Atomic Reading Room TALES TO ASTONISH "Voice of Fate"

Our final tale about Hiroshima is a re-working of the previous one...

...but with some interesting variations!

This story by plotter Stan Lee, writer Larry Lieber, and artist Don Heck is from Atlas' Tales to Astonish #33 (1962) and is a retelling of "Mister Black", which appeared only a couple of months earlier in Atlas' Strange Tales #93 (1962).
You'll note the protaganist is now American...but still a draft dodger.
Of course, the story omits why the Japanese would even take him in (since he had nothing of value to the government), or how he even got to Japan in the middle of World War II...

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Science Fiction Comics

Taylor History of Comics

Vol 3

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Atomic Reading Room STRANGE TALES "Mister Black"

 Continuing our look at how American comics portrayed the bombing of Hiroshima...

...with a tale featuring a Japanese protagonist!

Was this story from Atlas' Strange Tales #93 (1962) an inventory tale from the 1950s?

Artist Bob Forgione lost his ongoing freelance work at Atlas when the company cut back in late 1956-early 1957 after losing their newsstand distributor.

When this story was finally published, Forgione was working steadily for Dell, ACG, and DC.

It also appears to have been the last original tale by Bob that Atlas/Marvel published.

(All subsequent stories were reprints of earlier material.)

Also, could it have been reworked from an unpublished Witness tale?

Every comic company had a cloaked mystery man narrating stories about "everyday" people (and occasionally influencing them, as well).

Timely/Atlas' entrant in the Mysterious Traveler/Whistler/Phantom Stranger/Man in Black Called Fate competition was The Witness, who had his own one-shot comic and a number of stories scattered in other titles.

At any rate, an extremely-similar tale appeared only a couple of months later...by one of the now-revived and thriving Atlas/Marvel's hottest artists!

Be Here Sunday For the Final Horrific Hiroshima Tale!

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Atomic Reading Room STRANGE TALES "Eyes that Never Close"

With the 80th anniversary of the bombing of Hiroshima coming up...

...we're presenting several tales from the 1950s-60s relating to it.

This never-reprinted story from Atlas' Strange Tales #61 (1958) treats the bombing as just another disaster, but one the criminal won't escape from.
Illustrated effectively by Bernie Krigstein, who tells a story in only four pages that most artists today would need twenty pages for.
BTW, the writer is unknown.

Be Here Thursday For the Next Horrific Hiroshima Tale!

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Reading Room DO YOU BELIEVE IN NIGHTMARES? "Man Who Crashed into Another Era"

Here's a short story featuring dinosaurs, illustrated by Steve Ditko...

...just before his stint on Charlton's Gorgo!

Ok, so it was the old "It's only a dream" scenario.

You got to admit, it's well-done!

From St John's Do You Believe in Nightmares? #1 (1957), a short-lived anthology produced just before St John went out of business.

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Unexplored Worlds

Steve Ditko Archives, Vol 2

Reading Room STRANGE WORLDS "Abduction of Henry Twigg"

Here's a dream come true for all us fanboys and nerds (Yep, I'm one)...

...in this Joe Kubert-illustrated tale from Avon's Strange Worlds #8 (1952)...

Talk about politically-incorrect...from both sexes!

But it's still entertaining, and that's what counts, eh?

Note: we've run stories from two different series named "Strange Worlds".

This tale is from the first one, published by Avon Comics in the early 1950s.

By the late 1950s, Avon Publishing had abandoned comic books and concentrated on "traditional" publishing (hardcovers and paperbacks) in various genres (including sci-fi and horror).

Curiously, when comics became "hot' in the 1960s, Avon did not reprint their comic library in paperback format the way Ballantine Books did with EC Comics, Signet did with DC Comics, Lancer did with Marvel. and Belmont did with Archie's super-heroes!

Considering they owned the material and didn't have to pay to reprint it like all the other publishers did, it seems like a lost opportunity for Avon to make some quick cash.

Note: We've re-presented several tales from the other Strange Worlds, published by Atlas Comics in the late 1950s, literally right before they became Marvel in 1961!

It's easy to tell which is which, since the Atlas/Marvel version features work by creatives like Jack Kirby, Don Heck, and Steve Ditko who would be the creative mainstays of the Marvel Age of Comics, while the Avon books have art by illustrators who would make their mark at DC, like Joe Kubert and John Forte!

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Reading Room HOUSE OF MYSTERY "Human TIme Capsule"

Under this kool Ruben Moreira cover...

...lurks an even kooler, never-reprinted tale of illegal aliens and crime from DC's House of Mystery #64 (1957)!

So the American citizen is the criminal, not the "illegal alien"!

The Mort Meskin-illustrated tale left a possibility for a sequel, which was never realized!

Since even DC doesn't know who wrote it (and the odds are the author is deceased by now), we'll never know...

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Showcase Presents

Strange Adventures

Volume 1
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Reading Room AMAZING ADVENTURES "Amazing Prophecies"

Let's peer into a crystal ball from the 1950s...

...and see they did predict 3-D TV and bigger women (as compared to the females of the 1950s).

But the other prophecies from this never-reprinted feature illustrated by Ross Andru in Ziff-Davis' Amazing Adventures #4 (1951) have yet to occur...

Reading Room LOST WORLDS "Man Who Didn't Know Venus"

Nedor/Better/Standard Comics produced several sci-fi anthologies...

...none of which lasted more than three issues.

But it certainly wasn't due to lack of quality.

With a contributor list that included Alex Toth, Ross Andru, Mike Sekowsky, Nick Cardy, and Jack Katz, you're talking some of the great and soon-to-be-great storytellers of comics history!

But, there was one other sci-fi creator who did a story for Lost Worlds, one of only four tales he did for comic books.

Jerome Bixby, novelist and short-story writer, as well as screenwriter whose credits include...

IT! the Terror from Beyond Space!

Fantastic Voyage

Star Trek "Mirror, Mirror"*, "By Any Other Name", "Requiem for Methuselah" and "Day of the Dove"

and the short story "It's a Good Life" which was adapted on both the original Twilight Zone tv series (by Rod Serling) and the 1983 feature film (by Richard Matheson).

BTW, around the time he wrote this, Bixby had just left his position as editor of the Planet Stories pulp magazine at Fiction House, where he also contributed a couple of text pieces to Planet Comics and Indians (his only non-genre text story)!

*The Mirror Universe created by Bixby in "Mirror, Mirror" has proven to be so popular that it has reappeared in almost all the spin-off series spanning almost all of Federation and StarFleet history!

And let's not get into the numerous (sometimes contradictory) novels and comics about the concept...

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Masters of Science Fiction Volume 2
Jerome Bixby
"One Way Street" and Other Tales
Note: "One Way Street's" concept of being transferred to another universe was the thematic basis for "Mirror, Mirror"!
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Reading Room MONSTER OF FRANKENSTEIN COMICS "Small Fry!"

You can't tell me this isn't a "lost" Kirby Klassic from the 1950s...

...with the only question being "who was the penciler and/or inker over Jack Kirby's layouts?"

When Prize Comics' Monster of Frankenstein title was revived during the horror comic boom of the early 1950s, besides a wonderfully-gruesome version of Dick Briefer's Monster, it featured a number of two to four page "fillers".

Most of these tales appear to be, at the very least, laid-out by Jack Kirby.

This never-reprinted story from Prize's Monster of Frankenstein #33 (1954) is a prime example.
Some of the "camera angles" are easily-recognizable from later Ant-Man stories by Jack Kirby.

The Grand Comics Database lists the story's creators as "unknown", but considering the volume of work Simon & Kirby did for Prize before leaving to form their own company, Mainline, it's not unlikely this was an "inventory" story meant for insertion wherever editorial material page count came up short.

Sadly, the writer of the story is, as in so many cases of tale from the 1940s-60s, unknown...

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Simon & Kirby Library

Science Fiction

Reading Room UNSEEN "Eerie Glen"

No, it's not about a weird guy named "Glen"...

...but, according to dictionaries, a Scottish/English term meaning "valley with gentle slopes"!

In truth, it seems more like a swamp than a glen, which tends to be open and grassy!

This never-reprinted tale from Standard Comics' Unseen #6 (1952) is typical of the "Oops! I'm dead!" twist-ending story, but because of the reason for the demise (a fever from an unspecified disease), we felt it appropriate for CoronaVirus Comics.

Artist George Roussos worked for for half a century in comic (1940s to the 1990s) as a penciler, colorist, and, most notably, a fast, clean and efficient inker (one of the few who could keep up with speed-demon penciler Jack Kirby)!

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Ten-Cent Plague

Great Comic Book Scare and How It Changed America