Wednesday Worlds of Wonder MARS "Rebirth" Conclusion

We Have Already Seen...

...actually, this scene occurrs near the end of the story, below.

Paralyzed below the waist as a child, Dr Morgana Trace developed a method to project one's consciousness into a robot body via computer link for limited periods.
With the use of an exo-skeleton to walk, she's able to participate in a mission to Mars to supervise a team trained to use her robots on the planet's surface for construction and other tasks.
But when political problems on Earth get out-of-hand while the craft is en-route, the ship's crew and passengers face a critical choice...

There was a text feature at the end of this issue with some fascinating background about the series and characters...

The Saga Continues, Next Month!
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Wednesday Worlds of Wonder LOST PLANET "Thin Air" Part 1.5

We Have Already Seen...

Adventurer/fortune hunter Tyler Flynn, escaping from enraged South American natives in 1938, passes thru a portal from our world to...another!

It's a dimension where everybody speaks English (though they don't call it that), the technological level seems to be roughly around Europe's Middle Ages, dinosaur-like creatures are domesticated, ravens can talk, and the residents are used to people from Earth wandering into their realm!

Some also take an unhealthy interest in those Earthmen...

Could "Ambrose" be Ambrose Bierce?

He does know about guns, which no native of this dimension would have knowledge about!

Bierce disappeared around 1914, and Tyler fell in to this dimension in 1938, so that's not too unlikely!

And why does this woman want him dead?

Wha is he to her?

And who is she?

The Answers to These and Other Questions May Be Answered When We Return to The Lost Planet...Next Month!

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It's a HOT Time at the RetroBlog Summer Blogathons!

A New Blogathon Begins Tomorrow...

...as Nazi-Punching gets a week-long workout with Doc Savage taking on his Nazi counterpart raised by scientists using the same techniques Dr Clark Savage Sr used for Clark Jr...at the 1936 Olympics in a never-reprinted, extra-long, almost half-century-old tale!

Guest-Starring: a host of historical figures including Jesse Owens and Adolf (you know who)!

Tomorrow at Hero Histories!

Meanwhile...

Jet Dream & Her Stunt-Girl Counterspies continue daily on both Heroines! and Crime & Punishment (With a Stopover at True Love Comics Tales)!

If You've Missed Their Already-Posted, Never-Reprinted, Silver-Age Adventures, Click HERE, HERE, HERE, HERE, HERE, HERE and HERE!

And Now...

We've Completed the Massive Re-Presentation of the Time-Lost, Never-Reprinted, First Prose Novel Starring the #FantasticFour , Doomsday, written by Marv Wolfman!

And for Those Silly Enough to Have Missed Any of It...

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 & 16 17 & 18 19 20 21 22 23 24 25 26 & 27

RetroBlogs: We're Working Hard While You're on Vacation!

Space Hero Saturdays ALIEN WORLDS "Few and the Far"

In space, things aren't always as they seem to appear...

...as this never-reprinted tale from Pacific's Alien Worlds #1 (1982) demonstrates not once, but twice...

Admit it.

Writer Bruce Jones and artist Al Williamson fooled you!

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Wednesday Worlds of Wonder LOST PLANET "Thin Air" Part 1

Amelia Earhart, Judge Crater and Ambrose Bierce!

What Do They Have in Common?

Ask adventurer Tyler Flynn as he enters a world that's a kool mashup of everything from Lord of the Rings to Jurassic Park to Indiana Jones!

To Be Continued...Next Wednesday

Note that Carl, the first person Tyler encounters, mentions the aborigine we saw on Page 1, indicating either that Time works differently on this world or Carl (and likely other inhabitants) is very long-lived!
Written and illustrated by Bo Hampton, Eclipse's Lost Planet #1 (1987) was a pet project for Bo, who had already made a name for himself with superb work on Swamp Thing, Moon Knight, and Greylore.
He had written and illustrated a couple of short tales, but this was the first mini-series he scripted.
Hampton’s line art was done on Craft-Tint Bristol Board, used primarily by newspaper comic strip artists for the daily (Monday thru Saturday) strips, though comic book artists also used it.
(Wally Wood and Al Williamson, in particular, were masters of it!)
The textures were embedded in the paper, and different chemicals would reveal different patterns without smearing the India ink art.
It's rarely-used today because the effect can be recreated using Photoshop or other graphic programs after the art is scanned in or created on-screen.
As a result, the paper and chemicals have become scarce and expensive.
But the computer effect doesn't have the "organic" feel of the original paper.

To his credit, colorist Tom Littlejohn did a remarkable job within the technical limitations of the flat four-color separation of the era to keep the final version from being too muddied!

BTW, you can visit Bo Hampton's website HERE!
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