vol 3