Showing posts with label Ross Andru. Show all posts
Showing posts with label Ross Andru. Show all posts

Thursday, June 24, 2021

Reading Room FANTASTIC WORLDS "Ace of Space"

Not to be confused with Space Ace (who went through several different incarnations)...
...this guy is a Cold War fighter pilot-type transposed to a Star Wars setting!

Darn those aliens!
Sending robot "drones" to do their fighting instead of going man-against-lizard as God intended!
Though the scripter for this tale from Standard's Fantastic Worlds #7 (1952) is unknown, the artwork is by Ross Andru and Mike Esposito, with a couple of panels redrawn by Mike Sekowsky!

Thursday, February 18, 2021

Reading Room WORLDS UNKNOWN "Day After the Day the Martians Came!"

With NASA's Perseverance probe about to land on Mars...
Art by Ross Andru & John Romita
We thought we'd present a tale of the Martians returning the favor that also ties-in with Black History Month!
Wonder how?
Keep reading...
The short story this comic tale is based upon first appeared in the ground-breaking 1960s anthology Dangerous Visions, a collection of original novelettes and novellas conceived and edited by Harlan Ellison, which should be on any science fiction fan's bookshelf or eReader.
Several of the stories in the anthology, in particular this one and "Riders of the Purple Wage" by Phillip Jose Farmer, explored the subject of racial prejudice.
The never-reprinted comic adaptation from the first issue of Marvel's short-lived anthology Worlds Unknown, is scripted by Gerry Conway and illustrated by Ralph Reese, who began in 1966 as an assistant to Wally Wood and went solo within a couple of years, first as an inker, and later as a penciler/inker.
He's done work for all the major comics companies (usually on their anthology titles), as well as stints on the Flash Gordon newspaper strip and licensing art for Childrens' Television Workshop!
BTW, the Grand Comics Database lists John Romita as sole artist of the cover, but, IMHO, the figure poses are clearly Ross Andru, not Romita.
(And the GCD originally listed Marie Severin and Sal Buscema as the artists!)
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(where the prose version of this tale first appeared!) 

Friday, August 14, 2020

Friday Fun GET LOST! "Ride in the Subway"

As a longtime New Yorker (and now Chicagoan)...
...I can attest to the accuracy (and only slight exaggeration) of this pre-Covid-19 tale by native New Yorkers Ross Andru and Mike Esposito!
This short from Mikeross' Get Lost #3 (1954) was typical of the title, one of the better MAD color comic clones.
Andru and Esposito wrote and illustrated almost everything, giving it a cohesion most other title didn't have.
Mikeross was a small publisher, who, unfortunately, didn't survive the Wertham "Seduction of the Innocent" purge of the mid-1950s, despite the fact they didn't publish any horror comics!
Besides Get Lost!, all they did was romance comics as shown HERE!
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Tuesday, May 26, 2020

CoronaVirus Comics GIANT-SIZED DOC SAVAGE "The Man of Bronze" Conclusion

Art by John and Sal Buscema
Learning of his father's death due to a rare disease, adventurer/scientist Doc Savage returns to his headquarters in New York City, where he is greeted by his five associates, each an expert in a different science or discipline.
Suspecting foul play, they are about to read the elder Savage's personal papers to ascertain clues, when an assassination attempt is made on Doc.
The group (except for lawyer Ham, sent on another assignment) now goes in pursuit of the gunman...
To Be Continued...Tomorrow,
back where it began, at...
Hero Histories!
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Monday, March 16, 2020

Monday Madness GET LOST "The Circle, the Triangle and the Square"

Sometimes, a comic tale doesn't need perspective, anatomy, or even characters to tell a story...
...as this classic bit of storytelling from Mikeross' Get Lost #3 (1954) proves!
The graphics are simple, but effective...but the key is the captions and their use of slang to deliver the punchline!
Though it only lasted three issues, Ross Andru and Mike Esposito's Get Lost was one of the best of the MAD comic knock-offs, never quite hitting the heights of Harvey Kurtzman and Will Elder's lunacy, but coming close with several tales, including this one!
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Saturday, March 3, 2018

The SEQUEL to the Swinging Seventies Black Super-Hero You NEVER Heard of...ACE OF SPADES II!

In 1971, two years before The Black Panther received his own series...
...a Black Super-Hero hit the newsstands of America for a two-issue run almost nobody remembers!
Who is he?
Where did he come from?
And why don't even the most obsessive comics fans remember him?
These, and other equally-valid questions are now answered at...
Warning!
The Answers May NOT Be Suitable For the Faint-Hearted!
Click HERE at Your Own Risk!

Saturday, February 24, 2018

The Swinging Seventies Black Super-Hero You NEVER Heard of...ACE OF SPADES!

In 1971, two years before The Black Panther received his own series...
...a Black Super-Hero hit the newsstands of America for a two-issue run almost nobody remembers!
Who is he?
Where did he come from?
And why don't even the most obsessive comics fans remember him?
These, and other equally-valid questions are now answered at...
Warning!
The Answers May NOT Be Suitable For the Faint-Hearted!
Click HERE at Your Own Risk!

Sunday, December 4, 2016

Cowboys + Dinosaurs = Christmas FUN!

Art by Ross Andru and Mike Esposito
They just don't make comics like this anymore!
Masked cowboy hero vs gunslinger riding a pterodactyl...and a bright magenta pterodactyl at that!
It's the sort of concept a nine-year old would come up with while playing with his (or her) newly-unwrapped action figures under the Christmas tree, mixing the dinosaurs with superheroes and cowboys!

Why not?
That's what makes it so KOOL!
It's so darn silly, yet fun, you just have to look at it and think "what the--?"

That's exactly the sense of wonder we at Atomic Kommie Comics™ still feel!
We want to live in a world where anything can, and does, happen!
In pop culture, we call this sort of tale "cross-genre", where a story draws elements from disparate categories of fiction.

Sometimes there's a certain logic to it.
One of my favorite books involves fiction's greatest detective dealing with the first alien invasion!
Since he lived in London at the time the invasion took place, it seems only (dare I say it) elementary, that Sherlock Holmes would witness and analyze the Martian invasion of 1898!
That's the basis of the superb pastiche, Sherlock Holmes' War of the Worlds by Manly Wade Wellman & Wade Wellman!
That novel, to me, defines KOOL!
(The fact the story also includes another of Sir Arthur Conan Doyle's classic characters; Professor Challenger from The Lost World and other sci-fi novels, is a cross-genre bonus!)
Track down a copy.
If you're a HolmesChallenger, and/or War of the Worlds fan (I'm a fan of all three), it's well worth the effort!

Sometimes there's no real logic to it except--"why not?"
That's the category where something like Santa Claus Conquers the Martians goes!
And that's where the cover shown above goes.
This particular design was so cross-genre we put it in two wildly-different sections--Dinosaurs!, and Masked Western Heroes, because, hey, it fits both categories, so--"why not?"

Keep the Sense of Wonder alive!
Give a Christmas gift that keeps inspiring the imaginations of both the young and the young-at-heart!

Wednesday, February 24, 2016

Best of Reading Room: GULLIVAR JONES "Wasteland on a Weirdling World"

Art by Gil Kane and Joe Sinnott
...but who could fill you in better than our currently-helpless hero himself?
Ross Andru, right before beginning his stint on Doc Savage, came on for Marvel's Creatures on the Loose #18 (1972), the third chapter of the short-lived, never-reprinted, comic adaptation, replacing Gil Kane, who continued to do covers.Gerry Conway and science fiction writer George Alec Effinger take over the scripting from Roy Thomas, who plotted the story arc and remained as editor.
One of the major problems this series faced was only having 10 pages every two months to tell the story.
And, because it was a bi-monthly, the writers felt compelled to recap not only the previous issue, but the entire story, which ate into the page count for a given issue's tale!
Had Marvel given the series a 15-page or full-book page count to work with (or 10 pages in a monthly title), the series might have gained more of an audience.
But only ten pages of story every two months was, apparently, too little to hold the audience's interest.
As it is, we're already midway thru the too-brief color comics run.