Monday Madness "Supreme Penalty" 1.0 & 2.0

Here's two radically-different versions of the same sci-fi comic tale...

...with changes in the reprint forced upon the publisher by the Comics Code Authority!

This version appeared in Harvey's Black Cat Mystery #47 (1953) during the height of the horror comics boom.

It was re-presented in Harvey's Race for the Moon #1 (1959) after the Comics Code went into effect.

Let's see how things have changed...

Almost every panel has a change from the original, either in art or balloons!

Panel 4 has an interesting change in dialogue indicating the condemned survive in space...

Only change is dialogue in the first panel, which indicates the exiled criminals are still alive, but in orbit.

The figure of Judge Krenk being murdered in Panel 6, and his corpse in Panel 7 have been removed!

Panel One: Judge Krenk is said to be wounded, not dead!

Panel Six: Frances' face redrawn to look less maniacal and his sentence altered to confine him to his lab!

Interesting to note the alterations inflicted by the Comics Code!

Art (and probably story) by Bob Powell.

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Terror
(Anthology of the best of his 1950s horror and sci-fi tales)

Was INAPAK the Chocolate Drink That NEVER Actually Existed?

Tuesday, we presented the miracle chocolate drink Inapak...

Now here's an interesting point...

It apparently never existed!

Really!

From extensive research (we're talking off-line and on-site) thru the archives of several dealers and collectors who handle related food ephemera like Ovaltine and Quik (now Nesquik) packaging and advertising, I've yet to come across anything (besides the comic book) relating in any way to Inapak!

Could it have been a proposed project that never got off the ground, like Victor Fox's Kooba Kola?

If so, who was behind it?

Magazine Enterprises, the publishers of the The Avenger, FunnyMan, and original Ghost Rider, produced the comic, and it's copyrighted in their name, not an outside corporation, as most licensed comics are!
Bob Powell is obviously the artist, though the writer is unknown.
It's theorized on the Grand Comics Database that Gardner Fox scripted the two stories in the book.
Speaking of which, here's the short tale from the back of the book...

Now, here's my theory about who Major Inapak is and how he came to be...
At this point (1951), there were a number of kids' sci-fi tv shows like Captain Video, featuring characters who also promoted their sponsors' products...

...and there was talk of a tv version of radio/comic/movie serial hero Captain Midnight (who was still owned by Ovaltine) with a heavier sci-fi flavor to compete with Captain Video, Tom Corbett: Space Cadet, Space Patrol, et al.
A Captain Midnight show eventually aired in 1954-56 with some sci-fi elements, but set present-day to keep the budget down.

And of course, it had lots of promotion for products...)

Could this book have been a tryout with the original, futuristic, format for Captain Midnight, spotlighting his sponsor, Ovaltine?

And, when it didn't sell, the story was reformatted with a new character and a non-existent chocolate drink to demonstrate what Magazine Enterprises could do for potential clients, and then used as a trade-show giveaway to drum up business for a licensed-comic division (similar to what both Marvel and DC have today)?

Think about it...

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Remember INAPAK, the Amazing Chocolate Drink?

Bosco?

Bah!

Quik?

Crap!

Ovaltine?

Ewww!

You want serious chocolate flavor in your milk?

Here it is...

It must be true!

Major Inapak says so!

And Major Inapak wouldn't lie!

In fact, he uses science to prove his point...

Major Inapak returns to tell the Youth of America what to do...

You'll pardon me while I scamper out to the supermarket to get a box!

Be back Thursday for more on...Inapak!

Monday Mars Madness: a Twice-Told Tale INVASION!

One of the best-known Mars invasion tales is Orson Welles' War of the Worlds radio show...

Edited version

...which this twice-told tale "updates" to the television era!

But, it's radically-altered from it's first appearance, and that the original version had never been reprinted!

First the toned-down version, then the original, scarier version...

Original version

 Note in the original version, both the wife and singer on tv show a lot more cleavage!

Edited version

Original version

Again, more cleavage in the original version...

Edited version

Original version

Oddly enough, the wife's cleavage is unchanged, but the look of terror in the last panel is toned down!

Edited version

Original version

Panel four in the original version is much more gruesome than the edited version.  Note the dialogue balloon is unchanged, even though there's no actual weapons fire in the edited version!

Edited version

 This last page is radically-different! Prepare yourself!
Ready?
Proceed...but remember, I warned you...

Original version

Wow!

The edited pages were from Race for the Moon #1 (1958), which was reprinted in Shocking Tales Digest #1 (1981)

The original story was from Witches' Tales #21 (1953)

As you can see, the Comics Code Authority insisted on some major redos, including most of the last page!

What do you think, fans!

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The Chilling Archives of Horror Comics: Volume 2

Bob Powell's

Terror

Reading Room HOME RUN "Little Leagues"

With the return of fans worshipping at the temples of the National Pastime (aka "baseball stadiums")...

...we thought we'd look at the origin of how many of us (myself included) first experienced organized baseball!

There was a short-lived surge in sports-themed comic books from 1949 to 1952.

This particular one-shot from Magazine Enterprises, produced in 1952 (but published in '53), was the last gasp of that cycle.

Produced/packaged by writer/artist Bob Powell's studio, this non-fiction historical piece was typical of the high-quality material he supplied to numerous publishers including Magazine Enterprises, Street & Smith, Prize Comics, and Harvey Comics, from the mid-1940s to the early 1960s.

Baker Reading Room ALARMING TALES "Half Man-Half What"

"Scientists tampering with things Man should not meddle in" is an old cliche...

Art by John Severin

...given a new look by a most unusual assortment of artists...at least four, along with the writer...

Art by the Bob Powell Studio

OK.

Let's identify the talents involved in this never-reprinted tale from Harvey's Alarming Tales #5 (1958)...

Cover art by John Severin

Script by Dick Wood.

Opening page (which was actually the lower part of the contents page) by the Bob Powell Studio.

Story pencils by Matt Baker (who's the reason this is included in Black History Month, as you'll see Tuesday).

Story inks by Al Williamson.

Tuesday:

the entire story (and cover) in original art form, with some revealing alterations and footnotes!

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Matt Baker

Art of Glamour

Reading Room WEIRD THRILLERS "Shadow on the Screen!"

For all those whose parents told them "TV is bad for you"...

...and "comics are bad for you", well, they were right, as this comic tale about TV proves!

This tale from Ziff-Davis' Weird Thrillers #3 (1952) was illustrated by Bob Powell.

Powell, besides being a gifted illustrator was also a pioneer in the use of "color holds" in comic books.

The same technique he used on the tv screen was also used in a tale of radio and pulp hero The Shadow HERE, taking artwork that normally would be black-line and making it one of the color plates.

It was a very tricky thing to do back in those days since the interior pages were almost never proofed due to time and cost restraints.

But, Powell does some amazing things with the holds, making them line up exactly almost all the time!

Sadly, the writer of the story is, as in so many cases, unknown...

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The Chilling Archives of Horror Comics: Volume 2

Bob Powell's

Terror